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One of the most frustrating things about the Resorts World Incident is that officials have not been inspiring confidence in their credibility. There are people who come up with conspiracy theories, there are those who doubt if it was really a robbery, and there are those who might be believing the truth presented on media by the government, but still have a lot of questions on their minds. But who could blame them, when the very officials who handled the incident have very different views of what happened as well as experts on the matter having different opinions as well.
Round 1: Is it a terror attack? Bato^delaRosa vs. SITE
Round 2: Sure na hindi ISIS? Bato^delaRosa vs. Defense Sec. Delfin Lorenza (who said we cannot rule ISIS hand in the attack yet)
Round 3: Sure na hindi ISIS? Bato^delaRosa vs. Speaker Pantaleon Alvarez (who said he disagrees with Bato's lone wolf assessment" and insists it's a terror attack similar to what has been seen in other countries.
Round 4: What is terror? Bato^delaRosa (hindi terorista kasi hindi naman niya binabaril yung mga tao) vs. terror analyst Sidney Jones (who said that terror is a form of violence that aims to influence an audience...and can still sow fear in those who identifies with the victims, even without the use of gunfire)
Round 5: What is terror? Bato^delaRosa (hindi terror yun kasi pataas yung baril) vs. Raffy Alunan (who said that a "hallmark" of a terrorist attack is having a venue that has "high human traffic" and is "frequented by foreigners.")
Round 6: The death of the shooter. Bato^delaRosa (nanlaban, kaya pinatay) vs. Abella and Albayalde (suicide)
Round 7: Hotel security guard accidentally shot himself. Bato^delaRosa vs. RWM COO Stephen Reilly
Round 8: Robbery? Bato^delaRosa vs. Raffy Alunan (who expressed shock at the conclusion, and said that the shooter's actions were not the footprints of a thief)

Bato vs. the Truth

Sige fine. Siguro difference in opinion lang talaga. Baka nga naman may access si Bato sa information and intelligence reports na confidential at hindi natin alam. But what about the PNP Chief's pronouncements that were later proven to be false?
Bato: Foreigner, Caucasian ang suspect.
Truth: Jessie Javier Carlos is a Filipino
Bato: Naka private car sya. We are looking for his car.
Truth: He came in a taxi.
Bato: Claimed that the gunman was killed after resisting arrest
Truth: It was the security personnel of RWM who wounded the suspect
Bato: Lahat ng empleyado at guests ng Resorts World ay na-evacuate.
Truth: Close to 40 people died.
Bato: Yung security guard ng RWM, nabaril sarili niya...
Truth: Stephen Reilly denied the report of Philippine National Police Ronald dela Rosa that a security guard of the casino accidentally shot himself.
BONUS: From John Nery, May 2, 2017

No chief of the Philippine National Police has brought as much disgrace and discredit to the institution he heads as Ronald “Bato” dela Rosa, a likeable enough police officer promoted beyond his capacity and competence. His chief claim to fame was his total support for the presidential candidacy of Mayor Rodrigo Duterte, whom he worked with closely when he was Davao City police chief; the main reason he remains head of the country’s 170,000 police officers is the President’s complete trust in him.
In what way has Dela Rosa been detrimental to the long-term interest of the PNP?
First, he has trivialized his office. Dela Rosa is the first PNP chief to allow a police mascot to be made in his likeness; he has not only encouraged the use of the “Bato” mascot, distinguished by its bald head, but also revels in it. This is quite literally a caricature of the enormous responsibility the national police chief must discharge—especially if one were to believe the administration propaganda about the severity of the illegal drugs problem. But the mascot is perfectly representative of Dela Rosa’s approach to law enforcement: cut a high media profile, and then hope for the best.
Alvarez’s cutting comments last January attacked this aspect of Dela Rosa’s time in office: He seems, the Speaker wrote, to be more “interested in having a show biz career and in landing on society pages of newspapers with his being everywhere doing mundane things like singing videoke and watching concerts.” This celebrity-seeking orientation is demoralizing to the ordinary policeman, who must contend with more and more questions about the role of the PNP in the bloody war on drugs, which mostly claims the lives of the poor.
Second, he has politicized the office. Dela Rosa must have been the first PNP chief to respond to questions from senators inquiring into police matters according to their political affiliation; unctuous toward administration allies, passive-aggressive toward opposition lawmakers. This is unprofessional conduct that has consequences down the line. But beyond this, there is also the widely shared perception, discussed by politician and policeman alike, that following his initial burst of popularity he is preparing for a Senate run.
I understand Alvarez’s warning then, that Dela Rosa “buckle down to work or better yet give the job to someone else who is dead serious in leading the PNP,” as a shot across the bow of the PNP chief’s political ambitions.
Third, he has failed to exercise true leadership, and because of his failure, the PNP has created subcultures of impunity. These have allowed the PNP’s own illegal drugs task force to murder the likes of Jee Ick-joo, and the Manila police to host a legalized kidnap-for-ransom business. Dela Rosa’s preferred mode of interaction with the men and women of the PNP, the blustery speech, has no real impact. As Alvarez said last January: “The commission of a heinous crime right [under] his very nose is not only an insult but [also] a clear indication that he has lost the respect of his people.”

And now we have a fourth, shooting off his mouth whenever he sees media reporters and TV cameras.

https://anonymousfiles.io/JOuCsgNW/
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5 in 1 Funpak (U).zip
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Sylvan Tale (J).zip
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​

Rapid City Journal (RCJ) - January 21st Edition
1965–1970: Early career Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting.[20]
After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life … Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face – and he looked like he was always saying: 'F--- you!' – I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do – play in a rock band'."[21]
Joel joined the Echoes,[22] a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las.[23] Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version;[24] The released single included a co-producer credit for Artie Ripp,[25] who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead.[26]
In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records.[27] Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.[28]
1970–1974: Cold Spring Harbor and Piano Man Joel signed a contract with the record company Family Productions (owned by Artie Ripp but backed by Gulf + Western[29]), with which he recorded his first solo album, Cold Spring Harbor (a reference to Cold Spring Harbor, New York, a town on Long Island). Ripp states that he spent $450,000 developing Joel;[29] nevertheless, the album was mastered at the wrong speed and as a result, the album was a technical and commercial disappointment.[30]
The popular songs "She's Got a Way" and "Everybody Loves You Now" were originally released on this album, but went largely unnoticed until being released as live performances on Songs in the Attic (1981). Columbia released a remastered version of Cold Spring Harbor in 1983.
Joel began his Cold Spring Harbor tour in the fall of 1971, touring with his band (Rhys Clark on drums, Al Hertzberg on guitar, and Larry Russell on bass guitar) throughout the U.S. and Puerto Rico, opening for groups such as the J. Geils Band, The Beach Boys, Badfinger, and Taj Mahal. Joel's performance at the Puerto Rican Mar Y Sol Pop Festival was especially well-received; and although recorded, Joel refused to have it published on the Mar Y Sol compilation album Mar Y Sol: The First International Puerto Rico Pop Festival. Nevertheless, interest in his music grew.[31]
During the spring of 1972, the Philadelphia radio station WMMR-FM began playing a concert recording of "Captain Jack", which became an underground hit on the East Coast. Herb Gordon, a Columbia Records executive, heard Joel's music and introduced him to the company. Joel signed a recording contract with Columbia in 1972 and moved to Los Angeles; he lived there for the next three years.[1][32] For six months he worked at The Executive Room piano bar on Wilshire Boulevard as "Bill Martin". During that time, he composed his signature hit "Piano Man" about the bar's patrons.[33]
Despite Joel's new contract, he was still legally bound to Family Productions. Artie Ripp sold Joel's first contract to Columbia. Walter Yetnikoff, the president of CBS/Columbia Records at the time, bought back the rights to Joel's songs in the late 1970s, giving the rights to Joel as a birthday gift.[34][35] Yetnikoff notes in the documentary film The Last Play at Shea that he had to threaten Ripp to close the deal.
Joel's first album with Columbia was Piano Man, released in 1973. Despite modest sales, Piano Man's title track became his signature song, ending nearly every concert. That year Joel's touring band changed. Guitarist Al Hertzberg was replaced by Don Evans, and bassist Larry Russell by Patrick McDonald, himself replaced in late 1974 by Doug Stegmeyer, who would stay with Joel until 1989. Rhys Clark returned as drummer and Tom Whitehorse as banjoist and pedal steel player; Johnny Almond joined as saxophonist and keyboardist. The band toured the US and Canada extensively, appearing on popular music shows. Joel's songwriting began attracting more attention; in 1974 Helen Reddy recorded "You're My Home" (Piano Man).
1974–1977: Streetlife Serenade and Turnstiles In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth.[36] Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered[by whom?] one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s.
In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album.
Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself.
"Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
1977–1979: The Stranger and 52nd Street Columbia Records introduced Joel to Phil Ramone, who would produce all of Joel's studio albums from The Stranger (1977) to The Bridge (1986). The Stranger was an enormous commercial success, yielding four Top-25 hits on the Billboard charts: "Just the Way You Are" (#3), "Movin' Out" (#17), "Only the Good Die Young" (#24), and "She's Always a Woman" (#17). Joel's first Top Ten album, The Stranger was certified multi-platinum and reached number two on the charts, outselling Simon & Garfunkel's Bridge over Troubled Water,[37] Columbia's previous best-selling album. The Stranger also featured "Scenes from an Italian Restaurant", an album-oriented rock classic, which has become one of his best-known songs.
The Stranger song "Just the Way You Are" — written for Joel's first wife, Elizabeth Weber[38] — was inspired by a dream[39] and won Grammy awards for Record of the Year and Song of the Year.[40] On tour in Paris, Joel learned the news late at night in his hotel room.[22] Rolling Stone ranked The Stranger the 70th greatest album of all time.[41]
Expectations were high for Joel's next album, 52nd Street, which he released in 1978, naming it after Manhattan's famous 52nd Street, which, at the time of its release, served as the world headquarters of CBS/ Columbia. The album sold over seven million copies, propelled to number one on the charts by the following hits: "My Life" (#3); followed successes from the album were "Big Shot" (#14), and "Honesty" (#24). A cover of "My Life" (sung by Gary Bennett) became the theme song for a new television sitcom, Bosom Buddies, which featured actor Tom Hanks in one of his earliest roles. 52nd Street won Grammy awards for Best Pop Vocal Performance, Male and Album of the Year.
In 1979, Joel also traveled to Havana, Cuba, to participate in the historic Havana Jam festival that took place between March 2–4, alongside Rita Coolidge, Kris Kristofferson, Stephen Stills, the CBS Jazz All-Stars, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnegan, Weather Report, and an array of Cuban artists such as Irakere, Pacho Alonso, Tata Güines and Orquesta Aragón.[42] His performance is captured in Ernesto Juan Castellanos's documentary Havana Jam '79.
1979–1983: Glass Houses and The Nylon Curtain The success of his piano-driven ballads like "Just the Way You Are", "She's Always a Woman", and "Honesty" led some critics to label Joel a "balladeer" and "soft rocker". Joel thought these labels were unfair and insulting, and with Glass Houses, he tried to record an album that proved that he could rock harder than his critics gave him credit for, occasionally imitating and referring to the style of new wave rock music that was starting to become popular at the time. On the front cover of the album, Joel is pictured in a leather jacket, about to throw a rock at a glass house (referring to the adage that "people who live in glass houses shouldn't throw stones").
Glass Houses spent six weeks at No. 1 on the Billboard chart and yielded such hits as "You May Be Right" (used as the theme song, covered by Southside Johnny, for the CBS mid-1990s sitcom Dave's World) (#7, May 1980), "Don't Ask Me Why" (#19, September 1980), "Sometimes a Fantasy" (#36, November 1980) and "It's Still Rock and Roll to Me", which became Joel's first Billboard number-one single (for two weeks) in July 1980. "It's Still Rock and Roll to Me" spent 11 weeks in the top 10 of the Billboard Hot 100 and was the 7th biggest hit of 1980 according to American Top 40.
Glass Houses won the Grammy for Best Rock Vocal Performance, Male. It would also win the American Music Award for Favorite Album, Pop/Rock category. The album's closing song, "Through The Long Night" (B-side of the "It's Still Rock & Roll to Me" single), was a lullaby that featured Joel harmonizing with himself in a song he says was inspired by The Beatles' "Yes It Is".[31] In a recorded Masterclass at the University of Pennsylvania, Joel later recollected that he had written to the Beatles asking them how to get started in the music industry. In response, he received a pamphlet about Beatles merchandise. This later led to the idea of Joel conducting Q&A sessions around the world answering questions that people had about the music industry.[43]
His next release, Songs in the Attic, was composed of live performances of less well-known songs from the beginning of his career. It was recorded during larger US arenas and intimate night club shows in June and July 1980. This release introduced many fans, who discovered Joel when The Stranger became a smash in 1977, to many of his earlier compositions. The album reached No. 8 on the Billboard chart and produced two hit singles: "Say Goodbye to Hollywood" (#17), and "She's Got a Way" (#23). It sold over 3 million copies. Though not as successful as some of his previous albums, the album was still considered a success by Joel.[31]
The next wave of Joel's career commenced with the recording of his next studio album, The Nylon Curtain. With The Nylon Curtain, Joel became more ambitious with his songwriting, trying his hand at writing topical songs like "Allentown" and "Goodnight Saigon". Joel has stated that he wanted the album to communicate his feelings about the American Dream and how changes in American politics during the Reagan years meant that "all of a sudden you weren't going to be able to inherit [the kind of life] your old man had."[44] He also tried to be more ambitious in his use of the recording studio. Joel said that he wanted to "create a sonic masterpiece" on The Nylon Curtain. So he spent more time in the studio, crafting the sound of the album, than he had on any previous album.[44] Production of The Nylon Curtain began in the fall of 1981. However, production was temporarily delayed when Joel was involved in a serious motorcycle accident on Long Island on April 15, 1982, severely injuring his hands. Still, Joel quickly recovered from his injuries, and the album only ended up being delayed by a few months.[45]
In 1982, he embarked on a brief tour in support of the album. From one of the final shows of the tour, Joel made his first video special, Live from Long Island, which was recorded at the Nassau Veterans Memorial Coliseum in Uniondale, New York on December 30, 1982. It was originally broadcast on HBO in 1983 before it became available on VHS.
The Nylon Curtain went to No. 7 on the charts, partially due to heavy airplay on MTV for the videos to the singles "Allentown" and "Pressure". "Allentown" spent six weeks at a peak position of No. 17 on the Billboard Hot 100, making it one of the most-played radio songs of 1982, pushing it into 1983's year-end Top 70, and making it the most successful song from The Nylon Curtain album, besting "Pressure" which peaked at No. 20 (where it resided for three weeks) and "Goodnight Saigon" which reached No. 56 on U.S. charts.[46]
1983–1988: An Innocent Man and The Bridge Joel's next album moved away from the serious themes of The Nylon Curtain and struck a much lighter tone. The album An Innocent Man was Joel's tribute to R&B and doo wop music of the 1950s and 1960s and resulted in Joel's second Billboard number-one hit, "Tell Her About It", which was the first single off the album in the summer of 1983. The album itself reached No. 4 on the charts and No. 2 in UK. It also boasted six top-30 singles, the most of any album in Joel's catalog. The album was well received by critics, with Stephen Thomas Erlewine, senior editor for AllMusic, describing Joel as being "in top form as a craftsman throughout the record, effortlessly spinning out infectious, memorable melodies in a variety of styles."[47]
At the time that the album was released, WCBS-FM began playing "Uptown Girl" both in regular rotation and on the Doo Wop Live.[48][49] The song became a worldwide hit upon its release. The music video of the song, originally written about then girlfriend Elle MacPherson, featured future wife Christie Brinkley as a high society girl, whose car pulls into the gas station where Joel's character is working. At the end of the video, Joel's "grease monkey" character drives off with his "uptown girl" on the back of a motorcycle. When Brinkley went to visit Joel after being asked to star in the video, the first thing Joel said to her upon opening his door was "I don't dance". Brinkley had to walk him through the basic steps he does in the video. Their work together on this video shoot sparked a relationship between the two which would later lead to their marriage in 1985.[50]
In December, the title song, "An Innocent Man", was released as a single and it peaked at No. 10 in the U.S. and No. 8 in the UK, early in 1984. That March, "The Longest Time" was released as a single, peaking at No. 14 on the Hot 100 and No. 1 on the Adult Contemporary chart. That summer, "Leave a Tender Moment Alone" was released and it hit No. 27 while "Keeping the Faith" peaked at No. 18 in January 1985. In the video for "Keeping the Faith", Christie Brinkley also plays the "redhead girl in a Chevrolet". An Innocent Man was also nominated for the Album of the Year Grammy, but lost to Michael Jackson's Thriller.
Joel participated in the USA For Africa We Are The World project in 1985, capping off a series of successful singles.
Following the success of An Innocent Man, Joel was asked about releasing an album of his most successful singles. This was not the first time this topic had come up, but Joel had initially considered "Greatest Hits" albums as marking the end of one's career. This time he agreed, and Greatest Hits Vol. 1 and 2 was released as a four-sided album and two-CD set, with the songs in the order in which they were released. The new songs "You're Only Human (Second Wind)" and "The Night Is Still Young" were recorded and released as singles to support the album; both reached the top 40, peaking at No. 9 and No. 34, respectively. Greatest Hits was highly successful and it has since been certified double diamond by the RIAA, with over 11.5 million copies (23 million units) sold. It is one of the best-selling albums in American music history, according to the RIAA.
Coinciding with the Greatest Hits album release, Joel released a two-volume Video Album that was a compilation of the promotional videos he had recorded from 1977 to the present time. Along with videos for the new singles off the Greatest Hits album, Joel also recorded a video for his first hit, "Piano Man", for this project.
Though it broke into the top ten, Joel's next album, The Bridge (1986), did not achieve the level of success of his previous albums, but it yielded the hits "A Matter of Trust" and "Modern Woman" from the film Ruthless People, a dark comedy from the directors of Airplane! (both #10). In a departure from his "piano man" persona, Joel is shown in the video playing a Gibson Les Paul. The ballad "This is the Time" also charted, peaking at No. 18.
On November 18, 1986, an extended version of the song "Big Man on Mulberry Street" was used on a Season 3 episode of Moonlighting. The episode itself was also titled "Big Man on Mulberry Street".
The Bridge was Joel's last album to carry the Family Productions logo, after which he severed his ties with Artie Ripp. Joel has also stated in many interviews, most recently in a 2008 interview in Performing Songwriter magazine, that he does not think The Bridge is a good album.
In October 1986, Joel and his handlers started planning a trip to the Soviet Union. He became one of the first American rock acts to play there since the Berlin Wall went up, a fact not lost on history buff Joel.[51] There were live performances at indoor arenas in Moscow, Leningrad and Tbilisi. Joel, his family (including young daughter Alexa), and his full touring band made the trip in August 1987. The entourage was filmed for television and video to offset the cost of the trip, and the concerts were simulcast on radio around the world. Joel's Russian tour was the first live rock radio broadcast in Soviet history.[52]
Most of that audience took a long while to warm up to Joel's energetic show, something that had never happened in other countries he had performed in. According to Joel, each time the fans were hit with the bright lights, anybody who seemed to be enjoying themselves froze. In addition, people who were "overreacting" were removed by security.[53] It was during this concert that Joel, enraged by the bright lights, flipped his electric piano and snapped a microphone stand while continuing to sing the current part of the set.[54] He later apologized for that incident.
The album КОНЦЕРТ (Russian for "Concert") was released in October 1987. Singer Pete Hewlett was brought in to hit the high notes on his most vocally challenging songs, like "An Innocent Man". Joel also did versions of The Beatles' classic "Back in the U.S.S.R." and Bob Dylan's "The Times They Are a-Changin". It has been estimated that Joel lost more than $1 million of his own money on the trip and concerts, but he has said the goodwill he was shown there was well worth it.[31]
1988–1993: Storm Front and River of Dreams The recording of the album Storm Front, which commenced in 1988, coincided with major changes in Joel's career and inaugurated a period of serious upheaval in his business affairs. In August 1989, just before the album was released, Joel dismissed his manager (and former brother-in-law) Frank Weber after an audit revealed major discrepancies in Weber's accounting. Joel subsequently sued Weber for $90 million, claiming fraud and breach of fiduciary duty and in January 1990 he was awarded $2 million in a partial judgment against Weber; in April, the court dismissed a $30 million countersuit filed by Weber.[55]
The first single for the album, "We Didn't Start the Fire", was released in September 1989 and it became Joel's third and – to date – most-recent US number-one hit, spending two weeks at the top. Storm Front was released in October, and it eventually became Joel's first number-one album since Glass Houses, nine years earlier. Storm Front was Joel's first album since Turnstiles to be recorded without Phil Ramone as producer. For this album, he wanted a new sound, and worked with Mick Jones of Foreigner fame. Joel is also credited as one of the keyboard players on Jones' 1988 self-titled solo album, and is featured in the official video for Jones' single "Just Wanna Hold"; Joel can be seen playing the piano while his then-wife Christie Brinkley joins him and kisses him. Joel also revamped his backing band, dismissing everyone but drummer Liberty DeVitto, guitarist David Brown, and saxophone player Mark Rivera, and bringing in new faces, including multi-instrumentalist Crystal Taliefero.
Storm Front's second single, "I Go to Extremes" reached No. 6 in early 1990. The album was also notable for its song "Leningrad", written after Joel met a clown in the Soviet city of that name during his tour in 1987, and "The Downeaster Alexa", written to underscore the plight of fishermen on Long Island who are barely able to make ends meet. Another well-known single from the album is the ballad "And So It Goes" (#37 in late 1990). The song was originally written in 1983, around the time Joel was writing songs for An Innocent Man; but "And So It Goes" did not fit that album's retro theme, so it was held back until Storm Front. Joel said in a 1996 Masterclass session in Pittsburgh that Storm Front was a turbulent album and that "And So It Goes", as the last song on the album, portrayed the calm and tranquility that often follows a violent thunderstorm.
In the summer of 1992, Joel filed another $90 million lawsuit against his former lawyer Allen Grubman, alleging a wide range of offenses including fraud, breach of fiduciary responsibility, malpractice and breach of contract[56] but the case was eventually settled out of court for an undisclosed sum.[57]
In 1992, Joel inducted the R&B duo Sam & Dave into the Rock & Roll Hall of Fame. That year, Joel also started work on River of Dreams, finishing the album in early 1993. Its cover art was a colorful painting by Christie Brinkley that was a series of scenes from each of the songs on the album. The eponymous first single was the last top 10 hit Joel has penned to date, reaching No. 3 on Billboard's Hot 100 chart and ranking at No. 21 on the 1993 year-end Hot 100 chart. In addition to the title track, the album includes the hits "All About Soul" (with Color Me Badd on backing vocals) and "Lullabye (Goodnight, My Angel)", written for his daughter, Alexa. A radio remix version of "All About Soul" can be found on The Essential Billy Joel (2001), and a demo version appears on My Lives (2005).
The song "The Great Wall of China" was written about his ex-manager Frank Weber and was a regular in the setlist for Joel's 2006 tour. "2000 Years" was prominent in the millennium concert at Madison Square Garden, December 31, 1999, and "Famous Last Words" closed the book on Joel's pop songwriting for more than a decade.
1993–present: Touring Beginning in 1994, Joel toured extensively with Elton John on a series of "Face to Face" tours, making them the longest running and most successful concert tandem in pop music history.[58] During these shows, the two have played their own songs, each other's songs and performed duets. They grossed over US$46 million in just 24 dates in their sold out[59] 2003 tour. Joel and John resumed the Face to Face tour in March 2009[59] and it ended again, at least for the time being, in March 2010 in Albany, New York, at the Times Union Center. In February 2010, Joel denied rumors in the trade press that he canceled a summer 2010 leg of the tour, claiming there were never any dates booked and that he intended to take the year off.[60] Joel told Rolling Stone magazine: "We'll probably pick it up again. It's always fun playing with him."[61]
Joel performing in 2007 in Florida On August 25, 1994, Joel and second wife Christie Brinkley divorced, but they remained friends.
1997's "To Make You Feel My Love" and "Hey Girl" both charted from Joel's Greatest Hits Volume III album. Joel wrote and recorded the song "Shameless" that was later covered by Garth Brooks and reached No. 1 on Billboard's country charts. Joel performed with Brooks during his Central Park concert in 1997. To add onto his achievements Joel was inducted into the Rock 'n Roll Hall of Fame in 1999. Ray Charles made the induction speech and mentioned the duet Joel wrote for the two of them, "Baby Grand" (a track on Joel's album The Bridge released in 1986).
On December 31, 1999, Joel performed at New York's Madison Square Garden. At the time, Joel said that it would be his last tour and possibly his last concert. Two of his performances from that night, "We Didn't Start the Fire" and "Scenes from an Italian Restaurant" were filmed and featured that night as part of ABC's special New Year's Y2K coverage. The concert (dubbed The Night of the 2000 Years) ran for close to four hours and was later released as 2000 Years: The Millennium Concert.
In 2001, Joel released Fantasies & Delusions, a collection of classical piano pieces. All were composed by Joel and performed by Hyung-ki Joo. Joel often uses bits of these songs as interludes in live performances, and some of them are part of the score for the hit show Movin' Out. The album topped the classical charts at No. 1. Joel performed "New York State of Mind" live on September 21, 2001, as part of the America: A Tribute to Heroes benefit concert, and on October 20, 2001, along with "Miami 2017 (Seen the Lights Go Out on Broadway)", at the Concert for New York City in Madison Square Garden. That night, he also performed "Your Song" with Elton John.
In 2003, Joel inducted The Righteous Brothers into the Rock and Roll Hall of Fame, noting that his song "Until the Night" from the album 52nd Street was a tribute to the duo.
In 2005, Columbia released a box set, My Lives, which is largely a compilation of demos, b-sides, live/alternate versions and even a few Top 40 hits. The compilation also includes the Umixit software, in which people can remix "Zanzibar" and a live version of "I Go to Extremes" with their PC. Also, a DVD of a show from the River of Dreams tour is included.
Billy Joel with his band performing in California On January 7, 2006, Joel began a tour across the U.S. Having not written, or at least released, any new songs in 13 years, he featured a sampling of songs from throughout his career, including major hits as well as obscure tunes like "Zanzibar" and "All for Leyna". His tour included an unprecedented 12 sold-out concerts over several months at Madison Square Garden in New York City. The singer's stint of 12 shows at Madison Square Garden broke a previous record set by New Jersey native Bruce Springsteen, who played 10 sold-out shows at the same arena. The record earned Joel the first retired number (12) in the arena owned by a non-athlete. This honor has also been given to Joel at the Wells Fargo Center (Philadelphia) (formerly the Wachovia Center) in Philadelphia where a banner in the colors of the Philadelphia Flyers is hung honoring Joel's 46 Philadelphia sold-out shows. He also had a banner raised in his honor for being the highest grossing act in the history of the Times Union Center (formerly the Knickerbocker Arena and Pepsi Arena) in Albany, New York. This honor was given to him as part of the April 17, 2007, show he did there. On June 13, 2006, Columbia released 12 Gardens Live, a double album containing 32 live recordings from a collection of the 12 different shows at Madison Square Garden during Joel's 2006 tour.
Joel visited the United Kingdom and Ireland for the first time in many years as part of the European leg of his 2006 tour. On July 31, 2006, he performed a free concert in Rome, with the Colosseum as the backdrop.[62]
Joel toured South Africa, Australia, Japan, and Hawaii in late 2006, and subsequently toured the Southeastern U.S. in February and March 2007 before hitting the Midwest in the spring of 2007. On January 3 of that year, news was leaked to the New York Post that Billy had recorded a new song with lyrics—this being the first new song with lyrics he'd written in almost 14 years.[63] The song, titled "All My Life", was Joel's newest single (with second track "You're My Home", live from Madison Square Garden 2006 tour) and was released into stores on February 27, 2007.[64] On February 4, Joel sang the national anthem for Super Bowl XLI, becoming the first to sing the national anthem twice at a Super Bowl. and on April 17, 2007, Joel was honored in Albany, New York, for his ninth concert at the Times Union Center. He is now holding the highest box office attendance of any artist to play at the arena. A banner was raised in his honor marking this achievement.
On December 1, 2007, Joel premiered his new song "Christmas in Fallujah".[65] The song was performed by Cass Dillon, a new Long Island based musician, as Joel felt it should be sung by someone in a soldier's age range (though he himself has played the song occasionally in concert.) The track was dedicated to servicemen based in Iraq. Joel wrote it in September 2007 after reading numerous letters sent to him from American soldiers in Iraq. "Christmas in Fallujah" is only the second pop/rock song released by Joel since 1993's River of Dreams. Proceeds from the song benefited the Homes For Our Troops foundation.
Joel with Mike DelGuidice in 2016 On January 26, 2008, Joel performed with the Philadelphia Orchestra celebrating the 151st anniversary of the Academy of Music. Joel premiered his new classical piece titled, "Waltz No. 2 (Steinway Hall)" arranged by Brad Ellis. He also played many of his less well-known pieces, with full orchestral backing arranged by Mr. Ellis, including the rarely performed Nylon Curtain songs "Scandinavian Skies" and "Where's the Orchestra?".
On March 10, 2008, Joel inducted his friend John Mellencamp into the Rock and Roll Hall of Fame in a ceremony at the Waldorf Astoria Hotel in New York City.
Joel's staying power as a touring act continues to the present day. He sold out 10 concerts at the Mohegan Sun Casino in Uncasville, Connecticut from May to July 2008. The casino honored him with a banner displaying his name and the number 10 to hang in the arena. On June 19, 2008, he played a concert at the grand re-opening of Caesars Windsor (formerly Casino Windsor) in Windsor, Ontario, Canada to an invite-only crowd for Casino VIPs. His mood was light, and joke-filled, even introducing himself as "Billy Joel's dad" and stating "you guys overpaid to see a fat bald guy". He also admitted that Canadian folk-pop musician Gordon Lightfoot was the musical inspiration for "She's Always A Woman".[66]
On July 16, 2008, and July 18, 2008, Joel played the final concerts at Shea Stadium before its demolition. His guests included Tony Bennett, Don Henley, John Mayer, John Mellencamp, Steven Tyler, Roger Daltrey, Garth Brooks, and Paul McCartney. The concerts were featured in the 2010 documentary film Last Play at Shea. The film was released on DVD on February 8, 2011. The CD and DVD of the show, Live at Shea Stadium were released on March 8, 2011.
On December 11, 2008, Joel recorded his own rendition of "Christmas in Fallujah" during a concert at Acer Arena in Sydney and released it as a live single in Australia only. It is the only official release of Joel performing "Christmas in Fallujah", as Cass Dillon sang on the 2007 studio recording and the handful of times the song was played live in 2007. Joel sang the song throughout his December 2008 tour of Australia.
On May 19, 2009, Joel's former drummer, Liberty DeVitto, filed a lawsuit in NYC claiming Joel and Sony Music owed DeVitto over 10 years of royalty payments. DeVitto had never been given songwriting or arranging credit on any of Joel's songs, but he claimed that he helped arrange some of them, including "Only the Good Die Young".[67] In April 2010, it was announced that Joel and DeVitto amicably resolved the lawsuit.[68]
2011 marked the 40th anniversary of the release of Joel's first album, Cold Spring Harbor. According to Joel's official website, to commemorate this anniversary, Columbia/Legacy Recordings originally planned "to celebrate the occasion with a definitive reissue project of newly restored and expanded Legacy editions of the complete Billy Joel catalog, newly curated collections of rarities from the vaults, previously unavailable studio tracks and live performances, home video releases and more", although this never fully came to fruition.[69] The album Piano Man was re-released in a two-disc Legacy edition in November 2011.[69]
In 2012, Joel signed an exclusive worldwide publishing agreement with Universal Music Publishing Group (UMPG), and its subsidiary Rondor Music International. Under the agreement, UMPG and Rondor replaced EMI Music Publishing in handling Joel's catalog outside the U.S. Additionally, the agreement marked the first time since Joel regained control of his publishing rights in the 1980s that he began to use an administrator to handle his catalog within the U.S. The agreement's focus is on increasing the use of Joel's music in movies, television programs, and commercials.[70]
On December 12, 2012, Joel performed as part of 12-12-12: The Concert for Sandy Relief at Madison Square Garden, a concert held for all the victims of Hurricane Sandy. He changed the lyrics to "Miami 2017 (Seen the Lights Go Out on Broadway)" to make it relate to all the damage caused by Sandy.
In May 2013, it was announced that Joel would hold his first ever indoor Irish concert at the O2 in Dublin on November 1. He subsequently announced his return to the UK for the first time in seven years to perform three dates in October and November. Joel played two arena dates in Manchester and Birmingham plus a very special show at London's Hammersmith Apollo. In October, Joel held a surprise concert on Long Island at The Paramount (Huntington, New York) to benefit Long Island Cares. The venue holds a capacity of 1,555 and sold out in five minutes. Joel headlined a solo arena concert in New York City for the first time since 2006 when he performed at Barclays Center in Brooklyn on December 31, 2013. In 2015, Joel performed 21 concerts (in addition to his Madison Square Garden residency) from January 7 to August 2 in various cities around the U.S. and Canada.
On December 3, 2013, it was announced that Joel would become a franchise of Madison Square Garden, playing one concert a month indefinitely, starting with a date on January 27, 2014.[71]
Joel performing at Madison Square Garden in 2016 On January 7, 2014, the Billy Joel in Concert tour began. Joel kicked off the 2014 New Year in the Amway Center (in Orlando, Florida) and performed several cover songs such as Elton John's "Your Song", Billy Preston's "You Are So Beautiful" (in tribute to Joe Cocker), The Beatles' "With a Little Help from My Friends", "Can't Buy Me Love", and "When I'm 64", Robert Burns' "Auld Lang Syne", and AC/DC's "You Shook Me All Night Long" (with Brian Johnson). Rufus Wainwright joined Joel during the concert to sing "New York State of Mind".[72] Joel also performed an unusual set, including the song "Souvenir" (from 1974's Streetlife Serenade) and excluding "We Didn't Start the Fire".[73]
On August 4, 2015 Joel played the final concert at Nassau Coliseum before the arena underwent a $261 million renovation.[74]
On April 5, 2017 Joel played the first concert at the newly renovated Nassau Coliseum.
On June 24, 2017, he returned to Hicksville High School fifty years after his would-be graduating class received their diplomas,[75] to deliver the honorary commencement address. It was also the 25th anniversary of receiving his own diploma from the same High School.

Basically, I plan to install a lot of mods. However, before I do any of that I want to make sure I avoid any potential headaches that might crop up. Below is a list of all mods I want (separated into categories) Also, you are welcome to point out any redundancies or suggestions for mods you think are better if you wish!
Computer Specs for those Interested/Concerned:
1) 3rd Gen Intel Core i7-3630QM (6mb cache, up to 3.4GHz with Turboboost 2.0)
2) 24GB Dual Channel DDR3 at 1600Mhz
3) 1080p Screen Resolution
4) 2Gb GDDR5 NVIDIA GeForce GTX 675M
5) 1TB RAID 0 7200 rpm
6) Windows 8 if that matters
Thanks a lot :)
List of all Mods I plan to install: (after grabbing Nexus Mod Manager, NVSE, and BOSS - I did my homework) Also of note - I have all available DLC
INITIAL MODS
1) Mod Config Menu (MCM)
2) Unified H.U.D Project
CONTENT MODS (I plan on many more)
1) Project Nevada
2) A World of Pain (+AWOP Tweaks and AWOP Monster Patch maybe)
3) More Perks + A Perk Every Level
4) D.E.I.M.O.S
5) Deserter's Fortress
6) Wasteland Thrash
7) The Caves of Primm
8) HighRoller Drug Lords
9) Blood Refilled
10) Beyond the Borders - Does this conflict with LR ending?
11) New Vegas Bounties I & II
(I have like 20 for this categoie but I don't plan on installing them right away. Bit by bit instead)
WEATHESCENERY/AMBIENT:
1) Can't Decide between Nevada Skies or F3NV Project Reality
2) Wasteland Flora Overhaul
3) Electro City
4) Hectrol FX Duststorm
5) New Vegas Restoration
6) Sierra Madre on the Strip (already works with #5)
7) Improved Sound FX v0821
8) MUW - Mod Unique Weapons
9) The 00 Commando - A Shotgun Lover's Mod
CLOTHES/GEAR:
1) Spice of Life
2) KDS Wearable Backpacks V3
3) Crysis Nano Suit + Weapons
4) Desert Recon Kit
5) Advanced Recon Stealth Armor
WEAPONS:
1) Millenias Weapons Mod
2) Mtindles Weapons Mod
3) Crossbow by Sir Niven
4) WMX+Weapon Mod Menu+WMX for AWOP
5) Camon Pack Complete
6) SG 751 SAPR
7) Barrett 98B
8) Balisong
9) Omega Frontline Industries Armory
10) Classic Fallout Guns
11) Shrapnel Weapon Mod
12) JoOs Armory
13) Saiga - 12K
14) Silenced Weapon Pack
15) AK47SU
16) IMI Uzi
17) USP match
18) Fully Customizable Desert Eagle
I'm a Weapon Fanatic - this is probs over 500+ Weapons
ANIMATIONS:
1) Weapon Animation Replacers
RADIOS:
1) CONELRAD or R.A.C.E Radios - Can't Decide
PLAYER HOMES:
1) Underwater Hideout
2) Rancho Villa
3) Lucky 38 Suite Reloaded
4) Red Rock Ranch
5) Phoenix Point
6) The Mall
CHARACTERS AND DIALOGUE:
1) Populated Casinos
2) Willow - Companion
3) NPC Project - 188 Trading Post +Bitter Springs +Aerotech Office Park
4) Gun Runners Actually Run Guns
5) Wasteland Serial Killers
6) Extended Dialogue - Vulpes Incita
7) Poison Merchant
8) Authentic Burned Man
VISUAL ENHANCEMENT:
1) Ojo Bueno
2) NMC's Texture Pack (Medium - Not sure if can handle high with all this other stuff)
3) Imaginator
4) Essential Visual Enhancements (EVE)
5) CLO
6) Interior Lighting Overhaul
7) More Grass
PERFORMANCE:
1) 4Gb New Vegas
2) Fake Full Screen Mode Windowed
3) CASM
FIXES/MISCELLANEOUS:
1) Mission Mojave Ultimate Edition (I've heard this conflicts a lot)
2) Starting Loot
3) Endless Warfare
4) Angry Steve the Ghost Person
5) Animated Usable Cigarettes for New Vegas
6) Mail Order Catalogs
7) Faster Terminals
8) Reduced Load Screen Fast Travel Markers
9) Level Cap 100 or Level Up No Lock
10) Boosted Skill Effects
11) Repairable with Scrap
12) De-crucifixion
EDIT: Formatting x4