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Album of the Year #24: Run The Jewels - RTJ4

Artist: Run The Jewels
Album: RTJ4
Date Released: June 3rd, 2020
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Artist Background
The duo consisting of Atlanta rapper Killer Mike, and legendary underground produceMC El-P, known together as Run The Jewels, originally came together as a result of Adult Swim executive Jason DeMarco who introduced the two in 2011. After his 2011 album PL3DGE peaked at #115 on the US charts, Killer Mike told Jason that he wanted to make his own AmeriKKKa’s Most Wanted. Jason informed Mike, “If you want AmeriKKKa’s Most Wanted modernized, the only producer I know who comes close to the Bomb Squad-level of production is El-P”. The duo’s chemistry was immediate, as El-P went on to produce all of Killer Mike’s 2012 last solo album R.A.P. Music, and Mike featured on El-P’s final solo album Cancer 4 Cure. Mike and El’s respective albums released within a week of each other in May 2012, and the two embarked on a twenty-city US tour in the following months. After returning from tour, the pair had found a friendship growing between themselves, and made the decision to put other projects on hold and focus on the chemistry that had been sparked. Recording at an upstate NY studio beginning in April 2013, the duo re-appropriated the phrase “Run The Jewels” from the LL Cool J track “Cheesy Rat Blues", and released their self-titled collaborative album, for free via digital download, only a mere 2 months later in June 2013.
36” Chain vs. Pistol & Fist
Run The Jewels discography currently exists in a distinct pairing. With Run The Jewels as their debut, this record set the group's tone as a light-hearted, braggadocious duo with as much confidence in their abilities as swag in their punchlines. Just over a year later, the sequel Run The Jewels 2 took the foundation set from their freshman effort and dialed the insanity up to 11. RTJ2 pushed the boundaries of their aggression and flows to new heights; with incredible energy in their verses, and absolutely impeccable beats, blending El-P’s signature industrial sound with sharp synth arpeggios, chopped Zach De La Rocha vocals, and absolutely bonkers Travis Barker drums.
It was then nearly 3 years before Jamie and Mike followed up their breakout RTJ2, with Run The Jewels 3 being released again ahead of its scheduled release date via free digital download, this time on Christmas Eve 2016. Instead of these two attempting to outdo the pure insanity and in-your-face attitude found in their predecessor, Mike and El decide to evolve themselves as a group. The duo had noticeably pulled back on the swag and dick jokes which made such a splash on RTJ2, instead choosing a more subdued, electronic approach to their beats, as well as a clearly stronger political approach in their lyrics. This change in sound and style is demonstrated in the album cover’s artwork. The first two records featured the distinctive RTJ “Pistol and Fist”, with the fist tightly gripping a chain. The chain, in my opinion, represents the swag and braggadocio that drove the aggressive nature of their first two albums. In RTJ3 the chain is removed, leaving only hands that have transformed from bleeding and bandaged, to a pristine gold.
This brings us to early 2020. It’s been nearly 4 years of living in a post-Trump America, and El-P announces that Run The Jewels fourth record has been completed. Mike and El live-stream the first single “yankee and the brave” on Instagram on March 22nd, 2020. Lyrically and sonically, RTJ4 exists as the successor to Run The Jewels 3, with Mike and El again taking the good from their previous effort and launching it into the creative stratosphere. El-P’s beats are again leaning towards the synthetic, electronic side, this time with the intensity dialed all the way up to 11. From a lyrical perspective, RTJ takes the politically-charged lyrics from their predecessor, and again, up the ante, laying down some of the hardest hitting and politically poignant bars either of these two have ever spit.
Album Review
2020 was a year that none of us will soon forget. An unprecedented global health crisis kept the majority of us inside for months at a time. RTJ4 was announced on May 12th, 2020, with a release date slated for June 5th, 2020. However, with 2020 as the gift that won’t stop giving, the end of May was highlighted by the unjust killing of George Floyd. The phrase heard around the world, “I can’t breathe” instantly became a rally-cry for the oppressed to finally take to the streets to demand systemic police reform, as Floyd’s death was not the first time this phrase was uttered in an unjust police killing. In fact, a 2020 study by the New York Times showed that at least 70 people have died in police custody after using the same phrase over the past decade. As millions of American’s began organizing protests and demonstrations in the wake of Floyd’s death, Run The Jewels made the decision to release their latest chapter two days ahead of the scheduled release. El-P tweeted, just minutes ahead of the drop, “Fuck it, why wait. The world is infested with bullshit, so here’s something raw to listen to while you deal with it all. We hope it brings you some joy. Stay safe and hopeful out there and thank you for giving 2 friends the chance to be heard and do what they love”. In line with all past Run The Jewels releases, the album was made available for free digital download, two days ahead of its scheduled release date, on June 3rd, 2020.
THE RETURN (we don’t mean no harm but we truly mean all the disrespect)
RTJ4 opens with the first single, “yankee and the brave (ep. 4)”. Using the team names from their respective hometown baseball teams, Mike and El use the opening track to prove that they’re not just a hip-hop duo, they’re brothers, for better or worse. El-P kicks this installment off with rapid-fire, machine-gun esque snares, matching Killer Mike’s aggressive flow and tightly packed rhymes, before El jumps in to trade some dense rhymes as well. Mike and El depict themselves as outlaws, with Mike surrounded by cops with only one bullet remaining. He contemplates suicide instead of allowing the police to take him alive, until El-P jumps back in, offering Mike a way out, with a getaway car waiting outside. This tense situation is depicted lightheartedly in this song’s music video, which was released via Adult Swim and features the duo animated.
The trade-off between Mike and El’s short verses are reminiscent of late-80’s EPMD flows, while the production sounds like boom-bap that’s been sent to us from the future. This distinctive blend of old-school rap roots and forward thinking production is what continues to separate Run The Jewels from absolutely all of their contemporaries. While so many artists are continually playing catch-up with the latest trends, RTJ are side-stepping the trendy and moving forward with the mind-bending.
FLEXIN’ (ayo one for mayhem, two for mischief)
The second single “ooh la la” samples a Gang Star track "DWYCK (feat. Nice & Smooth)" as the basis for the chorus. I say “samples” as that’s how it is credited in the album’s liner notes, however it’s truly an interpolation of Greg Nice’s bar, slowed down slightly, and sung by El-P and Greg Nice himself. El-P is a true old-head at heart, and it’s abundantly obvious in his work, even going as far as to recruit legendary producer DJ Premiere to handle the scratching on the back end of this banger.
Out of key piano chords are looped to quickly create an unsettling aura surrounding the track, before El-P’s voice cuts through the infectious piano like a whip. Pounding, up-tempo drums are introduced after the chorus’ first iteration, creating what is possibly El-P’s first danceable beat. Lyrically, Mike and El-P initially seem scattered on this track, however the music video quickly makes their point very obvious.
”we imagined the world on the day that the age old struggle of class was finally over. a day that humanity, empathy and community were victorious over the forces that would separate us based on arbitrary systems created by man.
this video is a fantasy of waking up on a day that there is no monetary system, no dividing line, no false construct to tell our fellow man that they are less or more than anyone else. not that people are without but that the whole meaning of money has vanished. that we have somehow solved our self created caste system and can now start fresh with love, hope and celebration. its a dream of humanity’s V-DAY… and the party we know would pop off.”
The video envisions a society celebrating the fact that the class system we currently exist within has finally imploded. Money is worthless, and we have rejected the desire to bind ourselves to the constraints of capitalism. All creeds and colors unite to burn the system that has so effectively controlled us for over a century. It’s a party, and if there was a song to celebrate the end of the world as it is currently known, “ooh la la” is that song.
Mike’s last verse features a few metaphors and comparisons celebrating the destruction of capitalism, saving the most poignant for last:
I used to love Bruce, but livin' my vida loca
Helped me understand I'm probably more of a Joker
When we usher in chaos, just know that we did it smiling
Cannibals on this island, inmates run the asylum
Premo’s expertly cut scratches lead us into the equally hard hitting sample flip of “Misdemeanor”, by Foster Stevens as the basis for the beat to “out of sight”. Lending yet another nod to the old-school greats that laid the foundation for RTJ, “out of sight” samples the same track as The D.O.C.’s “It’s Funky Enough”, only adding a bouncy, electronic synth atop the inverted chord hits, and uptempo, industrial drums, to create an absolutely infectious groove for Mike and El’s dynamic chemistry to shine, rapidly jumping between each other’s two line flows in the first verse.
“out of sight” shows each MC providing insight into how each of them earned a living and achieved their current status. Mike and El’s opening verse each details themselves robbing people in order to eat. El alludes to the fact that he crossed his accomplices in crime for the whole bag, while Mike details the fact his assailant tells him it’s an “honor” to be robbed by his mother’s only son.
While El-P’s production is the obvious stand out on first listen, Killer Mike comes through with one of the most sonically pleasing and technically proficient verses of 2020.
We the motivating, devastating, captivating
Ghost and Rae relating product of the fuckin' '80s
Coke dealin' babies, never regulating, bag accumulating
It would not be overstating to say they are underrating
The pride of Brooklyn and the Grady, baby
We don't need no compliments or confidence
Our attitude and latitude is "fuck you, pay me"
The dense, intricate rhyme schemes smack you in the face, almost distracting you from Mike’s delivery and blistering flow on the verse; flexing his legendary status while paying homage to his drug-dealing past. This absolutely stunning display of technical skill, story telling, and complex rhyming illustrates how RTJ seamlessly integrates the best of both old school and new school hip-hop.
“out of sight” also features a guest verse from 2 Chainz, and he continues to lay the braggadocio on thick. Considering Tity Boi’s dedication to trap stylings, his verse feels right at home on the flex track, despite it’s late 80’s tribute sample, a considerable departure from his usual sound palette.
Up until this point, I haven’t mentioned any of the El-P’s lyrics specifically. El-P is a great rapper, but Killer Mike… Well, Killer Mike is an incredible rapper. He’s the guy who draws you in. El-P is the one who lays the foundation for greatness and Mike is the show stopper, and that’s generally the case for most RTJ tracks. But on “holy calamafuck”, El-P seems determined to make people stop and ask, “Who the fuck is this?!”.
A sharp, yet nearly minimalistic drum kit backing a heavily distorted synthesizer melody lays beneath rhymically knocking cow-bells. This aggressively set stage allows Mike and El to flex as the dynamic duo they are, until the beat suddenly takes a turn for the chaotic. A gnarled, ultra-menacing synth overtakes everything while Mike screams into the abyss, until a distorted snare, enormous 808s, and skeletal hi-hats cut through and launch the beat switch into another dimension. The minimal, yet incredibly dark soundscape allows El-P to snap in a way I have never heard from him previously. His rhymes schemes are reminiscent of an old MF DOOM lyric notebook, while his topics flawlessly combine flexing, psychedelic use, and his well-cemented legacy in the hip-hop community. Cutting and pasting a few of his bars into this review could not convey a fraction of how stunning El-P’s performance on “holy calamafuck” is.
Slightly later in the track list, making liberal use of the Ether song “Gang of Four”, “the ground below” samples and loops the sharp guitar riff and adds aggressive, pounding drums as the basis for the beat; this is finally reminiscent of the forward-thinking, stridulous production El-P has built his reputation on. Capitalising on the classic RTJ moment, Mike and El both flex in their own unique ways. Mike compares himself to Godzilla taking on Tokyo, and El-P demands respect for his name as the legend he is, threatening to smack dying children for mispronouncing his name with his middle finger to the world; his complete disregard for human life and confidence in his abilities are summed up at the end of his verse.
You see a future where Run the Jewels ain’t the shit
Cancel my Hitler-killing trip
Turn the time machine back around a century
SO¢IAL JU$T-ICE (until my voice go from a shriek to whisper...)
While the first few tracks aren’t without their social and political themes, the back-end of RTJ4 is where Mike and El start to bust out the heavy topics. “goonies vs. E.T.”. starts off light, with El-P pointing to the irony of how once he finally started to make it “big” in the industry, the world began to descend into chaos due to climate changes, increasingly obvious social injustice, and political madness. He culminates his frustration with our disregard for the Earth with a fantastic quotable.
Fuck y’all got, another planet on stash?
Far from the fact of the flames and our trash
That is not snow, it is ash, and you gotta know
The past got a wrath, it’s a lover gone mad
Mike’s verse takes the light-hearted frustration expressed by El-P, and turns the aggression to the next level. Aiming his sights against the ruling class and their society that’s been designed to oppress people for profit, who have very meticulously painted themselves as celebrities and idols to the American public. Mike accepts that he will be villainized by these people for speaking against them, but he welcomes the nefarious role, knowing that the working class will eventually eat the rich, no matter how much they are stomped into the dirt.
And this is just the warmup.
If it’s possible for a song to represent a moment in time that captures the absolute shit storm that has been 2020, “walking in the snow” is that song. It’s release coincided perfectly with the protests for George Floyd which were sweeping the nation. Killer Mike’s verse directly references the phrase “I can’t breathe”, the last words of Eric Garner, which also happened to be the last words of Floyd as well. The fact that this verse was reportedly written in November 2019 perpetually underscores the importance of the content and perfectly represents how persistent this problem is. “walking in the snow” is a true encapsulation of both a defining moment in time and an ever-persisting issue.
But he doesn’t just stop at the racial injustice. Mike goes on an absolute rant about the American education system; how it’s not designed to teach people, but to discriminate against poor populations, limiting their legitimate opportunities, and therefore disproportionately leading them into a criminal lifestyle. He calls out the media as fear-mongers, and the apathy of the American public in the face of indecency. Fortunately for Mike, by the time we finally had the chance to hear this masterpiece, we were already on our feet, using this album as a war cry to mobilize against a tyrannical government that militarized against its own citizens simply for asking that we recognize systemic racism and demanding change. Killer Mike has the best verse of the year, no doubt in my mind.
The only drawback is that Mike’s verse is so fucking good that it completely overshadows El-P’s, which is also amazing. A menacing guitar riff and haunting synths kick the track off into a bouncy groove, where El-P unleashes a flurry of internal rhymes that does not relent for about half his verse. Even adding layers of social commentary within the densely packed bars, El refuses to quit and continues on his political tirade; criticizing ICE’s detainment center practices and the “pseudo-Christians” who support them, with a bar that now lives in my head:
Pseudo-Christians, y’all indifferent, kids in prison ain’t a sin? Shit
if even one scrap of what Jesus taught connected you’d feel different
what a disingenuous way to piss away existence, I don’t get it
I’d say you lost your goddamn minds if y’all possessed one to begin with
The combination of two of the best verses spit by any rapper(s) this year and production help from El-P and long time RTJ collaborator Little Shalimar, create a bouncy, aggressive, deeply truthful banger. “walking in the snow” not only encapsulates the crux of 2020 with lyrics that will become more powerful as they age, but will also forever be associated with the Black Lives Matter movement and the determination to expose continuing racial and societal injustices.
The sonic palette of RTJ4 holds an extremely unique place in El-P’s discography. Jamie is the definition of a self-made 90’s hip-hop legend. This is the dude who put New York underground hip-hop on the map with Company Flow, and he did it with his unique flavor of dark, noisy, dense, boom-bap. Whether he was doing it with the help of Rawkus, or completely independently during his Definitive Jux run, El-P has never made music with the intention of becoming famous. Funcrusher Plus, Fantastic Damage,I’ll Sleep When You’re Dead, and Cancer 4 Cure are all highly revered as industrial, technical, abrasive, and completely unsuitable for the radio or a party. The fact that three songs on RTJ4 could easily be heard on the radio, at a party, or in a TV series credits scene is frankly, astounding. In a 2002 interview/documentary on El-P’s budding record label Def Jux, he stated that his friend bet him $500 that he could not make a beat that was “happy”. At the time of the interview, El-P said that he had not won that bet yet. While I might not qualify the beats on RTJ4 as “happy”, if you showed El-P the beat for “JU$T” in 2002, I believe he might have won that bet.
Pharell opens “JU$T” with the pre-chorus, spitting varied examples of how we’re all slaves to our current system throughout the track, over echoing snares and bouncy 808s before bright synth chords and up-tempo hi-hats burst in while Killer Mike delivers the chorus, pointing to the fact that the majority of the people featured on American currency owned slaves at one point in their lives. Mike’s verse touches on the fact that he has committed crimes to get where they are today. Mike is publicly open about his past as a drug dealer. So why is he a criminal, but Benjamin Franklin isn’t? These are the people who built our country, and they built it on the backs of slaves. He illustrates this theme with a more recent examples:
You believe corporations runnin marijuana? Ooh (how that happen?)
and your country gettin ran by a casino owner (ooh)
pedophiles sponsor all these fuckin’ racist bastards (they do)
When corporations are able to sell cannabis legally, but the government continually incarcerates people who trap, our president is a notoriously fraudulent businessman, and the people who helped put him in power run a pedophile ring, yet none of them face consequences and are allowed to continue to profit and remain in power while people suffer; well, we might be closer to slaves than previously imagined.
Rage Against The Machine frontman Zach de la Rocha also makes his mandatory feature appearance at the end of “JU$T”. As the only artist to feature on three Run The Jewels albums, Zach is essentially an unofficial member of the group at this point. His fiery verse is spit with the same “Rage” energy that set him apart in the mid-90’s, ending the track questioning his place in a capitalist society as a recipe for his inevitable demise, since his “breath”, or art, as his weapon to express himself is still being exploited for other’s profit.
Continuing with RTJ4’s heavily synthetic sonic palette, “never look back” features wavering synth leads resting above the slow-jams snappy snares and thumping bass, while a haunting voice echoes in the background. This unsettling aura provides additional gravity for Jamie and Mike to continue self-reflecting on defining moments in their childhood, and as well as how far they’ve come from those moments. Mike and El are both self-made men, and while they have a certain fondness for those gritty moments that defined them, moving forward in life is undoubtedly more important.
Skeletal drums reminiscent of a slowly pounding heart opens “pulling the pin”, before rhythmic hi-hats and textured, watery synths fluttering in the upper register resting above a bouncy synth lead, and punchy 808s, burst in. The track digs itself into a slower, marching groove and shows the duo figuratively doing exactly what the title implies. Painting a portrait of a society that has turned on itself, Mike and El are ready to pull the pin and start over.
The duo both detail their despise for the ruling class, pointing out multiple examples of how the elite have designed our society to keep poor people in their class. Simultaneously recognizing their own hypocrisy for profiting in a system that inherently discriminates; Mike reflects on his own success, knowing that living the lifestyle he enjoys is one built on oppression, and expresses the guilt that has caused him. El-P opens with a brutal metaphor for police, implying that they’re the root cause of the “wretched state of danger” our society exists within, and that the only effective corrective action is to numb yourself with drugs. Despite his advice, Jamie knows this is not a permanent solution, but one that causes more self-inflicted wounds.
The final piece of the puzzle that is RTJ4, “a few words for the firing squad” begins to close the album with ever crescending strings, and loud, thunderous drums which never seem to resolve, continuing throughout their verses. While the drums that lead to nowhere can be sonically unpleasant, the unresolved melodies are intentionally representative of their current mindsets. Their verses are reflective and grim, but simultaneously optimistic and envisions a world where tragedy is a less common occurrence.
El is grateful for what he has now but recognizes his entire life has been skewed by traumas, so out of place feels normal for him. He reflects on his current success, noting that the worst people tend to end up with the most, which makes becoming “rich” something not as desirable as it once was.
Mike opens up about the death of his mother who died while he was on an airplane, admitting his struggles to not cope with his trauma with opioids. However, his wife provides him the most important reason to stay clean “but my queen/say she need a king/not another junkie rapper fiend” while a heartbreaking saxophone solo highlights the gravity of his lyrics.
The track ends with what sounds the like wrap-up voiceover to a TV show, a conceptually satisfying ending, as the opening track “yankee and brave (ep.4)” began with El-P stating:
”This week, on Yankee and The Brave”
This voiceover paints the duo as brothers on the run from the law and crooked cops, and while this does close this “episode” out as intended, the critic in me is bothered by the slightly kitschy outro to such a spectacular album. The voices singing over and over, “Brave, brave, braaaaaave, Yankee and the Brave” would be, simply put, better left on the cutting room floor. The ending of this track alone is what knocks my score of this album down a few points. Despite its stellar lyrical content, with drums that never seem to reach that “holy shit!” moment, and the easily skippable outro, it’s upsetting to me that an album this great ends on such a low note.
Overview
RTJ4 is by far my favorite album of the year. El-P’s cutting edge approach to their sound, blended with lyrical content that continues to be more relevant by the day, the duo have come together with what is objectively their most accessible album to date. RTJ4 is the natural evolution of sound and subject matter for the duo; taking the foundation set by Run The Jewels 3 and evolving it into a more concise, more accessible, and more conceptual album. While I still personally prefer the “fuck the world” intensity and experimental nature of Run The Jewels 2, RTJ4 opens themselves up to a whole new world of exposure, and when you’re as talented as these two, you know they’re going to capitalize on it. RTJ is currently at their apex, and they’ve created an album that will make many new life-long fans going forward.
9.2/10
Discussion Points
  • How does this compare to other RTJ releases? How about in comparison to the member’s solo works?
  • Does the overwhelmingly positive critical reception of this album surprise you?
  • How will this be looked back on in 5 years?
  • What are your favorite lyrics?
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Obvious, but somehow controversial take: TLJ is just as unoriginal as the rest of the ST

TLJ is ESB 2.0, much like TFA is ANH 2.0. The movie starts with the evacuation of the Rebel Base (Hoth and D’Qar) before they are chased by the Empire (the Asteroid Field and the Slow Speed Chase). This is intercut with a Jedi training sequence with an exiled, legendary Jedi Master training the last Jedi with R2 in tow (Dagobah and Ahch-To). These planets even have similar environments and include a dark side cave sequence. In the meantime, our heroes escape to a casino (Catino Bight and Cloud City) and are betrayed by a swindler (Lando and DJ) while trying to help them escape the Empire. This is intercut with ROTJ throne room scene taken almost word for word and ends with an shocking parental reveal a la ESB. TLJ ends with the Battle of Crait, which is basically the Battle of Salty Hoth, but just at the end of the film.
So why is this movie considered an original masterpiece and the “only good one” of the trilogy? Because it puts in just enough subversions to invert the scene while not actually changing the outcome. For example, the Ahch-To sequence is the Dagobah sequence but Luke (the new Yoda) doesn’t actually believe in the Jedi anymore. However, the outcome is still the same- the last Jedi is trained and rushes off to save their friends. The inconsequential subversions are enough to trick some fans into thinking that the movie is an original masterpiece that takes Star Wars in a new direction when literally the movie declares the Empire in charge again. The superficial changes are enough to placate them.
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Basic Rotes for the Euthanatos - Mind

Ok... it took a while but here is the next sphere for the euthanatos. I´m sorry I´m taking this long to release these posts, but life has been truly demanding these weeks. If you guys have the courage to get through this wall of text please say what you think about the work so far.
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Please, send some feedback if you can.
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Past Lists:
Basic Rotes for the Traditions
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Mind
O - Dissecting reflections - While many traditions recognize the idea of a soul and relate it to a person's individuality and psychic identity, the chackravanti for their part, hold a very different concept from the ghostly images we often see depicted in stories and myths. That which is truly immortal in ourselves is the atma, which is boundless, infinite and unquantifiable awareness. The mind is actually a material object shaped by karma, a vase full of resplandencent water in which all individuality is just reflected light of the universal consciousness. Lives pass away, worlds arise and dissolve, passions come and go, what remains is the gaze of eternity, from which we all descend.
Through meditation, spiritual communion and immersion on the secrets of life, death, the gods and rebirth, the euthanatos experience all sort of spiritual influences over their minds, bodies and souls. They sediment the realization that even minds are external phenomena, things that we observed, analyse and judge, momentary vessels bound to the wheel as any other physical forms, worn and discarded by the atma in its procession through eternity.
During instructions on this rote, mantras and prayers are taught as aids for mages to retreat from their own minds. In this wordless state of pure awareness, the true source of emotions, memories and thoughts become clear as either bubbling from within or intruding through the actions and influences of exterior forces. Through this spell the traces of mundane persuasion, emotional manipulation and trickery becomes as clear as more overtly supernatural commands and the gross organic motions provoked by drugs, sleep deprivation, physical discomfort, neurological problems or pathologies can be distinguished from pulses arising from deep within the subtle mind. By extending his perceptions to other beings, painting their third eye with sacred tinctures or leading them into song, ritual and yoga, the mage can penetrate the subtle shell that safeguard another consciousness and extend his senses, finding similar clues about influences working inside.
O - Constricting Knots - Fate and karma bind the heart in supernaturally powerful knots, as regret, grief, trauma and longing constrain the shape and movement of the mind, ordaining the obsessive return of specific thoughts, memories and impressions. The connection thanatoic mages have with the wheel makes them especially sensitive to the vibrations, tunes and pulse tormented souls leave in the environment.
After strengthening his personal connection to the forces of fate and karma through exercises of worship, funerary work or spiritual practice, the mage may choose to keep his senses open to the presence of people around him. While walking among those present in a funeral or vigil, it is easily to discern who is most perturbed, regretful or tormented by the passing, while reading the laws of a contract, vows of a pledge or duties associated with a role it is easy to spot the tell tale sign of discomfort and doubt at unfulfilled obligations or unwilling bondages. While watching over a crowd the mage can also discern which souls are most troubled, deranged and who may warrant a deeper investigation, maybe hiding skeletons in their closet. More merciful observations also reveal what people may need a comforting word or even timely intervention in order not to drown on their own grief, sadness or unhealth obsessions.
OO - Whispers of Silence - One of the similarities between the chackravanti, Sahajyia and the akashayana is that a core part of their style lies in the development and cultivation of faculties that outsiders often conflate with all sorts of psychic powers described both in myth and science fiction. These traditions often use meditation, mantras and physical practices such as yoga and martial arts as common gateways to such powers but each group gives emphasis to different elements of those practices. The akashics often immerse themselves in the motion and presence of their exercises learning to cultivate and hold specific transcendental mindset that can hardly be explained by words alone, only experienced through trainning and repetition, Sahajiya pursue the opening of perceptions arising from the energies and states of consciousness developed in such rituals while euthanatos see diligent work, both physical as well as spiritual, as building a stable path of development, strenghtening the spirit in a similar way physical exercise builds the physical body.
This specific rote makes use of the sharpened spiritual senses developed by the mage to capture the faint energetic vibrations provoked by the motions of the mind. Through meditation and yoga the chackravanti infuses vitality in the invisible organism upon which his spiritual senses are build, by painting the third eye with the appropriate spices, herbs and tinctures he both cleanses and attunes it to the proper essence of thought and through mantras and breathing he removes all distraction that could interfere with his supernatural perception. While walking among other meditations, the guru judges if they are holding the proper mental patterns or silently humming the correct mantras, by peering deep into the eyes of a suspect, the investigator listen to all words that aren’t said in a conversation, by diving in crowded markets the peregrim tastes bits and pieces of each person’s thoughts looking for particularly troubled, violent or enlightened scents that may warrant further attention. Both in memorial services as in crime scenes killers are often captured as they can’t help but coming to gloat on bewildered investigators and during high stakes games in casinos both legal and illegal, lakshmits can’t help but smile at how easy it is to bluff their way into the fortunes necessary to fund the tradition.
OO - Gravitas - The heart of each creature pulses with energies and emotions proportional to their level of spiritual evolution. While on a sensible level, all humans may seem similar, the vibrancy, tension and pull of their subtle organisms reveal differences in spiritual evolution as deep as those of the size, gravity and between the planets and stars that dot the night sky. Through their dedication to the maintenance of the universe, euthanatos transform themselves accumulating the kind of enlightened karma that is said to allows souls crossing the wheel to ditch the human condition and rebirth in the exalted form of gods and goddesses. This spiritual merit, can be used to exert enormous emotional pull, plunging the hearts of sleepers into the mage’s metaphysical gravity, synchronizing their moods, feelings and dispositions with the divine motion the mage cultivates inside himself.
By praying for the deceased, the mage can calm the hearts of the grieving, by singing mantras in a temple, worshipers are reminded of the depth of eternity, with whispered threats backed by sacrificial knives, fools can be made to feel deep, unrelenting dread and regret. The focus of this rote is often a jewelry, symbols or idols of the gods of the wheel as well as the morbid attires and distinct signs that set euthanatos as tenders of the dead and gatekeepers of eternity. Whatever the emotions the mage exhudes they all lead to states of deep contemplation. humility, quietude or regret preventing the heart from entertaining the petty problems of daily life, leaning toward appreciation of that which truly matters on a greater picture of the cosmos.
OOO - Dreadful Reminder - There are no perfect crimes or unseen secrets. Our own thoughts, memories and hearts are the eyes of the gods and goddesses of fate, in our roots, we all connect to the eternal motions of the wheel - a single soul split in a million shards, trying to experience a multitude of different lives while longing for the cyclic end of times when everything reconnects and returns to one.
While the life span of universes is long, each heartbeat counts, forever lost once spent. The clock is always ticking and the possibilities of life reduce bit by bit each day. This rote teaches the mage to hold that pervasive fatality through mantras, offerings to the gods and hands dusted with bone ashes or blood tinctures. By touching a sleeper or holding his gaze while performing a dreadful mudra or mantra, the mage infuses his spirit with heavy, sinking energy that resurfaces the deepest regrets or painful losses, makes eyes flood with bitter tears and cracks voices up with supernatural disquiet.
If used on wake victims, this rote may lead to sobbing confessions, catatonic introspection or, if the euthanatos cover his skin with ashes or paints the visage of the black goddess over his face, make the victim see the source of his torments and regrets in the person of the mage.The subject loses notion of time and place, disoriented as if deeply intoxicated, he may think he is relieving the context of a past trauma and may attack, try to make amends, confess or apologize.
If used on a sleeping person, this rote warps dreams into nightmarish reenactments of past trauma, favoring the situations in which the subject regrets having taking part. Shaking and sweating, the person vocalizes in his sleep and may be led to answer questions the mage asks as the words reshape themselves in the lips of the figures present in the dreams.
OOO - Spiritual Agony - Spiritual development is the feeding of a flame that burns brighter and hotter while sustained by karmic fuel. The presence of illuminated beings is bright light that expands just beyond the material spectrum, capable of blinding and burning the senses of lesser beings that refuse to cultivate their spirit or end up becoming too accustomed to dwell into darkness. When channeling the wheel or expressing their inner divinities, chackravanti ignite the invisible bodies like furnaces, blazing like few things on the material world ever could.
This rote is a two part process in which the mage “heats up” his own enlightened soul and, through mantras, curses, and energy projection using asanas and mudras, he stirs into torpid motion the invisible senses of a target. Confronted by a sudden flash of invisible brilliance, the unprepared soul shakes, burns and twists in spiritual agony. Such discomfort manifests as a strange headache that rapidly intensifies into a feverish migraine and a disorientation that becomes a complete inability to string coherent thought, speech or remember anything other than the pain and the present moment. Continuous exposure to this magick rapidly takes out a victim, making its consciousness retreat in itself not to confront the light. This is a technique often used to contain or take out a victim without showing signs of actual physical violence.
OOOO - Hanging by their words - A healer is just a man that set himself to study organisms like his own so he can know health, disease and the divide between, a general is but a soldier that learns to guide a much larger army them himself by predicting the rules and motions of war and the skilled boatsman drinks from the river’s water but knows to respect its currents and depth. The role of a mage, to the euthanatoi, can be understood in the shadows of those figures. While sleepers live and die blind to meaning, fight battles they don’t understand and drown in the currents of fate, the awakened have conditions to learn the eternal laws of karma, become the avatar that turn the great wheel itself and can channel the forces of fate as long as they obey and respect their position related to them.
This rote manifests this perspective as the mage adorns himself with the symbolic garments of the great judges of the underworld, the furies or the sisters of wyrd and lends his eyes, ears and voice to the greater forces of fate, justice and cosmic order. Empowered by and moving along the chains of fate, the euthanatos can force people to comply to oaths previously taken, duties they once accepted and traditional roles that they willingly and knowingly fulfilled.
Under matrimonial vows, partners confess their deepest secrets and desires to each other, In a court of law no lies can be ever uttered, police officers can’t help but uphold not only the letter but also the spirit of the law and are compelled to put their own lives on the line in the defense of the citizens they swore to serve and protect, physicians can do no harm and the self proclaimed followers of a god and adherents of a religion cannot act against their creed, deny service to their temples or participation in adoration of their deities. Promises made in the euthanatos presence can be enforced through mystical might as free will become powerless against the forces itself has put in motion. While the mage is a channel for oppressive spiritual pressure, he is just an instrument to that which people bring upon themselves. If the cause is proper and just, he may try and set traps to ensnare the uncautious, but they must always fall themselves into foolish promises for their will to be subsumed by this spell.
OOOO - Rivers of rebirth - The chackravanti consider physical things many elements other mystics see as intrinsic or deeply tied to the most rarefied parts of the spirit. Among those things is memory itself. Seen as another vessel for the atma or a stains on the outer fabric of the soul, memories are dissolved and washed away in the process of rebirth either in the fires of the Wheel or the cold waters of lethe. By divesting themselves from the heavy substance of past lives, people prepare to reenter the world with a lighter karmic burden, flexible and amenable to building a better platform on which to stand for further cycles of rebirth.
This rote allows the Euthanatos to bring into the living world the spiritual mechanisms that lifts the weight of memory. The enactment of prayers, mantras and the retelling of epics over the consecration of jars of pristine water, specially prepared baths, scented curtains of fine silk or white cloth drenched in perfume create appropriate physical vessels to extremely fine and powerful spiritual emanations. By submerging, bathing or guiding a person through such filters, the mage can make a person forget their whole lives and begin anew, reborn while still in the flesh and better suited to rebuild themselves a better karmic vehicle in this life. A limited, more controlled, version of this process can be enacted by making a people confess their traumas and regrets during the execution of the ritual. By using a lighter touch the mage erases only those elements brought to the forefront of the mind, living all the rest intact. The finest, most delicate version of this rote uses small cloths, special perfumes and exquisite bottles to either douse a victim or with which to imbibes a piece of cloth used to suffocate a target. This very limited exposure only takes away the immediate moment from memory and, if the victim is guided into telling pieces and bits about themselves, those facts are only temporarily removed slowly manifesting back in the recesses of the mind as days pass by.
OOOOO - The Shadow Arbiter - Thanatoic Masters learn how to turn the same processes that nurture their inner gods and goddesses to seed the spirit of other beings. Fed and deeply connected to the strands of fate, these embryos develop into powerful psychic entities, always watching and judging their hosts so they properly fulfill all oaths, duties and vows they might take.
This rote is traditionally done through mantras, brandings and sacrifices made at the feet of statues of cthonic deities or in ancient temples dedicated to the Gods of the Wheel. On their knees, the target host must utter their oaths, promises and vows to the cold uncaring visages of stone and become haunted by their images that burn itself deep inside their minds. From that point onward, whenever they are alone, look to mirrors or fall asleep, the impassive eyes of eternity hover over them and the silhouette of bloodthirst gods dance just outside their field of vision. If they are pious and truthful, such presence recedes to the background, but if they foment even the briefest thought about betraying their duties, terrible and violent images jump to the forefront of their minds, they drop into bouts of insanity and may feel all sort of phantom pains and tortuous delusions.
When brought to the presence of the chackravanti, the hosts of these entities can be made to fall in deep torpor, allowing the entities to take hold of their body to express their judgement and report events that may have happened. In such terrible occasions, the entity and the chackavanti may agree to sentences, missions and attonement plans that are informed through nightmares at the proper times and are enforced through the painful leash of madness.
This is a rote often used to ensure victims make amends for large karmic debts they might hold. It is an alternative to the good death to those beings that are considered too tainted to be safely released into the wheel before working to lift at least some of their karmic debts. While a nightmarish experience, to host such small avatars of the gods, is seen as a sacred honor as it exposes a person to holy emanations that are said to help in growth and healing of maladies of the soul.
OOOOO - Unlocking the Vessel - Mastering the intricate locks that bind the ethereal organism to the gross physical body is the traditional feat that sets masters apart from lesser thanatoic mages. This work is done by carefully using material reagents, pigments and natural essences in an environment properly harmonized through mantras, devotional services and powerful energetic cradles created by the most elevated spiritual faculties of an enlightened master. With a careful touch on the chackras and prana pathways, this rote expertly looses up the soul from its organic vessel without damaging the systems that are used to connect one another. Temporarily freed from its body, the subject of this spell can wander around as a immaterial ghostly figure only other astral travelers and psychics can properly perceive.
While in control over the spiritual gates of the body, the master can also choose to bring other souls into the vacant vessel and, with a proper setup, cross operations can be done, making souls temporarily switch bodies, flowing into each other through a artificial, common, spiritual circuit.
Once the influence of the spell fades, the souls are rapidly brought back to their vessels as long as their silver cord, a metaphysical link between the astral and material vessels, is kept intact. To cut such link, though, is an easy task for a thanatoic mage able of working this rote, and in some war chantries it is a common tactic to keep prisioner’s spírits away from their bodies and under constant treat of a final severance.
submitted by kaworo0 to WhiteWolfRPG [link] [comments]

20 Overlooked Single Player Indie Games

We're all familiar with the Hotline Miami's, Hollow Knight's, and Celeste's of the world. These are some of the indie games that hit the big time. Of course, for every one of these games, there's 100 other indie games that have been glossed over, relegated to a spot in a digital store few people will ever find themselves in. I wanted to bring attention to some of these lesser known indie games.
I'm going to order them according to Metacritic Critic Ratings. Some of the games at the bottom have pretty low critic ratings. I personally disagree with the low scores of these games, but it's only fair that you hear from more than just me. Keep in mind that games with only one or two User Ratings on Metacritic will not show the score. A game needs at least three User Ratings on Metacritic before the score will be shown. This is not the case for Critic Reviews.
Price will contain the U.S. PlayStation Store link to the game.
1. Hayfever
2. Valfaris
3. Four Sided Fantasy
4. Bleep Bloop
5. Horizon Shift ‘81
6. Daggerhood
7. Momodora: Reverie Under the Moonlight
8. Ultra Hat Dimension
9. Remothered: Tormented Fathers
10. Reverie
11. Inertial Drift
12. Cursed Castilla (Maldita Castilla EX)
13. Pato Box
14. The Count Lucanor
15. The Bunker
16. A Tale of Paper
17. Late Shift
18. SINNER: Sacrifice for Redemption
19. Verlet Swing
20. Neon Drive
Conclusion
My top 5 on the list in order would be the following: (1.) Hayfever, (2.) Valfaris, (3.) Cursed Castilla: (Maldita Castilla EX), (4.) Momodora: Reverie Under the Moonlight, and (5.) Bleep Bloop.
Have you played any of these games? What are some other overlooked single player indie games?
If you’re looking for more indie games to play, see my post here:
submitted by Underwhere_Overthere to PS5 [link] [comments]

If you were a Script Doctor for Star Wars, what would you change?

One of my best memories of Star Wars when I was a kid was getting together with other Star Wars fans and envisioning what we would do to help fix our personal issues with the most recent Star Wars movie we saw (it was the prequels). I remember great discussions about it and to be honest it's one of the things I miss most. I have tried to have conversations about it on other Star Wars forums only to be shot down, and belittled. However, I would like to try again here and have a great discussion with you guys.
A few years ago I came across "What if "Star Wars" was Good?" on youtube and it really hit me to what I was missing. Even though I didn't always agree with what he was saying I really missed that sort of energy and enthusism in fandom.
https://www.youtube.com/watch?v=VgICnbC2-_Y
The only rules are:
1) No calling out creatives, they don't matter to the discussion.
2) No complete rewrites, just altering what is needed to improve the story/get the point of the story across.
3) Keep everything Star Wars
I will start it off with what I would do with The Last Jedi, I would love to hear your thoughts on my chances but also your lists for any Star Wars movie.
So here it is:
Star Wars The Last Jedi Script Notes (by me) (Sorry for the long list)
(NOTE: this change is a last minute change that should have been called for after the untimely death of Carrie Fisher)
(CREDIT to a reddit thread who proposed this)
(No matter what state Luke or even Lando is in, they wouldn't ignore a call for help from friends)
Would these changes make a difference to the quality of the story? Give a direction for the characters? Or would it still have been a great/bad movie with or without any changes?
submitted by Karce81 to saltierthancrait [link] [comments]

TLJ is the best Star Wars film.

IMO, as a lifelong Star Wars fan turning 30 this year, TLJ is the best Star Wars movie I’ve ever seen. IMO, it had within it everything Star Wars needed at the time, and I wish JJ didn’t throw out all of Rian’s ideas in TRoS. I think that the original Star Wars film is the most legendary since it was essentially George Lucas’ Citizen Kane, but I mean almost 40 years later we’ve got way better acting and cinematography and SFX, it’s incredibly noticeable.
Idk what others see when they see TLJ. I suppose they see: bad jokes, a fallen Luke, female commanding officers exercising their chain of command, an ugly Chinese woman, space Leia, Yoda being yoda (idk why they hate that tbh), and anticlimaxes like Snoke dying and Finn surviving. People couldn’t handle the idea of Luke failing at something and then not fixing it by swinging his laser sword, which is actually joked about within the movie when Rey tells Luke he needs to fight the First Order.
But I see TLJ and I see way more than that, I see something incredible: Heroes fearlessly standing against a far-stronger evil, Rebels making the ultimate sacrifice, the horrors of war, criticisms of war economies, a hero fallen who rises up like always and saves the rebellion and critically wounds the strongest man in the Galaxy all while not using any violence whatsoever (intensely Jedi moment; Obi-Wan would 100% approve), deep Star Wars expanded lore (mind-linking, Leia’s force, Han’s dice, force projection, etc), probably the ultimate Cantina-scene (The Casino scene, rich with aliens and droids never before seen), Yoda being Yoda, as well as deeply artistic visuals such as the juxtaposition between Rey and Ren while they talk, Rey planet-side in the cool blue rain, life everywhere, while Ren is in space surrounded by machines of death, black and red everywhere with red-hot metals raining down. Plus, these movies establish Rey and Ren as the ultimate forces of good and evil in the galaxy by having both Luke and Snoke die, leaving them to be their own masters, as well as it establishes that the force can create heroes like Rey from nothing to balance the force, just like with Anakin (yet JJ took all that away). Also, Carrie Fisher’s last performance.
And all of this is accomplished without gimmicks; no effing Ewoks, or Binks, or Grogu.
Literally saw this movie 8 times in theatres.
submitted by International_Yam674 to unpopularopinion [link] [comments]

Why I dislike the last jedi (Spoiler warning I guess?)

I am a HUGE star wars fan, I loved all the original, really liked the prequel movies, an liked the 1st and 3rd movies of the modern trilogy! The force awakens showed how much potential this new trilogy had, and the last skywalker did a passable job on using that potential. But the last jedi SUCKED. Ok, I am over exagerating. The last jedi can sometimes be good, but it is outweighed by the bad. Lets start off with what I liked. Before we start I suck at reviewing everything so dont expect this review/rant to be good.
The movie can have some humor that nails, and the scenes on the island with luke can be genuinly nice at times, like chewie yelling at porgs that saw him eating a cooked porg, and R2-D2 getting mad at luke, and yoda is here! Yeah thats about it. Now for the meh.
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The new characters arent really anything special, we just got another love interest for finn. Look, I want finn to have a girl, but isnt one love interest enough, we dont need two! Thats it for meh, nothing to mediocre, now for the stuff I dislike.
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The last jedi is still filled with SO MUCH STUFF to try and lengthen the movie! Finn and rose go to the casino, they get captured, they escape the casino, they escape the planet. The movie at best feels like one long line of filler episodes, just like when they invade a empire ship. Thats it for the stuff I dislike. Now for the things I hate.
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I do NOT like how leia just uses the force to get back to the ship. Seriously, it would have been loads better if leia died, not because I hate leia (I like her design), but because it wouldve made the story better! Rey hears about the gerenals death, and she decides to leave to get revenge on kylo ren, but before she does, luke tells her that he did the same thing and regreted it, and rey changes her mind and stays to complete her training! And to top it all off, there can be LOADS of nostalgia pandering, though it isnt a common problem, the times it does use nostalgia to keep people watching KILLS me. The ONLY, and I repeat, ONLY scenes I liked were with the droids, chewie, rey, and luke, thats all!
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Overall, I really dislike the movie. I know lots of people hate the last skywalker, but imo, this is the first and last bad star wars movie. If you want to watch the whole saga, then you can watch the last jedi, but if you already watched it I do NOT recommend watching it again. If I had to give it a review score, I would have to give it a 3/10, the only enjoyement I got from this movie were ironically the scenes where R2-D2 made noises at luke, and chewie growled at porgs. Also, I liked the humor made by Bb-8, and that is about it.
submitted by Bacon_noob_on_reddit to StarWars [link] [comments]

r/StarWarsCantina, which is the best cantina scene (besides Mos Eisley)?

"Mos Eisley Spaceport. Never again will you find a more wretched hive of scum and villainy. We must be cautious."
In the original Star Wars, Chalmun's Spaceport Cantina (yeah I just found out what it was actually called, thanks Wookieepedia) introduced us to the breadth of bizarre alien creatures in the Star Wars galaxy, all crammed in a seedy bar on a backwater planet. From the hammer-headed Ithorian designed by Ron Cobb to the devilish Devaronian designed by Rick Baker, Lucas's creative team helped bring a universe of seemingly limitless possibilities to life in one short sequence. The scene has had a number of homages and imitations in other entries of the saga, but how do they all stack up compared to the original and arguably the best?
There's some criteria for what constitutes a "cantina" scene. It has to be some kind of enclosed environment featuring a plethora of unique alien designs with tonnes of visible personality as well as an overall lively though somewhat intimidating atmosphere for the protagonists. I'll be ranking them all out of 10 on the Cantina Factor. I'll only be counting the mainline "episodes" of the saga.
Episode V... doesn't have a cantina scene. The closest thing is the bounty hunter gathering on the Star Destroyer bridge, but... it doesn't really have the same feel and is a bit too brief to count. Move along, move along.
Episode VI, on the other hand, throws us right into the 24/7 partyhouse that it Jabba's Palace. A stew of filth and debauchery surpassing Mos Eisley, you almost feel dirty just looking at this place. Jabba is truly the Fisher King of his establishment, everything is as grimy and seedy as the giant slug himself. We see Jabba's entourage of performers, jesters and burlesque dancers, as well as servants, guards, bounty hunters, VIPs and assorted criminal scum. Compared to Mos Eisley, we get to see this litany of bizarre characters in greater focus, with many turning out to be quite important figures in the expanded universe. The main centres of attraction include: Jabba's pale, weak-minded Twi'lek majordomo Bib Fortuna; the axe-wielding, boar-like Gamorrean Guards; Jabba's cackling jester Salacious B. Crumb; Boba Fett flirting with girls; Oola the sexy Twi'lek slave dancer who's fed to the Rancor; Malakili the Rancor keeper who tenderly weeps when his beloved pet is crushed to death; EV-9D9 the sadistic torture droid; Ephant Mon the horrifically ugly elephant thing who is apparently Jabba's best mate; and last but not least, Max Rebo the cute blue DJ. Bossk the Trandoshan bounty hunter also has a blink-and-you'll-miss-it cameo. The 1997 Special Edition controversially extends the song-and-dance number with Sy Snootles, replacing her (admittedly awful) puppet with CGI and adding an entirely new singer, Joh Yowza, who obnoxiously mugs the camera during his solo. Overall, the Jabba's Palace scene is in many ways better than the original Mos Eisley cantina scene, but it suffers greatly in the Special Edition... still, nothing can stop it ranking a solid 9/10 on the Cantina Factor.
With an enhanced budget and new fangled digital effects technology, Episode I is basically one long creature-feature. There's not really a single scene quite like Mos Eisley, as nearly every scene seems to have crowds of alien extras wandering around. Ironically, we don't see any cantina-like locations on Tatooine in the film, though the Boonta Eve Classic podrace scene provides us a decent alternative. All of the greatest podracers in the Outer Rim gathered together with their own idiosyncratic vehicles, including Anakin's cruel arch-rival Sebulba, the four-armed Gasgano, and the legend himself Ben Quadrinaros. Pit droids wander around providing some visual comedy. We see Jabba and Gardulla presiding over the event, with live race commentary provided in both Basic and Huttese by the hammy two-headed Fodesinbeed Annodue, a.k.a. Fode and Beed. Anakin's slave friends, including the young Rhodian played by Warwick Davis, also appear to cheer him on. However, considering that the rest of the film shoves so many CGI alien mugs in our faces all the way through, it doesn't have quite as much impact. 6/10.
In Episode II, we get the Outlander Club on Coruscant during Obi-Wan and Anakin's citywide chase for the bounty hunter Zam Wessell. As an avid clubber myself (not so much now, thanks COVID), I naturally like this scene and it's also cool to see the night life on a civilised Core World for once. On the downside, we don't get a good look at many quirky alien characters, but the one who does make an impression is no less than excellent: the deathstick dealer Elan Sleazebaggio. I wonder if he did go home and rethink his life? The scene also started the fan theory that Obi-Wan might be an alcoholic, seeing as he eagerly heads straight to the bar for some shots like the absolute legend he is. The "Jedi causes commotion with lightsaber, everyone looks then just carries on as normal" beat is given a tribute too. Moreover, the Outlander Club is used in an awesome fan film called Hell's Club which mashes together various iconic club scenes from other movies -- Ewan McGregor's Obi-Wan encounters Ewan McGregor's Renton from Trainspotting while Tony Manero from Saturday Night Fever leers at Anakin a little too long (also the madness makes Carlito's death no less sad, RIP). 8/10.
Episode III, there isn't one, skip.
Being a soft remake of Episode IV, Episode VII gives us a straightforward cantina scene with Maz Kanata's Castle on Takodana. Takodana might be one of my favourite locations in the whole saga. On paper it's an unremarkable forest planet but there's something... tangible about it. The fact that it was filmed in a real forest and a real set for the castle rather than a greenscreen backdrop definitely helps. Beyond Kanata herself, we see glimpses of some interesting looking characters, including: Grummgar the hulking big game hunter; Bazine Netal the enigmatic First Order spy who rats on BB-8; and most memorable of all, Sidon Ithano a.k.a. The Crimson Corsair, the red-garbed mercenary who Finn offers to join up with. Among the flags adorning the castle, you can also see the emblem of the real life charity organisation, the 501st Legion. Nice touch. Will we ever find out how the Skywalker lightsaber got there though? 9/10.
Episode VIII gives us the controversial Canto Bight on planet Cantonica. I'm very much pro-Canto Bight, it's a perfect 'anti-Mos Eisley'. Rather than a usual wretched hive of destitute criminals, Cantonica is a luxury casino resort filled with the disgusting, decadent elite of the galaxy. Crooks of a different breed. The aesthetic is great, it's all white and clean but filled with some truly repulsive-looking aliens squeezed into tight tuxedos and dresses. Like Finn, it's easy to get lost in the glitz and glamour until you see what it's all built on, then you can cheer when the Fathiers tear it all down. As bad as it all is, a part of me still finds Canto Bight appealing -- I wouldn't mind getting suited and booted and playing a bit of roulette (or the Star Wars verse equivalent of it, idfk) with some fuckin' weird aliens. Speaking of, let's get to some. We've got: Countess Alissyndrex delga Cantonica Provincion, the ruler of the town who can only be described as a purple slab of meat with a human face; Lexo Sooger the long-armed masseur; Slowen Lo the busybody Abendedo who almost destroys the Resistance because Finn and Rose parked on a beach; the Cthulhu-esque Palandag jazz band, somehow weirder than the Modal Nodes from Mos Eisley; Dobbu Scay the diminutive monocled alien who drunkenly mistakes BB-8 for a slot machine, also played by Mark Hamill; Justin Theroux and doll-faced model Lily Cole cameoing as the suave "Master Codebreaker" and his square-haired partner respectively; and of course, Benicio del Toro's "DJ" imprisoned down in the cells. Below the casino itself, we see the abusive slavery practices on both animals and children, with the boy Temiri Blagg revealing himself as Force-sensitive in the ending shot of the film after being inspired by the legend of Luke Skywalker. Whether or not you like its role in the story, it's a damn good alien cantina, 10/10.
Finally, we get to Episode IX. It's easy to miss because of how insanely fast-paced the film is, but yeah, there is a cantina scene on Kijimi, in the Spice Runner Den. I always wondered if this planet is a reference to Hideo Kojima, makes sense considering he and J.J. Abrams are friends, though apparently it's also a reference to some Japanese synthesizer brand. It's nothing to write home about. I mean, yeah, we're introduced to Zorii Bliss and Babu Frik, the best character in the entire trilogy, but what else is there? Oh yeah, a cameo from John freakin' Williams as the bartender Oma Tres. But yeah, apart from that, it's bland and forgettable, there are some aliens dotted around but none of them are focused on particularly. 3/10.
And there you have it. I felt weird about ranking Mos Eisley itself with its own imitators when it originated the whole trope, so I leave that one to you guys. Which is your favourite?
submitted by ThatsMrDick-ThatsMe to StarWarsCantina [link] [comments]

Which Male Actor had the best run in the 60s?

It could be the best in terms of anything
Paul Newman: The Hustler, Cool Hand Luke, Exodus, From the Terrace, Paris Blues, Hud, Hemingway's Adventures of a Young Man, Sweet Bird of Youth, Harper, Lady L, Hombre, Torn Curtain, Winning, Butch Cassidy and the Sundance Kid, The Secret War of Harry Frigg, The Prize, What a Way to Go!, The Outrage, and A New Kind of Love.
Gregory Peck: To Kill a Mockingbird, Mackenna's Gold, The Chairman, Cape Fear, Captain Newman, M.D., How the West Was Won, Behold a Pale Horse, Marooned, Mirage, Arabesque, The Stalking Moon, and The Guns of Navarone.
Steve McQueen: The Sand Pebbles, The Great Escape, Love with the Proper Stranger, The Magnificent Seven, The Thomas Crown Affair, The Cincinnati Kid, Bullitt, The Honeymoon Machine, The Honeymoon Machine, The War Lover, Soldier in the Rain, Nevada Smith, Baby the Rain Must Fall, and The Reivers.
Dustin Hoffman: The Graduate, Midnight Cowboy, The Tiger Makes Out, Madigan's Millions, and John and Mary.
Peter O Toole: Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips, Kidnapped, The Day They Robbed the Bank of England, The Savage Innocents, What's New Pussycat?, The Sandpiper, Lord Jim, How to Steal a Million, The Bible: In the Beginning..., Casino Royale, The Night of the Generals, and Great Catherine.
Henry Fonda: How the West Was Won, Firecreek, Once Upon a Time in the West, Madigan, The Boston Strangler, Fail Safe, Sex and the Single Girl, The Longest Day, Advise & Consent, Spencer's Mountain, The Dirty Game, In Harm's Way, A Big Hand for the Little Lady, Welcome to Hard Times, The Best Man, The Rounders, Battle of the Bulge, and Yours, Mine and Ours.
Toshiro Mifune: Shinsengumi, The Battle of the Japan Sea, Red Lion, Safari 5000, Hell in the Pacific, Samurai Banners, The Day the Sun Rose, Admiral Yamamoto, Japan's Longest Day, The Sands of Kurobe, Samurai Rebellion, Grand Prix, The Mad Atlantic, The Adventure of Kigan Castle, Rise Against the Sword, The Sword of Doom, Fort Graveyard, The Retreat from Kiska, Sanshiro Sugata, Samurai Assassin, Red Beard, Legacy of the 500,000, The Lost World of Sinbad, Whirlwind, Chūshingura: Hana no Maki, Yuki no Maki, Attack Squadron!, High and Low, Yojimbo, The Youth and his Amulet, Sanjuro, Tatsu, Three Gentlemen Return from Hong Kong, Salaryman Chushingura Part 1 & 2, The Story of Osaka Castle, The Youth and his Amulet, Ánimas Trujano, The Last Gunfight, The Gambling Samurai, The Bad Sleep Well, Man Against Man, and Storm Over the Pacific.
Montgomery Clift: Judgment at Nuremberg, The Misfits, Freud: The Secret Passion, The Defector, and Wild River.
Burt Lancaster: Judgment at Nuremberg, Birdman of Alcatraz, Elmer Gantry, Seven Days in May, The Leopard, The Professionals, The Unforgiven, The Young Savages, The List of Adrian Messenger, A Child Is Waiting, The Hallelujah Trail, The Train, The Swimmer, The Scalphunters, Castle Keep, and The Gypsy Moths.
Marlon Brando: Mutiny on the Bounty, The Fugitive Kind, One-Eyed Jacks, Morituri, The Chase, Bedtime Story, The Ugly American, Reflections in a Golden Eye, Candy, The Appaloosa, The Night of the Following Day, Burn!, and A Countess from Hong Kong.
Tony Curtis: Captain Newman, M.D., The Boston Strangler, Sex and the Single Girl, Spartacus, Pepe, The Rat Race, The Great Impostor, The List of Adrian Messenger, 40 Pounds of Trouble, Paris When It Sizzles, The Outsider, Taras Bulba, Goodbye Charlie, Not with My Wife, You Don't!, The Great Race, Wild and Wonderful, Boeing Boeing, Chamber of Horrors, On My Way to the Crusades, I Met a Girl Who..., Rosemary's Baby, Drop Dead Darling, Don't Make Waves, Monte Carlo or Bust!, and Who Was That Lady?.
Robert Redford: The Chase, Tall Story, Situation Hopeless... But Not Serious, War hunt, Inside Daisy Clover, Butch Cassidy and the Sundance Kid, Barefoot in the Park, This Property Is Condemned, Tell Them Willie Boy Is Here, and Downhill Racer.
Anthony Perkins: Tall Story, Psycho, The Trial, Phaedra, Pretty Poison, Five Miles to Midnight, Goodbye Again, The Fool Killer, Une ravissante idiote, Le glaive et la balance, The Champagne Murders, and Is Paris Burning?.
John Huston: Candy, The List of Adrian Messenger, The Cardinal, Casino Royale, and The Bible: In the Beginning
John Wayne: How the West Was Won, The Sons of Katie Elder, The Longest Day, True Grit, El Dorado, Cast a Giant Shadow, The War Wagon, The Green Berets, The Man Who Shot Liberty Valance, Hatari!, North to Alaska, The Alamo, The Comancheros, The Greatest Story Ever Told, Circus World, Hellfighters, and The Undefeated.
Jack Lemmon: The Great Race,Pepe, The Apartment, The Wackiest Ship in the Army, The Notorious Landlad, Days of Wine and Roses, Under the Yum Yum Tree, Irma la Douce, How to Murder Your Wife, Good Neighbor Sam, Luv, The Fortune Cookie, The Odd Couple, and The April Fools.
Marcello Mastroianni: 8 1/2, La Dolce Vita, La Notte, Yesterday, Today and Tomorrow, Divorce Italian Style, Marriage Italian Style, The 10th Victim, Adua and Her Friends, Il bell'Antonio, Ghosts of Rome, La Notte, Family Diary, Family Diary, The Organizer, Kiss the Other Sheik, Me, Me, Me... and the Others, Casanova 70, Shoot Loud, Louder... I Don't Understand, The Poppy Is Also a Flower, Ghosts – Italian Style, Amanti, Break Up, The Stranger, and Diamonds for Breakfast.
James Stewart: How the West Was Won, Firecreek, The Flight of the Phoenix, The Man Who Shot Liberty Valance, Cheyenne Autumn, The Mountain Road, Two Rode Together, Mr. Hobbs Takes a Vacation, Take Her, She's Mine, Shenandoah, Dear Brigitte, Bandolero!, and The Rare Breed.
Robert Mitchum: What a Way to Go!, Cape Fear, The Longest Day, El Dorado, Home from the Hill, The Sundowners, A Terrible Beauty, Two for the Seesaw, The Last Time I Saw Archie, The Grass Is Greener, The Way West, Mister Moses, Rampage, Man in the Middle, Anzio, 5 Card Stud, Villa Rides, The Good Guys and the Bad Guys, Secret Ceremony, and Young Billy Young.
Robert Duvall: Captain Newman, M.D., True Grit, To Kill a Mockingbird, Bullitt, The Chase, Nightmare in the Sun, Countdown, and The Detective.
Jean-Paul Belmondo: Breathless, That Man from Rio, Seven Days... Seven Nights, Trapped by Fear, Classe Tous Risques, The Lovemakers, Two Women, Lettere di una novizia, Love and the Frenchwoman, Le Doulos, Famous Love Affairs, Cartouche, A Man Named Rocca, Mare matto, The Winner, Sweet and Sour, Banana Peel, A Monkey in Winter, Backfire, Greed in the Sun, Weekend at Dunkirk, The Shortest Day, Magnet of Doom, Tender Scoundrel, Is Paris Burning?, Casino Royale, Male Hunt, Crime on a Summer Morning, Pierrot le Fou, Up to His Ears, Ho!, The Brain, Mississippi Mermaid, and Love Is a Funny Thing.
Kirk Douglas: Seven Days in May, The List of Adrian Messenger, Spartacus, Is Paris Burning?, The War Wagon, The Way West, Lonely Are the Brave, The Heroes of Telemark, Town Without Pity, The Last Sunset, For Love or Money, The Hook, The Arrangement, The Legend of Silent Night, The Brotherhood, A Lovely Way to Die, and Cast a Giant Shadow.
Charles Bronson: The Magnificent Seven, The Great Escape, Battle of the Bulge, Villa Rides, Guns of Diablo, X-15, The Bull of the West, 4 for Texas, Lola, Once Upon a Time in the West, Guns for San Sebastian, The Dirty Dozen, A Thunder of Drums, Kid Galahad, Master of the World, The Sandpiper, This Property Is Condemned, The Meanest Men in the West, and Adieu l'ami.
Orson Welles: Casino Royale, Is Paris Burning?, The Trial, Kampf um Rom, The Thirteen Chairs, The Merchant of Venice, Battle of Neretva, Tepepa, The Southern Star, I'll Never Forget What's'isname, A Man for All Seasons, David and Goliath, La Fayette, Austerlitz, Crack in the Mirror, The Tartars, The V.I.P.s, Chimes at Midnight, In the Land of Don Quixote, Marco the Magnificent, House of Cards, The Immortal Story, and Oedipus the King.
William Holden: Paris When It Sizzles, The Wild Bunch, The World of Suzie Wong, The Lion, Satan Never Sleeps, The Counterfeit Traitor, Casino Royale, The Devil's Brigade, The 7th Dawn, Alvarez Kelly, and The Christmas Tree.
Frank Sinatra: Cast a Giant Shadow, The Detective, 4 for Texas, The Manchurian Candidate, Tony Rome, Pepe, The Devil at 4 O'Clock, The Road to Hong Kong, Sergeants 3, Come Blow Your Horn, None but the Brave, Paris When It Sizzles, Lady in Cement, The Oscar, Assault on a Queen, The Naked Runner, Von Ryan's Express, Marriage on the Rocks, and Robin and the 7 Hoods.
Elvis Presley: G.I. Blues, Kid Galahad, Wild in the Country, Follow That Dream, Blue Hawaii, It Happened at the World's Fair, Girls! Girls! Girls!, Fun in Acapulco, Roustabout, Viva Las Vegas, Kissin' Cousins, Frankie and Johnny, Girl Happy, Harum Scarum, Tickle Me, Clambake, Easy Come, Easy Go, Double Trouble, Stay Away, Joe, Live a Little, Love a Little, Speedway, Change of Habit, The Trouble with Girls, Charro!, Spinout, and Paradise, Hawaiian Style.
Edmond O'Brien: The Wild Bunch, The Longest Day, The Man Who Shot Liberty Valance, Fantastic Voyage, The Great Impostor, The Last Voyage, The 3rd Voice, Birdman of Alcatraz, Man-Trap, Moon Pilot, Sylvia, Rio Conchos, The Hanged Man, The Outsider, Synanon, The Doomsday Flight, The Love God?, Flesh and Blood, The Viscount, and To Commit a Murder.
Ben Johnson: The Wild Bunch, The Rare Breed, The Undefeated, Hang 'Em High, Cheyenne Autumn, Will Penny, One-Eyed Jacks, Ten Who Dared, Tomboy and the Champ, and Major Dundee.
Warren Oates: The Wild Bunch, The Rise and Fall of Legs Diamond, The Rounders, Ride the High Country, Private Property, Mail Order Bride, Hero's Island, In the Heat of the Night, Welcome to Hard Times, The Shooting, Return of the Seven, Smith!, Crooks and Coronets, The Split, Something for a Lonely Man, and Lanton Mills.
Sidney Poitier: In the Heat of the Night, Lilies of the Field, A Patch of Blue, To Sir, With Love, A Raisin in the Sun, Guess Who's Coming to Dinner, Paris Blues, The Long Ships, Pressure Point,All the Young Men, The Bedford Incident, The Greatest Story Ever Told, The Slender Thread, Duel at Diablo, For Love of Ivy, and The Lost Man.
Rod Steiger: The Longest Day, In the Heat of the Night, The Pawn broker, Doctor Zhivago, No Way to Treat a Lady, Three into Two Won't Go, Seven Thieves, The Mark, 13 West Street, World in My Pocket, Convicts 4, Time of Indifference, Hands over the City, A Man Named John, The Loved One, The Girl and the General, The Sergeant, and The Illustrated Man.
Ernest Borgnine: The Dirty Dozen, The Wild Bunch, The Legend of Lylah Clare, Pay or Die, The Last Judgment, Barabbas, The Italian Brigands, McHale's Navy, The Flight of the Phoenix, The Oscar, The Split, A Bullet for Sandoval, Ice Station Zebra, Chuka, Go Naked in the World, Black City, and Man on a String.
George Kennedy: The Boston Strangler, Charade, Strait-Jacket, McHale's Navy, The Sons of Katie Elder, The Dirty Dozen, Shenandoah, The Flight of the Phoenix, Guns of the Magnificent Seven, The Good Guys and the Bad Guys, Cool Hand Luke, The Little Shepherd of Kingdom Come, The Man from the Diners' Club, The Silent Witness, McHale's Navy, Mirage, Hush...Hush, Sweet Charlotte, Island of the Blue Dolphins, In Harm's Way, Hurry Sundown, Bandolero!, The Ballad of Josie, Gaily, Gaily, and The Pink Jungle.
Strother Martin: McLintock!, The Man Who Shot Liberty Valance, Cool Hand Luke, Hurry Sundown, Sanctuary, Shenandoah, Harper, Nevada Smith, The Sons of Katie Elder, The Wild Bunch, Butch Cassidy and the Sundance Kid, True Grit, An Eye for an Eye, The Flim-Flam Man, Showdown, Invitation to a Gunfighter, and The Deadly Companions.
Clint Eastwood: The Dollars Trilogy, Hang 'Em High, Where Eagles Dare, The Witches, Coogan's Bluff, and Paint Your Wagon.
Eli Wallach: How the West Was Won, The Magnificent Seven, The Misfits, The Tiger Makes Out, Lord Jim, How to Steal a Million, A Lovely Way to Die, Seven Thieves, The Good, the Bad and the Ugly, Genghis Khan, The Poppy Is Also a Flower, How to Save a Marriage and Ruin Your Life, Ace High, Hemingway's Adventures of a Young Man, The Brain, Mackenna's Gold, Kisses for My President, Act One, The Moon-Spinners, and The Victors.
Lee Van Cleef: The Man Who Shot Liberty Valance, For a Few Dollars More, The Good, the Bad and the Ugly, Posse from Hell, The Big Gundown, Sabata, Death Rides a Horse, Commandos, Day of Anger, and Beyond the Law.
Richard Burton: The Sandpiper, Where Eagles Dare, Ice Palace, The Longest Day, The Bramble Bush, Zulu, Becket, Cleopatra, What's New Pussycat?, The Night of the Iguana, The Spy Who Came In from the Cold, Who's Afraid of Virginia Woolf?, The Taming of the Shrew, Candy, Boom!, The Comedians in Africa, The Comedians, Doctor Faustus, Staircase, and Anne of the Thousand Days.
Paul Scofield: A Man for all Seasons, The Train, and Tell Me Lies.
Warren Beatty: All Fall Down, Splendor in the Grass, Bonnie and Clyde, Lilith, The Roman Spring of Mrs. Stone, Mickey One, Promise Her Anything, and Kaleidoscope.
Albert Finney: Tom Jones, The Entertainer, Saturday Night and Sunday Morning, Two for the Road, The Victors, Night Must Fall, Charlie Bubbles, and The Picasso Summer.
Lee Marvin: Hell in the Pacific, The Professionals, The Man Who Shot Liberty Valance, The Comancheros, Paint Your Wagon, Point Blank, The Killers, Donovan's Reef, Cat Ballou, Ship of Fools, Sergeant Ryker, Hell in the Pacific, The Dirty Dozen, and Point Blank.
Anthony Quinn: Behold a Pale Horse, Barabbas, Zorba the Greek, Lawrence of Arabia, Guns for San Sebastian, The Rover, San Sebastian 1746 in 1968, The Secret of Santa Vittoria, A Dream of Kings, The 25th Hour, The Happening, Lost Command, Marco the Magnificent, The Visit, A High Wind in Jamaica, Heller in Pink Tights, The Savage Innocents, Portrait in Black, The Guns of Navarone, The Magus, and The Shoes of the Fisherman.
Michael Caine: Hurry Sundown, The Magus, Zulu, The Ipcress File, Alfie, The Italian Job, Deadfall, Funeral in Berlin, Billion Dollar Brain, Battle of Britain, Gambit, The Wrong Box, Woman Times Seven, Play Dirty, Foxhole in Cairo, Solo for Sparrow, The Wrong Arm of the Law, The Bulldog Breed, and The Day the Earth Caught Fire.
Rex Harrison: Cleopatra, My Fair Lady, Doctor Dolittle, The Happy Thieves, Midnight Lace, The Agony and the Ecstasy, The Yellow Rolls-Royce, Staircase, The Honey Pot, and A Flea in Her Ear.
Sean Connery: The Longest Day, Dr. No, Marnie, Goldfinger, From Russia with Love, Macbeth, The Frightened City, On the Fiddle, Anna Karenina, Shalako, The Red Tent, You Only Live Twice, Un monde nouveau, The Hill, A Fine Madness, Thunderball, Woman of Straw, and The Bowler and the Bunnet.
Spencer Tracy: Judgment at Nuremberg, Guess Who's Coming to Dinner, Inherit the Wind, The Devil at 4 O'Clock, and It's a Mad, Mad, Mad, Mad World.
Chishû Ryû: Late Autumn, Otoko wa Tsurai yo, The Human Bullet, Japan's Longest Day, The End of Summer, An Autumn Afternoon, The Human Condition 3, and The Last War.
Martin Balsam: Psycho, A Thousand Clowns, Trilogy, The Good Guys and the Bad Guys, Around the World of Mike Todd, Me, Natalie, Around the World of Mike Todd, Hombre, Among the Paths to Eden, After the Fox, Harlow, The Bedford Incident, Seven Days in May, Suspense, Youngblood Hawke, Everybody Go Home, Breakfast at Tiffany's, Ada, Cape Fear, Route 66, and Who's Been Sleeping in My Bed?.
Alan Bates: Zorba the Greek, Georgy Girl, Far from the Madding Crowd, Women in Love, King of Hearts, The Fixer, The Entertainer, Zorba the Greek, Nothing but the Best, Whistle Down the Wind, A Kind of Loving, The Caretaker, and The Running Man.
Alain Delon: Is Paris Burning?, Famous Love Affairs, Rocco and His Brothers, Purple Noon, The Leopard, Le Samouraï, The Yellow Rolls-Royce, Lost Command, L'Eclisse, The Joy of Living, The Devil and the Ten Commandments, Love at Sea, Carom Shots, Any Number Can Win, Joy House, The Unvanquished, Once a Thief, Texas Across the River, Adieu l'ami, Jeff, The Sicilian Clan, La Piscine, Spirits of the Dead, The Girl on a Motorcycle, The Last Adventure, and Diabolically Yours.
Peter Sellers: What's New Pussycat?, Casino Royale, Woman Times Seven, Dr. Strangelove, Lolita, The Millionairess, Never Let Go, Two-Way Stretch, The Wrong Arm of the Law, The Dock Brief, The Pink Panther, Only Two Can Play, Mr. Topaze, Waltz of the Toreadors, Heavens Above!, A Shot in the Dark, The World of Henry Orient, A Carol for Another Christmas, Casino Royale, Woman Times Seven, The bobo, The Party, The Magic Christian, and I Love You, Alice B. Toklas.
George C. Scott: The List of Adrian Messenger, The Hustler, Not with My Wife, You Don't!, The Flim-Flam Man, Dr. Strangelove, The Power and the Glory, The Crucible, The Yellow Rolls-Royce, The Bible: In the Beginning..., This Savage Land, and Petulia.
Walter Matthau: Charade, Fail Safe, The Fortune Cookie, The Odd Couple, Strangers When We Meet, Lonely Are the Brave, Mirage, Ensign Pulver, Island of Love, Who's Got the Action?, Candy, Cactus Flower, Hello, Dolly!, The Secret Life of an American Wife, and A Guide for the Married Man.
Jean-Louis Trintignant: Z, A Man and a Woman, The Great Silence, Austerlitz, Horace 62, Un homme à abattre, La Longue marche, Trans-Europ-Express, Le Combat dans l'île, So Sweet... So Perverse, L'Américain, Mata Hari, Agent H21, Journey Beneath the Desert, Il Sorpasso, Col cuore in gola, Death Laid an Egg, Les Biches, My Love, My Love, The Man Who Lies, Metti, una sera a cena, My Night at Maud's, The Libertine, The Sleeping Car Murders, Diamond Safari, Spotlight on a Murderer, Nutty, and Naughty Chateau.
Max von Sydow: The Greatest Story Ever Told, Shame, Hour of the Wolf, The Virgin Spring, Through a Glass Darkly, Bröllopsdagen, 4x4, Winter Light, Hawaii, Adventures of Nils Holgersson, The Mistress, Made in Sweden, The Passion of Anna, The Quiller Memorandum, Svarta palmkronor, The Reward, and Here Is Your Life.
Richard Attenborough: The Sand Pebbles, The Great Escape, Doctor Dolittle, The Angry Silence, Upgreen – And at 'Em, The Dock Brief, Only Two Can Play, The League of Gentlemen, All Night Long, Séance on a Wet Afternoon, The Third Secret, The Flight of the Phoenix, Only When I Larf, Guns at Batasi, The Magic Christian, Oh! What a Lovely War, and The Bliss of Mrs. Blossom.
Melvyn Douglas: Hud, Hotel, The Crucible, Companions in Nightmare, Rapture, Inherit the Wind, Lamp At Midnight, Advance to the Rear, A Very Close Family, The Americanization of Emily, and Billy Budd.
Woody Strode: Spartacus, The Man Who Shot Liberty Valance, Sergeant Rutledge, The Last Voyage, Two Rode Together, The Sins of Rachel Cade, Che!, Once Upon a Time in the West, Boot Hill, Genghis Khan, Shalako, Black Jesus, The Professionals, Tarzan's Three Challenges, and 7 Women.
Yûsuke Kawazu: The River Fuefuki, Ken, Manji, Kiri no Hata, Cruel Story of Youth, Genocide, Fighting Elegy, and Black Lizard.
John Cassavetes: The Dirty Dozen, Rosemary's Baby, A Child Is Waiting, The Killers, Devil's Angels, Roma come Chicago, If It's Tuesday, This Must Be Belgium, Machine Gun McCain, and The Webster Boy.
Laurence Harvey: The Outrage, Kampf um Rom, The Manchurian Candidate, The Ceremony, The Alamo, The Long and the Short and the Tall, BUtterfield 8, Walk on the Wild Side, The Wonderful World of the Brothers Grimm, The Running Man, A Girl Named Tamiko, Darling, Of Human Bondage, Summer and Smoke, Two Loves, The Doctor and the Devil, Rebus, The Spy with a Cold Nose, The Magic Christian, L'assoluto naturale, The Charge of the Light Brigade, A Dandy in Aspic, Life at the Top, The Outrage, and The Winter's Tale.
Omar Sharif: Mackenna's Gold, Behold a Pale Horse, Lawrence of Arabia, Doctor Zhivago, The Poppy Is Also a Flower, The Fall of the Roman Empire, Funny Girl, More Than a Miracle, Che!, Mayerling, Trois hommes sur un cheval, The Appointment, Genghis Khan, The Yellow Rolls-Royce, El mamalik, The Night of the Generals, Lawet El Hub, Nahna el talamiza, Gharam el assiad, Hobi al-Wahid, The Beginning and the End, The River of Love, A Rumor of Love, and There is a Man in our House.
George Peppard: How the West Was Won, Breakfast at Tiffany's, The Carpetbaggers, House of Cards, Home from the Hill, The Victors, The Subterraneans, P.J.,What's So Bad About Feeling Good?, Pendulum, Operation Crossbow, The Third Day, Tobruk, Rough Night in Jericho, and The Blue Max.
James Garner: The Great Escape, Grand Prix, Duel at Diablo, 36 Hours, The Pink Jungle, A High Wind in Jamaica,Hour of the Gun, The Americanization of Emily, Cash McCall, The Children's Hour, Boys' Night Out, Action on the Beach, The Art of Love, Grand Prix: Challenge of the Champions, The Thrill of It All, Move Over, Darling, The Wheeler Dealers, Marlowe, Support Your Local Sheriff!, The Man Who Makes the Difference, Once Upon a Wheel, The Racing Scene, A Man Could Get Killed, How Sweet It Is!, and Mister Buddwing.
Donald Pleasence: The Great Escape, The Night of the Generals, You Only Live Twice, Creature of Comfort, Will Penny, Fantastic Voyage, The Greatest Story Ever Told, The Hallelujah Trail, The Caretaker, Suspect, No Love for Johnnie, The Shakedown, The Flesh and the Fiends, The Hands of Orlac, Hell Is a City, The Wind of Change, Circus of Horrors, Sons and Lovers, The Big Day, Dr. Crippen, Cul-de-sac, The Inspector, What a Carve Up!, Eye of the Devil, Matchless, Arthur? Arthur!, The Other People, The Madwoman of Chaillot, A Story of David, and Spare the Rod.
James Coburn: Charade, The Americanization of Emily, The Magnificent Seven, Hell Is for Heroes, The Great Escape, Our Man Flint, In Like Flint, The Man from Galveston, The Murder Men, Hell Is for Heroes, What Did You Do in the War, Daddy?, Duffy, Candy, The President's Analyst, Dead Heat on a Merry-Go-Round, Waterhole No. 3, Major Dundee, A High Wind in Jamaica, The Loved One, and Hard Contract.
Cary Grant: Charade, The Grass Is Greener, That Touch of Mink, Walk, Don't Run, and Father Goose.
Horst Buchholz: The Magnificent Seven, One, Two, Three, Fanny, Nine Hours to Rama, Marco the Magnificent, The Empty Canvas, Ankle Bone, Cervantes, That Man in Istanbul, Johnny Banco, and How, When and with Whom.
Jackie Gleason: Soldier in the Rain, The Hustler, Gigot, Requiem for a Heavyweight, Skidoo, Papa's Delicate Condition, How to Commit Marriage, and Don't Drink the Water.
Arthur Kennedy: Lawrence of Arabia, Barabbas, Hemingway's Adventures of a Young Man, Claudelle Inglish, Cheyenne Autumn, Murder, She Said, Anzio, Shark!, A Minute to Pray, a Second to Die, Hail, Hero!, Nevada Smith,Murieta, Fantastic Voyage, Attack and Retreat, Joy in the Morning, Monday's Child, and Day of the Evil Gun.
Peter Finch: Kidnapped, The Trials of Oscar Wilde, The Day, No Love for Johnnie, In the Cool of the Day, I Thank a Fool, Girl with Green Eyes, The Pumpkin Eater, The Flight of the Phoenix, Judith, First Men in the Moon, Far from the Madding Crowd, 10:30 P.M. Summer, Come Spy with Me, The Greatest Mother of Them All, The Legend of Lylah Clare, and The Red Tent.
Hugh Griffith: How to Steal a Million,Exodus, Mutiny on the Bounty, Oliver!, The Counterfeit Traitor, The Citadel, Point of Departure, The Day They Robbed the Bank of England, The Inspector, Tom Jones, Term of Trial, The Poppy Is Also a Flower, Hide and Seek, The Bargee, The Amorous Adventures of Moll Flanders, On My Way to the Crusades, I Met a Girl Who..., Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, The Sailor from Gibraltar, The Fixer, Il marito è mio e l'ammazzo quando mi pare, and Brown Eye, Evil Eye.
Jason Robards: A Big Hand for the Little Lady, Hour of the Gun, Long Day's Journey into Night, A Thousand Clowns, Act One, By Love Possessed, Isadora, Tender Is the Night, Divorce American Style, A Big Hand for the Little Lady, The St. Valentine's Day Massacre, Any Wednesday, Once Upon a Time in the West, and The Night They Raided Minsky's.
George Seagel: The Southern Star, No Way to Treat a Lady, Invitation to a Gunfighter, Who's Afraid of Virginia Woolf?, Lost Command, The Quiller Memorandum, The St. Valentine's Day Massacre, King Rat, Act One, The Young Doctors, The Bridge at Remagen, The Girl Who Couldn't Say No, Bye Bye Braverman, and The New Interns.
Rod Taylor: Chuka, The Time Machine, Sunday in New York, The Glass Bottom Boat, 36 Hours, The Birds, Hotel, Nobody Runs Forever, The Hell with Heroes, One Hundred and One Dalmatians, Seven Seas to Calais, Colossus and the Amazon Queen, Dark of the Sun, The Liquidator, Young Cassidy, Fate Is the Hunter, Do Not Disturb, and A Gathering of Eagles.
Robert Ryan: Ice Palace, Billy Budd, The Longest Day, The Wild Bunch, The Dirty Dozen, Battle of the Bulge, The Professionals, Anzio, Captain Nemo and the Underwater City, A Minute to Pray, a Second to Die, Hour of the Gun, Custer of the West, The Busy Body, The Canadians, King of Kings, and The Crooked Road.
Christopher Plummer: Battle of Britain, The Sound of Music, The Fall of the Roman Empire, Inside Daisy Clover, The Royal Hunt of the Sun, Lock Up Your Daughters, Nobody Runs Forever, Oedipus the King, The Night of the Generals, and Triple Cross.
Michel Piccoli: Le Doulos, Contempt, Diary of a Chambermaid, La Guerre Est Finit, Les Creatures, The Young Girls of Rochefort, Belle De Jour, Danger: Diabolik, Dillinger is Dead, The Milky Way, Topaz, Lady L, The Day and the Hour, Masquerade, L'Invitée, Climats, Les Petits Drames, Adieu Philippine, La dragée haute, Le Bal des espions, Amazons of Rome, All About Loving, The Sleeping Car Murders, The War Is Over, The Game Is Over, Belle de Jour, Benjamin, Shock Troops, La Chamade, and La Prisonnière.
Tatsuya Nakadai: When a Woman Ascends the Stairs, Yojimbo,The Human Condition: A Soldier's Prayer, Immortal Love, Sanjuro, Harakiri ,High and Low, Kwaidan, The Sword of Doom, The Face of Another, Samurai Rebellion, Kill!, Goyokin, Portrait of Hell, Get 'em All, Daughters, Wives and a Mother ,Miren, A Woman's Life, Pressure of Guilt, Love Under the Crucifix, The Blue Beast, The Other Women, Kumo ga chigieru toki, Hakari, The Legacy of the 500,000, Saigo no shinpan, Blood End, Arijigoku sakusen, Kwaidan, Saigo no shinpan, Fort Graveyard, Cash Calls Hell, Illusion of Blood, Kojiro, The Age of Assassins, The Daphne, Today We Kill... Tomorrow We Die!, Rengō Kantai Shirei Chōkan: Yamamoto Isoroku, Blood End, Hitokiri, Eiko's 5000 Kilograms, and The Battle of the Japan Sea.
James Mason: Lolita, Duffy, Mayerling, The Sea Gull, Age of Consent, The Blue Max, Stranger in the House, The Deadly Affair, Georgy Girl, The Fall of the Roman Empire, The Pumpkin Eater, Genghis Khan, Lord Jim, The Uninhibited, Hero's Island, Torpedo Bay, Tiara Tahiti, The Trials of Oscar Wilde, The Marriage-Go-Round, and Escape from Zahrain.
Vincent Price: The Last Man on Earth, Witchfinder General, Convicts 4, Confessions of an Opium Eater, Tower of London, Tales of Terror, The Raven, Diary of a Madman, The Haunted Palace, The Masque of the Red Death, The Tomb of Ligeia, Twice-Told Tales, Dr. Goldfoot and the Bikini Machine, The Comedy of Terrors, City Under the Sea, The House of 1,000 Dolls, The Pit and the Pendulum, Nefertiti, Queen of the Nile, Rage of the Buccaneers, Beach Party, House of Usher, Master of the World, Dr. Goldfoot and the Girl Bombs, Spirits of the Dead, The Trouble with Girls, The Jackals, More Dead Than Alive, and The Oblong Box.
Jack Nicholson: The Raven, Easy Rider, The Little Shop of Horrors, The Shooting, Head, Hells Angels on Wheels, The Trip, The St. Valentine's Day Massacre, Psych-Out, Thunder Island, Back Door to Hell, Ride in the Whirlwind, Flight to Fury, The Wild Ride, The Broken Land, Studs Lonigan, Too Soon to Love, and The Terror.
Rock Hudson: Lover Come Back, Send Me No Flowers, The Last Sunset, Marilyn, The Spiral Road, Come September, Strange Bedfellows, Man's Favorite Sport?, A Gathering of Eagles, A Very Special Favor, Seconds, Tobruk, Ice Station Zebra, The Undefeated, Blindfold, and A Fine Pair.
Charlton Heston: El Cid, The Pigeon That Took Rome, 55 Days at Peking, The Greatest Story Ever Told, While I Run This Race, All About People, The Agony and the Ecstasy, Number One, Planet of the Apes, Counterpoint, Will Penny, Major Dundee, Khartoum, The War Lord, The Five Cities of June, and Diamond Head.
John Gavin: Psycho, Midnight Lace, Back Street, The Madwoman of Chaillot, Thoroughly Modern Millie, OSS 117 – Double Agent, Tammy Tell Me True, Spartacus, Pedro Páramo, A Breath of Scandal, and Romanoff and Juliet.
Stephen Boyd: Lisa, Billy Rose's Jumbo, Fantastic Voyage, The Poppy Is Also a Flower, The Big Gamble, Slaves, The Caper of the Golden Bulls, Shalako, Assignment K, The Bible: In the Beginning..., The Fall of the Roman Empire, Genghis Khan, The Oscar, The Third Secret, and Imperial Venus.
Dick Van Dyke: Bye Bye Birdie, Mary Poppins, Lt. Robin Crusoe, U.S.N., The Art of Love, What a Way to Go!, Chitty Chitty Bang Bang, Divorce American Style, The Comic, Some Kind of a Nut, Fitzwilly, and Never a Dull Moment.
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Finn (Star Wars Sequel Trilogy) should've turned to the Dark Side of the Force

Sorry to Let me preface this by saying I'm probably in the minority that actually likes The Last Jedi. I unironically think it was the best movie of the sequel trilogy. Nonetheless, even I was disappointed by Finn's character arc, and I didn't quite know what to make of the character. It wasn't until I started rewatching the whole series during quarantine that I started to piece together an idea while watching the Force Awakens: Finn should've joined the Dark Side of the Force. Get ready, this is going to be a long read...
TL;DR Finn's primary motivation during his character arc was fear, and Yoda taught us that fear is the path to the dark side.
Let's start with the first scene where we're introduced to Finn's character. After witnessing the massacring of a village and having a comrade die before his eyes, even ominously marking his helmet with blood, we notice Finn exhibit some individuality that distinguishes him from the other stormtroopers. Now most people agree that this scene is what motivated Finn to reject his brainwashing and leave the First Order, but what differs is the interpretation of this scene. Some people think that Finn was upset about being forced to kill innocent villagers, others think it was more about seeing his comrades die in battle. The problem with these interpretations is that Finn shoots down his former comrades only mere moments after helping Poe escape, a rather cold-blooded act for a stormtrooper supposedly against the killing of innocents or comrades. Therefore, I propose my first of many alternate interpretations: Finn didn't care about the villagers or the stormtroopers, he was just afraid of dying like them.
Thus I present to you my thesis statement: Finn in TFA is a character who is motivated primarily by fear. "Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering." - Yoda, The Phantom Menace.
Afterwards, the movie shows Kylo Ren noticing Finn at that instant. Here's my speculation: Finn's fear triggered some dormant Dark Side of the Force that jolted him out of his brainwashing. The reason Kylo Ren could detect it yet didn't feel concerned enough to address it was because: one, he's a Dark Side practitioner, and, two, it wasn't that strong.
Later on, in the movie, you don't see Finn display any Force powers. Nonetheless, he still displays some talents that could indicate Force sensitivity:
  • He can easily shoot down other pilots despite being a low-ranking stormtrooper that works in the sanitation department.
  • He can wield a lightsaber, one of the most difficult weapons to wield, without any training.
Later on the Rise of Skywalker actually confirms that Finn is force sensitive by having him sense Rey multiple times through the Force. Considering that it's the same director for both movies, I think it's a safe bet to say the Finn was meant to be force sensitive all along, even if they didn't do anything significant with it.
Nonetheless, these aren't very impressive, especially when compared to the achievements of Rey. After all, Rey was the one who inherited the legacy of the Skywalker lightsaber, not Finn. But bear in mind that the Force's balance is tipped heavily in favor of the Dark Side, so naturally Rey would be blessed with a lot more talent to balance the scales. Not to mention, everything the two characters are taught about the Force has come from people who are only familiar with the Light Side of the Force, so Finn doesn't even know how to harness his Dark Side.
What really inspired this whole idea though is the scene on Takodana, at Maz's Cantina. First off, you have Maz calling out Finn, exposing his deep-rooted fear. Finn reacts pretty negatively to this, and it gives you an inkling of how many other dark feelings he might be hiding. Notice how he talks specifically about how they'll be slaughtered. This goes back to my point about how Finn fears more for his life than those of the innocent victims. Secondly, you have Finn's speech to Rey, begging her to run away with him. Notice how he brings up his lack of family. This is an important point I'll get back to. Both of these scenes were acted extremely well by John Boyega, since you could really feel the fear and desperation in him. These scenes made me seriously consider the possibility that not only was he not our protagonist, he was actually had potential to be the antagonist.
Afterwards, the rest is history. Rey is captured, Finn goes to save her in an uncharacteristic moment of heroism, but then he gets gravely injured and put in a coma. Here's where we leave our former stormtrooper at the end of the movie: in a vegetative recovery state after having had one of the most traumatic experiences of his life and a close brush with the Dark Side of the Force. Now I won't lie, there still isn't a lot of evidence to justify Finn joining the Dark Side. But I think the setup is definitely there, for multiple reasons:
  • Compare and contrast the fact that both Rey and Finn never knew their parents. This sets them up to be foils to each other, as we can see how one person let that turn him to the Dark Side while the other chose the path of the Light. In addition to that, the only people who've wanted Rey with them since her parents abandoned her are both men who turned to the Dark Side. It would've made the temptation all that much stronger, and her moral dilemma would be a lot more significant.
  • Finn is literally in a coma at the end of TFA, it's the perfect setup to traumatic dreams or flashbacks where Phasma torments him during stormstrooper training, maybe Kylo Ren's lightsaber being burned into his mind as a permanent source of trauma.
  • We had a Phasma, an aesthetically badass stormtrooper who could've easily served as the source of Finn's fear and trauma. Imagine Phasma stalking Finn like the Terminator for the whole movie. Instead of proudly proclaiming his allegiance to the Resistance in their confrontation, he instead succumbs to the Dark Side and uses the Force to kill her (i.e. Force choke or crushing her alive in her armor). Would've made her a far better character than the useless fodder she was in TFA and TLJ.
Was JJ planning for this to be Finn's story arc the whole time? I honestly doubt it. But I do think JJ set up some interesting character development threads that could've led to a truly subversive yet interesting character arc, instead of wasting time on a casino planet. It's kind of a lightning in the bottle situation, like how George Lucas was saved by the editing of the Star Wars Original Trilogy. As much as I like Rian Johnson as a director, I'm a bit disappointed that his subversion of Star Wars was only well executed in the Rey/Kylo/Luke saga. I feel like this could've been avoided if the producers had already established a framework for how the story should progress in advance of directing the Star Wars Sequel Trilogy.
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MAME 0.223

MAME 0.223

MAME 0.223 has finally arrived, and what a release it is – there’s definitely something for everyone! Starting with some of the more esoteric additions, Linus Åkesson’s AVR-based hardware chiptune project and Power Ninja Action Challenge demos are now supported. These demos use minimal hardware to generate sound and/or video, relying on precise CPU timings to work. With this release, every hand-held LCD game from Nintendo’s Game & Watch and related lines is supported in MAME, with Donkey Kong Hockey bringing up the rear. Also of note is the Bassmate Computer fishing aid, made by Nintendo and marketed by Telko and other companies, which is clearly based on the dual-screen Game & Watch design. The steady stream of TV games hasn’t stopped, with a number of French releases from Conny/VideoJet among this month’s batch.
For the first time ever, games running on the Barcrest MPU4 video system are emulated well enough to be playable. Titles that are now working include several games based on the popular British TV game show The Crystal Maze, Adders and Ladders, The Mating Game, and Prize Tetris. In a clear win for MAME’s modular architecture, the breakthrough came through the discovery of a significant flaw in our Motorola MC6840 Programmable Timer Module emulation that was causing issues for the Fairlight CMI IIx synthesiser. In the same manner, the Busicom 141-PF desk calculator is now working, thanks to improvements made to Intel 4004 CPU emulation that came out of emulating the INTELLEC 4 development system and the prototype 4004-based controller board for Flicker pinball. The Busicom 141-PF is historically significant, being the first application of Intel’s first microprocessor.
Fans of classic vector arcade games are in for a treat this month. Former project coordinator Aaron Giles has contributed netlist-based sound emulation for thirteen Cinematronics vector games: Space War, Barrier, Star Hawk, Speed Freak, Star Castle, War of the Worlds, Sundance, Tail Gunner, Rip Off, Armor Attack, Warrior, Solar Quest and Boxing Bugs. This resolves long-standing issues with the previous simulation based on playing recorded samples. Colin Howell has also refined the sound emulation for Midway’s 280-ZZZAP and Gun Fight.
V.Smile joystick inputs are now working for all dumped cartridges, and with fixes for ROM bank selection the V.Smile Motion software is also usable. The accelerometer-based V.Smile Motion controller is not emulated, but the software can all be used with the standard V.Smile joystick controller. Another pair of systems with inputs that now work is the original Macintosh (128K/512K/512Ke) and Macintosh Plus. These systems’ keyboards are now fully emulated, including the separate numeric keypad available for the original Macintosh, the Macintosh Plus keyboard with integrated numeric keypad, and a few European ISO layout keyboards for the original Macintosh. There are still some emulation issues, but you can play Beyond Dark Castle with MAME’s Macintosh Plus emulation again.
In other home computer emulation news, MAME’s SAM Coupé driver now supports a number of peripherals that connect to the rear expansion port, a software list containing IRIX hard disk installations for SGI MIPS workstations has been added, and tape loading now works for the Specialist system (a DIY computer designed in the USSR).
Of course, there’s far more to enjoy, and you can read all about it in the whatsnew.txt file, or get the source and 64-bit Windows binary packages from the download page. (For brevity, promoted V.Smile software list entries and new Barcrest MPU4 clones made up from existing dumps have been omitted here.)

MAME Testers Bugs Fixed

New working machines

New working clones

Machines promoted to working

Clones promoted to working

New machines marked as NOT_WORKING

New clones marked as NOT_WORKING

New working software list additions

Software list items promoted to working

New NOT_WORKING software list additions

Merged pull requests

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star wars casino planet scene video

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Star Wars 8 Director Explains the 'Casino City' Canto Bight. Rian Johnson confirms the name of the 'Casino City' in Star Wars: The Last Jedi is Canto Bight and explains its significance. By Becky Fuller May 24, 2017. Share Share Tweet Email. 0. Comment. Rian Johnson has confirmed that the new planet in Star Wars: The Last Jedi, is called Canto Bight. The name itself was rumored back in April ... The Star Wars franchise has been taking fans across a galaxy far far away for 40 years, and every new film expands the galaxy even further with the addition of new creatures and planets. The Last ... According to Making Star Wars's sources, this Last Jedi scene will be set on the planet of Canto Bight, which has tantalisingly been referred to as "the casino planet." While we don't know everything about Canto Bight, the casino planet in this December's Star Wars: The Last Jedi, we have learned a little more about why the planet is so important to the story of ... Star Wars: The Last Jedi certainly drew mixed emotions and reviews from die hard fans. Find out how the Canto Bight story-line split fans opinions on the franchise right down the middle. More than any other scene in the original film, the cantina showed that in Star Wars, anything — like, literally, any thing — was possible. 7. The AT-ATs (Episode V: The Empire Strikes Back) As reported by Official Star Wars YouTube channel,Vanity Fair released a photo set by the famous Annie Liebovitz with wonderful photographs of the cast and crew in costume, but also a few shots of the cast to appear in film as a part of the rich clients of a new location – casino city of Canto Bight. What intrigued us the most is the uncanny resemblance of the costumes to those seen on some ... A Star Wars: The Last Jedi toy hints at a chase scene on the casino planet of Cantonica. By Sam Prell 08 August 2017. Comments; We're just a few short months away from the release of Star Wars ... Casinos are so popular, even the characters from Star Wars are open to a gambling spree. Find out how gambling will be added to this enormous franchise. Star Wars 8 Rumor: 'Casino Planet' Name Revealed. The latest Star Wars: The Last Jedi rumor reveals the name of the 'casino planet' filmed at Dubrovnik last year is Canto Bight. By Chris Agar Apr 04, 2017. Share Share Tweet Email. 0. Comment. This December's Star Wars: The Last Jedi could possibly feature planets seen in the earlier saga installments, but the sequel will have at least one new ...

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star wars cantina - YouTube

Casino: Back Home Years Ago Lightspeed Kamikaze in TRUE 4K. PROPERTY OF LUCASFILM & WALT DISNEY STUDIOS. Obviously, I did not monetize this video. Check out 2018 & 2019's MIND-BLOWING... By some regarded as the best movie in the franchise, Star Wars Episode V: The Empire Strikes Back, was released in 1980. Despite the success of the original,... Official Star Wars: The Rise of Skywalker "Luke and Leia Training Flashback" Movie Clip & Trailer 2019 Subscribe http://abo.yt/ki Daisy Ridley Movie Tr... From "Star Wars: Episode VIII - The Last Jedi" (2017). Rose saves and kisses Finn scene. Absolute eye-roll inducing garbage. the song from the star wars movie This is not the clip. just a picture with the musicDISCLAIMER: This track is uploaded exclusively for listening purposes. I... Suite of the theme of Coruscant from Star Wars Episode I: The Phantom Menace, Star Wars Episode II: Attack of the Clones and Star Wars Episode III: Revenge o... "Star Wars: The Empire Strikes Back" Clip - Imperial Walkers Attack on Hoth[2K ULTRA HD]After the rebels have been brutally overpowered by the Empire on thei... GTA V is a special game that sort of started it all for me back in the day. I was uploading 2 grand theft auto V videos everyday for about 2 weeks and no one...

star wars casino planet scene

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