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Album Of The Year #15: Joji - Nectar

Artist: Joji
Album: Nectar
Label: 88Rising
Release Date: September 25, 2020
Listen:
Spotify
Apple Music
YouTube Music
Deezer
Soundcloud
Background
Not many artists have had a come-up as interesting and eccentric as George Kusunoki Miller, a former YouTube comedian/edgelord turned moody R&B singer. George first got his taste of internet fame as FilthyFrank, a character he described as everything a person should not be, he played the notorious persona on YouTube for over 6 years and eventually had to retire it due to him losing passion for it and suffering from stress induced seizures, which playing the character often caused.
Throughout his time as FilthyFrank however he began experimenting with music, mostly of the satirical kind at the start, his first tracks were under the FilthyFrank persona, the first one being Who's The Sucker, a dumb track where he somehow manages to rhyme "nicer" with "vagina", go figure.
A few years later, alongside the satirical rap, Joji began to make what he would consider as serious music, and this is where the timeline gets a bit messy, as he put out multiple tracks under multiple different aliases and the lines got blurred pretty fast, so I won't focus on aliases too much, but rather on the music he put out, around this era he released the therapeutical Medicine, the slow and melancholy We Fall Again, and Dumplings, which was Joji's best attempt at a trap banger.
In 2015, he birthed the Joji alias, released two singles on Soundcloud under that name, and announced a project called Chloe Burbank Vol. 1, the project was later scrapped and is probably sitting on Joji's hard drive, unfinished, however, the two singles he put out, thom and you suck charlie, were the tracks that put him in the spotlight, not to mention that to this day, there are some of his fans that believe these 2 tracks are his best and will not be topped, but that's a discussion for another day.
Following the overwhelmingly positive reception, Joji began to put out more tracks and singles, both under the aforementioned alias and Pink Guy, which was a character that blossomed into a satirical rap project, but I won't be covering that too much, and will focus on what he did as Joji instead, most tracks Joji put out were met with positive reception, some of the tracks, such as worldstar money, ended up on his debut EP as well.
Sometime around early 2016, Joji ended up signing with 88rising, a label focused on building the bridge between east and west, he explained in an interview that he was initially a consultant for the duo behind the record label, however, once the duo noticed his music and how well it was received, they asked him to jump on board and he instantly took the chance, getting signed alongside the likes of Rich Brian and Higher Brothers.
The label immediately undertook Joji and began distributing his catalog on their YouTube channel and helped him release more music, which was a couple of singles in the earlier half of 2017, and his debut EP in the latter half, the EP, known as "In Tongues", was met with mixed reception from fans and critics alike, with some describing it as his most concise body of work so far that is oozing potential, and others describing it as a bleak project that fails to set Joji apart from the sea of artists on the same wavelength as himself.
Following the release of the EP, Joji began working on his debut album, known as BALLADS 1, the album's first single, YEAH RIGHT, was released on the 8th of May, the track was first believed to be a standalone loosie as it was released 5 months before the album itself, however it ended up being on the album and was confirmed as the one of the singles alongside SLOW DANCING IN THE DARK, CAN'T GET OVER YOU, which features a production credit from non other than Clams Casino, and TEST DRIVE.
The album was well received, and was praised for containing a wider variety of sounds than its predecessor, it felt like a natural progression for Joji's sound and was a step forward towards a more mainstream approach whilst not sacrificing any of the rawness that Joji's older stuff had, which seemed to be what most fans were expecting from him.
Moving forward Joji stayed mostly silent throughout 2019, appearing on the second 88Rising collaboration album, which was negatively received due to it's lack of creativity and sub-par performances from most label signees, he also appeared on Rich Brian's sophomore album, The Sailor, and released which is now known to be as the first single from Nectar, Sanctuary, a synth based poppy track that previewed a vocally improved and more confident version of Joji.
What was assumed to be a loosie turned out to be the beginning of an album rollout, as half a year later Joji released Run, setting a new standard for himself both instrumentally and vocally, and a couple of months later he released Gimme Love, a double sided track with a fun, catchy beginning and a melancholy ballad driven ending, the last single, Daylight, was released on the 8th of August, the instrumental was produced by Diplo and the track itself sounded like Joji's attempt to break into the mainstream.
Without warning, he also released two tracks that he classified as "NOT SONG", the first being Pretty Boy, which actually ended up on the album with a Lil Yachty feature, and the second being FTC, which sadly did not end up on the album, both tracks had videos and it seemed to me at first that the purpose of both tracks was to serve the lore that Joji has built around the album, which I will be touching up on in this write-up.
A day before the album's release, he put out Gimme Cum, an enigmatic track with a mysterious message.
Nectar itself was pushed back from it's original July release date due to the pandemic and Black Lives Matter protests, the album however was released on the 25th of September.
Album Lore
If there's one thing George is no stranger to, it would definitely be worldbuilding, as he has proven time and time again that he has a knack for it, especially with his FilthyFrank YouTube channel, where he managed to create characters, locations, and an entire universe out of a few satirical characters, his lore was adored by many and even though visually he never wrapped up the story he did release a book that served as closure for the FilthyFrank lore.
This album's lore is not as straight forward however, and there are multiple theories doing the rounds on the internet, personally I will go by what sounded most convincing to me in terms of timeline and storyline, however do feel free to expand on what I've said or correct me, George has left multiple things left open to interpretation therefore I would not be surprised if there were multiple different meanings to the same thing.
Our story begins in the music video for Gimme Love, where we see a young Joji who appears to be a small time engineer that is eager to climb through the ranks of the company he is working for, as he rises however he appears to become more stressed out and agitated at all times, lashing out at his coworkers and breaking down consistently, throughout the music video we can see that the more he progresses, the more roadblocks he runs into, which causes his behavior to become more psychotic and manic, as the shots move forward we see him accept awards, lead his very own research team, run failed experiments on his coworkers that causes them to bleed, and eventually receive military covert status, which did not come without sacrifices, as we see him smile less and less throughout the video.
In the second half of the video, we see Joji steal the rocket he helped build by locking out his crew members, and launch himself into space, disappointing everyone he worked with and stabbing them in the back he appears to be quite happy however, eventually his mood flips as he is faced with two choices, engage or eject, the following shot does not allow us to see which one he picked as we are facing his back, all we see is Joji making the choice and gearing up for what's to come.
The lines get blurred around this spot and many people have different theories as to which video is the right one chronologically, personally I believe Daylight comes next, and my theory is Joji is having some sort of fever dream featuring his previous coworkers, most notably the older people who went through layers of plastic surgery, who appear in the music video for FTC, where they are seen wearing badges that features the same organization Joji worked for, throughout the video they are seen rummaging through the wreckage caused by Joji, clearly looking for something specific, which ends up being the award Joji won.
Back to Daylight, Joji appears to be some sort of intern working for the director and the actors, towards the end of the music video we can see Joji waking up from the aforementioned fever dream, clearly in a daze, as the shot widens we see that he is alone, in a barren wasteland, with nothing around him except for a tent and what appears to be a device used for communication, he plants a few seeds in the soil and sits by the device, hoping for a sign of life.
Next comes Run, where we are once again met with Joji having a nightmare, the entire video symbolizes being trapped in a place you don't want to be in, as Joji appears to be in a never ending limousine with people he has no interest in whatsoever, towards the end of the nightmare we actually see Joji running across a massive wasteland, the same wasteland we saw him in at the end of the Daylight music video, throughout the video, we see Joji become consumed by the soil itself, which I would assume is a representation of his fears back then, seeing as he was alone and had little to no hope of being saved whatsoever.
Joji wakes up from this nightmare and appears to be in some kind of spaceship, if the videos were released chronologically, we would be completely lost at this point, lucky for us, we already know what the spaceship is, as we see a picture of the Sanctuary crew in the final shots of the Run music video, I'm gonna go out on a limb here and say that the crew is the ones that saved him from death and picked him up from the mess that he placed himself in, hence the name Sanctuary, which means refuge or safety from pursuit, persecution, or other danger
The crew itself is seen in action in the music video for Sanctuary, where Joji appears to be fighting and defeating some sort of one-eyed alien supervillain at the start, however, once he is defeated, both Joji and the crew themselves become aimless, as they are living monotonously without a goal, thankfully(???), one of the crew members sees this and decides to take matters into his own hands, by surgically removing his own eye, which portrays his transformation into the new supervillain, and following this up by killing a crewmember and escaping on his own, once again giving the spaceship it's own purpose.
Unfortunately the music videos that were put out after the release of the album appear to be too subtle for me to think they are connected in any way, shape or form, there are many theories of course but I can't help but feel like that most of them are a reach.
The most plausible explanation for this lore that I can think of is that the whole escaping from earth on his own, landing in a barren wasteland, trying to plant seeds in it, and eventually being picked up by a group(88Rising, wink wink) is a metaphor for his transition from FilthyFrank to Joji, the barren wasteland stands for how hopeless he felt at the time and the seeds symbolize the loosies he was slowly dropping before ditching his channel to become an R&B superstar, which if true, solidifies the idea that George was done with FilthyFrank long before he actually left the channel itself.
Regardless, I thought the lore was very enjoyable and it was nice to see Joji back in one of his elements at least, most fans would have been disappointed in me if I had not touched up on it a bit seeing as it was a huge part of the albums release and they are intertwined in some sort of way.
Review
When it's lovely I believe in anything What does love mean When the end is rolling in
  • Ew
It is important for me to preface this review with the fact that this Joji album is not like anything we've ever heard from him before, this is not the one man army, garageband using, sample meshing Joji that we knew in the past, this is Joji with an entire team behind his artistic vision, a whole group of people working with him to help him push his sound to the next level, and unfortunately, while the quality of the music has clearly went up, when so many people have their own input on something eventually the lines get blurred and the album loses its artistic direction and cohesion, which is one of my only complaints with this album, and I'm glad I got it out of the way first.
Artistic direction and cohesion aside, this album contains some of Joji's highest highs to date, especially the singles, that's not to say that there aren't some deep cuts on here that shine as well, but once you listen to the album in it's entirety you quickly understand why the singles were chosen as singles, especially when you consider how sonically different they are from the non-singles.
Sanctuary, the album's first single, is a sweet, poppy and synthy track that features a high pitched and melodic Joji, some of the track's lyrics are somewhat abstract but they are quite visually descriptive and that's always a plus in my book, the instrumental itself is quite spacey and has a nice retro vibe to it, already a huge step forward from what we've already heard from George, the track's climax reaches towards the end and gives us a beautiful bridge,with Joji crooning about wanting to be held by a significant other.
I fell for your magic, I tasted your skin And though this is tragic, at least I found the end I witnessed your madness, you shed light on my sins And if we share in this sadness, then where have you been?
  • Run
Run is one of the more cinematic cuts on this album, the track is truly a double edged sword because although it's one of Joji's best, it has set an extremely high standard for both Joji and the album, leaving fans such as myself worried about whether or not he will ever reach a similar high, the production is clean, Joji's vocal lines are as dynamic as ever, the guitar melody is infectious, the lyrics are better than anything Joji has ever written and he is putting his heart and soul into every word, the electric guitar solo at the end is also something worth mentioning, which sits perfectly right in front of Joji's distant and wide vocals, ending the track on a strong note.
Look into your heart and let me know Do things turn black and gray as they go? When I'm far too gone, can you show me love? Give me love
  • Gimme Love
The lyrics above come from the album's third single, a 2 sided track that starts as a bouncy, percussive, fast paced, and catchy song, with Joji chanting and pleading to be given love, softly singing about being surrounded by apathetic people, after the second chorus the entire song comes to a halt in order to make room for a mellow guitar and Joji's harmonies, which are absolutely stunning if I may add, the track, much like many other tracks on here, ends on a cinematic strong note with a string section and a grandiose piano.
The final single, Daylight, is no doubt unexplored territory for Joji, the instrumental, which was produced by Diplo, starts off slow and minimalistic, with a simple yet groovy bassline, and reaches its apex on the chorus, when it suddenly becomes extremely lush, heavy, and thick, the track is most definitely a solid attempt at modern day and mainstream pop music, clearly made with the intention of receiving radio play.
All of the singles show up in the first leg of the album, which is absolutely phenomenal, the opener track, Ew, starts off light and easy, with a somber and distant arpeggiated piano backed with Joji's soft vocals, who's singing about heartbreak and the loss of many relationships, sounding as bitter as ever lyrically, the chorus includes a grand string section and a chord progression that is fully panned to the right and sitting all the way behind the mix, and surprise surprise, the track itself ends on a cinematic strong note, much like many of the other tracks on here.
I've got no aim, a million rounds, is nothing real? A hundred pounds of heavy steel, it feels so loud Tied to my chest, it feels so loud I'll take a peek to across the peaks This grass is neat and I'm quite unique But I'd like to be, but I'd like to be
  • MODUS
Up next comes MODUS, a moody track that has an intro similar to the opener track but later on has Joji melodic rapping to a murky trap instrumental, with Joji of course sounding better than ever, lyrically speaking, many of the themes on this album are similar, Joji is mostly singing about relationships, heartbreak, and the need for a significant other, the lyrics themselves give the album a nocturnal, bitter, hopeless vibe, which is what we've come to expect from Joji's music nowadays.
The third track, Tick Tock, is a plucky banger of an instrumental that has Joji rapping over it with pitched up vocals on the chorus which is something that's a little bit reminiscent of his older, more amateur work, the vocal layering on the verse is also something worth mentioning, really showcases Joji's dynamic range and how much he improved as a whole, the track is nothing groundbreaking in terms of what we've heard so far and remains lowkey for the most part but is without a doubt one of my favorites on this project.
On Nectar, one of the yet-to-be-announced tracks was produced when the artist was only sixteen years old. “I’m excited to see if it sticks out or not to the listeners.” he reveals.
  • Joji Interview with Schön! Magazine.
While not officially announced by Joji himself, it is safe to say that Upgrade is the aforementioned track, a small interlude that seats itself in the earlier part of the album, the track starts with a grandiose piano, which is quite unnecessary if you ask me, because once we have it out of the way all we get is a very obviously barebones instrumental made from a different time, the telltale sign being non other than the ukulele that we have seen in George's earlier work.
It upsets me that Joji has not made this fact much more known because this track has been consistently the subject of criticism by critics and fans alike, but at the same time I understand, because at the end of the day George left that track in there for the die hard fans, not the critics.
Up until this point there is no doubt that Joji has played it safe, sure the album is much more grand and cinematic than its predecessor, but there's no denying that the signature sound is still there, we still get the hazy and moody slow bangers, if Nectar was only the first half then Joji might have had a strong album in his catalog, maybe even a classic, but I understand him wanting to expand and experiment with other sounds in order to grow as an artist.
The midsection gets a little bit tricky, as Joji begins to get out of his comfort zone and the album features start appearing, to me it sounds like Joji did not know how he could keep the listener interested in the second half of this album and decided to opt in for a bunch of features as a quick fix, some work out fine, some better than others.
Handsome young man, never pull up on time Lookin' in the mirror, lookin' good should be a crime, crime All this pain I'll never let show (No) My real thoughts, you'll never know (No)
  • Lil Yachty on Pretty Boy
I never really listened to Lil Yachty that much aside from the obvious hits he had over the course of his career, but he clearly shined on this track as the feature, for starters, the track is very light-hearted, definitely one of the more lofi tracks on this album, the highlight for me without a doubt is the bridge, which sounds like something straight out of Pink Season, George was clearly having genuine fun with it, some even speculate that most of the bridge was made using samples from his earlier work as Pink Guy.
High Hopes, which features Omar Apollo, is one of the more lowkey cuts in here as well, the percussion on the instrumental and the detuned guitar on here remind me of some of Joji's stuff from BALLADS 1, unfortunately however the track doesn't stand out much, at least not as much as Afterthought with BENEE, another track where Joji's melodies and vocals shine through once again, and BENEE's feature definitely adds some character to the track, at least enough to the point where the feature made some sense
On Normal People, Joji recruits childhood friend rei brown, in an attempt to capture lightning again after their first collaboration, Once In A While. Unfortunately lightning didn't strike twice here for me and the track felt quite lackluster and uninteresting, especially for such an anticipated track and when compared to their first song, many of the tracks and collaborations on the second part of the album really felt like Joji just trying to recapture the magic of his earlier work, and while some of those attempts did work at the end of the day it does feel like a cheap cop out.
Oh, understand, girl, I'm out of sight To the other side, I don't want no stripes Got my insides loud like motorcycles Girl, don't notice it, I don't notice it
  • NITROUS
Another example of Joji attempting to recapture magic is NITROUS, which marks Joji's second time collaborating with Clams Casino, the track is very reminiscent of their first track together, both Joji and Clams Casino however killed it, the track's instrumental is very murky and nocturnal, much alike most of the album, but that doesn't stop Joji's delivery, which is very fun-loving and upbeat.
By the way you move, I know you want me to Tell you all the rules, I know I'm searching too Give me all your clues and things to guide me through The end of the world, the end of the world
  • Mr. Hollywood
Produced by the one and only Kenneth Instrumentals, Mr. Hollywood is one of the more heartfelt and personal tracks on this album, Joji is singing about his evergrowing popularity and how it will never affect what is important for him, which in this case is the girl he's singing about, like many other tracks on this album, you will often hear something that will remind you of Joji's older work, in this case it is the ad-libs on the chorus, which are very reminiscent of his ad-libs on BESIDJU, regardless the song has at least a bit of substance which makes it one of the more commendable tracks.
The final run of this album is where Joji flips the script here, there are a few tracks that have questionable artistic decisions, such as Reanimator, with non other than Yves Tumor, the track serves as an instrumental interlude before the final two tracks, however with a feature such as Yves Tumor I honestly expected much more than what we got, and what we got is basically a 3 minute track, with the first minute and a half being nothing than a drone-y, synthy instrumental, and the second half being quite a lackluster performance by Joji and his guest, much like some of the other tracks on the album, it seems like it received a similar treatment, where the track was initially unfinished and still half-baked, and rather than attempting to finish the track they opted for an easy way out, which in this case was making more than half of the track an instrumental and then calling it an interlude just to be safe.
"that weeknd synthpop track sure is doing huge numbers, maybe i should also make a synthpop track as well"
  • Joji, probably.
I would be down to argue that if Blinding Lights by The Weeknd had not existed, 777 wouldn't have existed either, Joji's constant attempts at breaking into the mainstream and commercializing his sound have always left a bad taste in my mouth as it felt like it came from a place where authenticity is lacking, nevertheless I find it bizarre to make a track that is very similar to one of the most successful tracks of the year and not attempt to push it at all, that's not to say that 777 on it's own is not a good track, however there's no denying that the sound selection on the instrumental, some of the flows, and the chorus itself hold blaring similarities to The Weeknd's track, I understand why he would make such a track however and find it admirable at the very least.
Thankfully, the album ends on a strong note, the final two tracks are both beautiful even though they're worlds apart, Like You Do, is a quintessential love ballad from Joji, a stripped down instrumental with beautiful piano chords and a laid back vibe, Joji is singing about his current partner and how what they have might not work out, even though he feels like they're perfect for one another, the closing track, Your Man is a massive change in tempo, with an upbeat, electronic, deep house-esque instrumental, we hear a Joji that is optimistic, which is a nice change of pace, especially considering how bitter most of his albums and projects have been up to date.
Since I met you All the gloomy days just seem to shine a little more brightly Consider what we've got 'Cause I can never take you for granted
  • Like You Do
Conclusion
There's no denying that some tracks on here sound like a bastardized version of Joji's signature sound. Joji is trying his best to commercialize his sound without sacrificing the rawer elements of it, which unfortunately results in a jumble of sounds. This album is not free of criticisms as there are many issues in here that need to be worked on, it's much less cohesive than its predecessor and at times sounds like a bunch of rough ideas put together in order to create the world's most average musical equivalent of a photo collage, but if we were to just set all of that aside and just look at this album for what it is, then there's definitely something in here for everyone. George might have not made a classic, and he certainly hasn't found his sound yet, but this album is an indicator that he's on to something, and once again I am already anxious to hear what he has in store next.
Talking Points
  • What did you think of this album? Is it a good follow-up to BALLADS 1?
  • Do you think Joji works better alone or when he has a team behind him?
  • Do you think Joji will yet again set another high standard for himself next project?
  • What are your predictions for Joji's sound in the future?
  • Now that he's more keen on having features, who do you think would compliment Joji's sound the most?
  • Favorite tracks?
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[H] 650+ steam keys [W] Wishlist games (30+)

Looking to trade games of equivalent isthereanydeal.com value. Will trade multiple either way.
Not accepting offers for games not requested at the bottom of this post at this time, sorry.
Edits: H/W list up to date post 1 transaction in this thread (10/29) H/W list up to date post 2 transactions in this thread (11/3) - 619 games left!!
[Have] (mostly steam keys, please check platform beside title)
[Want] (Steam format only please)
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A post mortem of Britney Jean, 5 years later


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“I can't believe this is my eighth studio album and I know I keep telling you that it is my most personal record yet, but its true and I'm really proud of that”
This quote from The Legendary Miss Britney Spears would most likely haunt her for the rest of the career, especially because it came in the eve of the release of her infamous 2013 album Britney Jean, whose title anticipated a rare introspective look into a star with over a decade on the spotlight (most of the times for the wrong reasons)… also, it came right after her previous album, 2011’s Femme Fatale, became her first full-length effort without any songwriting input from the Princess of Pop, although a Japanese bonus track features a co-writing credit from her.
Of course Britney Jean deserves most of the criticism it receives and yet, it also deserves way more than just being outright ignored even by most of Britney’s diehard fans: Britney Jean is more than just Work Bitch and 13 b-sides, is more than Brit’s most dated-on-arrival release… Britney Jean is a case study of what was pop in its time, what changed and why it stopped being as popular as it once was….

POP BEFORE BRITNEY JEAN

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Early 00s pop music was being left aside by the general public during the heydays of gangsta rap, Timbaland/Pharrell-infused R&B and rock/nu-metal… at least until around the period between 2007 and 2009, the start of the Golden Era for popheads: The anthemic choruses, the prominent synths, the light and care-free nature of the lyrics, everything was there to pump you up and make you dance… however everything would change in 2013, when streaming was finally introduced to the Billboard formula. After the satirical K-pop track Gangnam Style by Psy took the world by storm, it was noticed how in the United States the song was blocked from the top spot by the inconsequential One More Night by Maroon 5, even if Style had the lead in sales for most of the 12 weeks it stayed at the Top 10 (as you might have guessed, radio had something to do with that), pushing Billboard to update their methodology and add streaming to the mix.
The first song that benefited from the change in the tracking methodology would prophetize what would come next for the charts in general: Harlem Shake, a nearly-instrumental meme song debuted at the top spot and stayed there for 6 weeks total. Another novelty song, Ylvis’ The Fox (What Does The Fox Say?) would visit the Top 10 later in the year based on virality alone.
Although rap, indie music and more traditional pop music found their way during this year, the presence of outliers like Lorde’s Royals, genre-defying tracks like Avicii’s Wake Me Up! (a country/folk tinted EDM anthem) and Florida Georgia Lane’s Cruise (considered the grandfather of the bro-country genre, made popular on pop radio thanks to a tackled-on rap feature by Nelly), and the aforementioned viral hits not only showed that general audiences were craving something new, but their success would pave the way for a big change in pop music.

BRITNEY BEFORE BRITNEY JEAN

"Sometimes you don't need to use words to go through what you need to go through, sometimes it's an emotion you need to feel when you dance, that you need to touch. And the only thing that can touch it is when you move a certain way."
Britney Spears on the For The Record documentary, one of the rare glimpses she gave us on her life before Britney Jean
Britney, of course, was partially a pioneer and a tail-rider of the maximalistic electro sound of the era, as proven by the influence and cult following of what most people consider her magnum opus, or at least her more direct and honest album, 2007’s Blackout, which is ironic considering that Britney only has two writing credits in the whole project and how even The Unstoppable Danja called it ‘impersonal’.
After Blackout, Britney would continue to ride the same sonic palette with her follow-up, 2008’s Circus and then move onto Femme Fatale, which, in spite of its “forward-thinking” nature (as described by the label-appointed producer and current persona non grata Dr. Luke) and slick production, it was heavily criticized for its anonymity and lack of input of the singer in the record, which led to Britney to defend herself stating, rightfully, that she had nothing to prove.

THE MAKING OF A PERSONAL ALBUM

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The mastermind behind Britney Jean was none other than hitmaker will.i.am, whose involvement on the record came as a surprise to no one given how they have collaborated twice at that point and get along really well (you can read more about it in this post I made a couple of months ago), however, the Black Eyed Peas frontman doesn’t deserves all of the credit for the record as Britney herself decided that she would be more involved and had a pivotal role into the making of this record.
Although the early stages of the album pointed towards a more hip-hop release, will.i.am’s involvement and her chemistry with Britney put her forward into the recording and making of the album.
Realizing that she wanted a more straightforward release that wasn’t as bouncy and genre-hopping as her predecessors, Britney searched with will.i.am a series of collaborators that could help her bring her ideas to life, as she didn’t wanted to sing impersonal songs that her team just happened to receive; this, unfortunately, ruled out the involvement of the Saint Patron of pop production Max Martin, although it relegated Dr. Luke to a sole bonus track so that’s a win in my book. Britney Jean is her only release in which she’s credited as a co-writer in each track, including bonus tracks… her closest before that was In The Zone in which 9 of the 14 (including bonus) tracks sported a Britney co-write.

THE PERKS OF BEING A PERSONAL ALBUM

I have been through a lot in the past few years and it has really inspired me to dig deeper and write songs that I think everyone can relate to […] I want to show you the different sides of Britney Spears.
I am a performer.
I am a Mom.
I am funny.
I am your friend!
I am Britney Jean.
Britney Jean Spears
Britney has never been the kind of performer that would pour her soul into her lyrics, and even have occasionally distanced her private life from her lyrics (she famously rejected the Timberlake-bashing Sweet Dreams My LA Ex, later given to ex-S Club 7 member Rachel Stevens as her debut single), although in the few glimpses we have gotten from her real persona (the stunning Everytime and the dubious My Baby for example) have always leaved her fans with the idea of her getting more involved with the subject matter of the tracks… I mean, the exploration of fame in tracks like Circus and Piece of Me are great, but what about explorations of who is Britney?
Britney Jean is her first album released in her 30s, and after finally deciding to get this involved in the songwriting department 15 years into her singing career was no fluke: chalk it up to coincidence, to the fact that it was long due given her background (Britney had lived A LOT of unwanted stuff during her career, married twice, had two kids, survived the most public mental breakdown unimaginable and more while being one of the most successful female performers currently working… also, that year she had ended her engagement with her manager Jason Trawick) or to misogyny (if you wanna go there) but female singers seems to go personal and/or mature in their 30s, with some popular examples including Madonna’s Like A Prayer (described by her as being "about my mother, my father, and bonds with my family"), Mariah Carey’s post-divorce genre-bender Butterfly (if her birth year is believed to be 1969), Beyoncé’s whole post-Matthew Knowles era (4 was released three months before she turned 30), Nicki Minaj’s back-to-my-roots release The Pinkprint and Katy Perry’s purposeful woke pop release Witness (Katy, I love you but 💀) among others.
Another thing to consider is that doing “personal” songs have always being interpreted as tracks with stripped-away or piano-driven arrangement, something that Britney, who had sung about being on the club or having sex (or even both on the same track) so many times it kinda become her trademark, is not something she’s might get allowed to do, especially when the current-at-the-time pop scene and Britney’s then-current sound were a far cry from the kind of sound these “confessional” tell-all songs normally have.

#BritneyPleaseSavePopMusic

(this was a real hashtag that was worldwide trending topic on Twitter in September 2013)
With the anticipation of what a Britney-fied personal record would sound like, anticipation was in an all-time high among fans… so it was natural that her most introspective record would be anchored with an EDM song called Work Bitch. In Britney’s defense, will.i.am pointed out almost immediately how the braggadocio track didn’t represented the album but it was rather about Britney Spears herself.
Promoted with what was heavily rumored to be a 6.5-million-dollars budgeted video which was supposedly heavily sanitized from its originally sexed-up original version (more on that later), the video itself represented most of the promotion the whole album received, as the album’s second and final single (Perfume) was left to rot in negligence after the album’s release.
Outside of a couple of TV appearances (not performances, just interviews), including one to promote her then-upcoming “2-year” Las Vegas residency Britney Spears: Piece of Me, and an E! documentary about the making-of the album and said residency, no actual promotion took place for Britney Jean, which led to the inevitable.

BRITNEY UNLEASHES HER MOST “PERSONAL” ALBUM

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Britney Jean was unleashed to the world on December 3rd of 2013, one day after the Princess’ birthday, and was a big commercial disappointment, debuting at number 4 on Billboard with sales of 107,000 copies (a little bit more than a third of the sales of Femme Fatale), even lower than those of her debut album …Baby One More Time; 3 years after its release, BJ had sold less in the United States than FF in its opening week, although it was eventually certified Gold by the RIAA… this February. Internationally, the release didn’t fare any better and debuted at record-low positions for her releases in most international markets, including missing the Top 30 in the UK.
As most of you already know, reviews we’re nasty all around, the worst of Britney’s career. Because of the somewhat mean content of some of those reviews, I would instead resume what are the biggest perks critics had with the release:

SING A SONG OF SIXPENCE, MISS BRITNEY SPEARS

After one of the songs leaked ahead of the album’s release, there were accusations that backing vocalist Myah Marie (who had appeared on Brit’s previous two albums) was the lead singer not only on said leaked track but also in a large portion of the album (this is what she sounds like), accusations that Marie herself denied as well as Britney’s reps.
Her representatives claimed that Marie wasn’t involved in neither Perfume nor Passenger, the tracks that were the source of most of the controversy, and ultimately she wasn’t credited in none of those songs, although she’s credited as a (not background) vocalist in several of the other tracks of the album (mostly the Preston-produced songs as Work Bitch, Tik Tik Boom, Til It's Gone, Chillin' With You and Now That I Found You), including Alien (in which she’s not credited), who had a vocal steam leak in 2014 which showcases how uncanny is Myah’s impression of Britney is. A credited background singer is Sia in her co-composed single Perfume, which was the source of a weird misstep when Britney was caught lip-syncing to a version of the song with Sia’s vocals forefront in the mix.
A lot has been said about how Britney’s signature singing ‘baby’ voice is not her real one, how do they compare and how much damage has done to Brit’s current vocal chops, and even though she can still sing wherever she wants to, it’s quite obvious that she’s not that comfortable with it and, as such, she prefers to enhance her voice with the use of technology and some studio trickery… also, she might have gotten used to it considering how effortless and vivid were her earlier performances… here’s I’m A Slave 4 U at the 2001 VMAs just because how iconic it is.

BRITNEY JEAN… BY BRITNEY JEAN SPEARS

"People can take everything away from you, but they can never take away your truth.
The question is: Can you handle mine?"
Britney Spears in a song that’s not from this album and not originally from her
Described by critics as “a concept album about the loneliness of pop life”, Britney Jean actually open with quite a promise with Alien, a mid-tempo, melancholic, airy, ethereal dance pop opener that works as a more teenage-sounding version of Ray of Light, which is not surprising considering the involvement of said album’s mastermind (the aforementioned William Orbit) and that sonically picks-up where FF closer Criminal left off, but lyrically is quite different, as it portrays Britney having an intimate and personal realization that she, after years of tumultuous and erratic events, has lost grip of who she was and how she felt like an extraterrestrial in her own world; however she realizes that she’s not longer alone as she looks at the glow in the stars as a light to guide her home away from her insecurities of the past, and to feel safe and finally finding comfort in her true skin, as the chorus repeats the catchphrase ‘not alone’ “until it is pitchshifted up like a departing space ship
Originally intended to include Gaga in the song (and also supposed to be released as a single, which unfortunately didn’t happened), Alien was considered the conceptual and musical highlight of the project by critics, and is easily the most personal, vulnerable and my personal highlight of the project… which made everything that came afterward a hard pill to swallow. Before that, I can’t help to mention THE GLITCH (2:14 in the song), which was apparently, as everything wrong with music of the period, will.i.am’s fault.
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Work Bitch (alternatively known in censored form as Work Work, or in the explicit version as Bitch Bitch) is a hard hitting EDM smasher and heavy mood-whiplash, which was definitely not co-written by Sebastian Ingrosso, in which Britney gently asks us (over a basic club beat which grows more overloaded as the song moves forward) is we want a hot body, an European luxury car (either a Bugatti, a Maserati or a Lambo skirrt skirrt skirrt) or to sip martinis while partying in a big mansion in France, only to disappoint us by calling us bitches and telling us to better work as if we were supermodels and she was RuPaul.
WB is, if you wanna practice some mental gymnastics, more ‘personal’ than its given credit for, as Britney details how much benefits she gets from hustling all these years, and inviting us to dance with that smashing wall-of-sound-laden beat that drowns most of the track. Way more forward-thinking and exciting that everything that comes after it, WB has become somewhat of a new classic for the Princess of Pop, and is pretty much deserved of said designation.
Perfume, co-written by Sia, is another album highlight (actually Britney’s favorite from the album) and one of the finest ballads of Brit’s late-catalogue. Written about her ex-fiancé Jason Trawick, the song deals with Britney’s insecurity about a current relationship, with Britney singing with some of her strongest vocals in years about how she believes that her partner is cheating on her and how she puts on her perfume in order to mark her territory. Released with a tie-in with her perfume Fantasy, the song kinda flopped worldwide and halted all of the promotion of the album, however it still remains (alongside the rawer Dreaming Mix, included as a bonus track) as one of the most interesting songs in 2010s Britney catalogue.
The music video, directed by known troll and middling talented videomaker Joseph Khan, has an unreleased director’s cut in which the straightforward concept of a cheating partner is changed to that of Britney playing the Angelina Jolie role in a gone-wrong version of Mr. and Mrs. Smith sans the boyfriend who is also an assassin.
It Should Be Easy finds Britney’s voice drown in both the auto-tune setting used by Kanye for the Runaway coda and the vocals of guest-star will.i.am in the chorus, all while produceco-writer David Guetta rehashes Swedish House Mafia (which originally broke up the same year in which BJ was released). The song, about Britney imagining a bright-normal-future with a man who had stolen her heart, stating that love “shouldn't be complicated”. Although I like this song, and her team obviously likes it to as it commissioned remixes to be serviced to clubs, it signals when things start to go somewhat downhill.
Tik Tik Boom, the T.I.-assisted fifth track, was always dubbed as a potential third single (remixes were commissioned but nothing official ever came up), and it’s not hard to see why: as one of her rare collaborations with a rapper, the static-y, dance-floor ready production presents Britney teasing a male partner with a night of… well… tik tik boom… that means sex, doing so while serving some circa-2001 sexy vocals as T.I. raps about treating her like an animal up to the point that PETA (which hates Britney) should be called in response. It’s fast, it’s straightforward and yet, it’s kinda forgettable and also very disappointing coming from or Princess Urbanney.
Guetta comes back with Body Ache, another outdated EDM bop in which Brit (accompanied by vocoder and several dozens of vocal distortion treatments) sings about the kind of ‘I wanna dance so hard it gonna turn you on’ anthem which Miss Spears can do on her sleep, with a backtrack that sounds straight out of the EDM will.i.am was doing with the Peas during the Beginning/E.N.D. era. Also it ends in a somewhat anticlimactic way.
Personal Britney makes a return with this track that wouldn’t be too out of place in FF: The Guetta co-written Til It’s Gone, in which Brit realizes that, after losing the love of her life (Trawick), her life would never be the same, or how “you never know what you got 'til it's gone”. Coming some two years to late sonically, in terms of lyrics the track it’s another story, as some interesting imagery pops here and there and it’s nice to leave the dance floor behind, especially when talking about a woman who (at least in the previous albums) rarely shut up about them.
Katy Perry arrives on the record but not as a feature, but as a writer, in the Diplo-produced, Sia-co-written and Prism outtake Passenger, in which some interesting EDM beats moves out of the way after the opening (they come back, don’t worry) to reveal a refreshing and very welcome electropop rock song with some great Britney vocals about letting someone to guide her after she’s willing to let herself be his ‘passenger’. Great lyrics, daring production, good vocal performance… it’s not hard to see why critics loved this track so much, and it’s a shame it gets buried among so much underwhelming stuff.
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Chillin’ with You, the album’s most infamous moment, finds Britney dueting with her sister, ex-Nickelodeon star and attempted country singer Zoey Meredith Brooks, about hanging out together and drinking wine (Brit likes red, Chase Matthews' ex likes white wine) while, as the southern white suburban moms they are, they feel they have nothing else to worry about. Although the lyrics are… well… cute, and the subject matter is decidedly novel by Britney’s standards, the mixture of country and EDM doesn’t mash as well as the producers might had expected… also, the fact that their vocals were so obviously recorded in different sessions (as showed by the kind of chemistry you only see in cheesy 70s movies starring John Travolta and Lily Tomlin) makes the whole ordeal so surreal.
The album closer in the standard edition is Don’t Cry, a FUCK YOU MR. TRAWICK song in which Britney reassures his man that it’s not worthy to cry as their relationship was always directed to end no matter what they do, and how she’s gonna go to not see him all tear eyed. The bouncy but subdued dubstep back track by pop goblin and producer will.i.am enhances what is arguably Britney’s best vocals in the whole album and some really nice lyrics which still doesn’t work as an album closer.
Sia comes back in the first bonus track of the deluxe edition, Brightest Morning Star, and she brings with her current pop Pariah (that would be Dr. Luke, but he’s only in this track) to the mix, on a track about God (or maybe about her kids, according to Dr. Puke), or at least one that implies to be one; in Sia’s words: ‘Britney was extremely sweet. She came in with the title ‘Brightest Morning Star’ and told me that’s how Jesus found his way. She wanted to write a kind of gospel song that wasn’t ramming it down your throat’. Despite the good intentions, BGS is no Jesus Walks and it gets short in the musical department, with a surprisingly weak instrumental which doesn’t do any good service to the song.
Britney continues her religious quest with Hold on Tight, a mid-tempo ballad that in which Miss Spears details how God comes into her dreams (or it might be an Incubus?) showing her the path to righteousness, even when the road is not as friendly with her, and… to be honest, this is my least favorite song on the album, it’s just so forgettable even if it’s quite refreshing in the context of BJ.
To end the evening, Britney continues her unintentional audition to become a gospel singer with Now That I Found You, a shameless EDM track (with early-10s euphoric drop and everything) about how incomplete she was until she found Him (to be honest, this could also be another love song, but after two bonus tracks about God it’s easy to see where she was pointing towards with the vague lyrics) and how everything is better now. Unlike the forgettable predecessors, NTIFY is fun (dated? Sure… but also fun), it’s bright, it’s colorful, it’s happy, and one of my favorite songs on the record… even if co-writer Guetta basically ripped off his own hit Without You from 3 years before.

u/radiofan15’s UNWANTED OPINION ABOUT BRITNEY JEAN

Britney Jean is not an autobiography, it’s not a tell-all gossip-venting machine, it’s a clean, overproduced product of misdirection and lack of focus… and yet it’s actually fascinating in several ways: it’s arguably the greatest resume you would find of how pop music sounded in between 2008 and 2013, it’s a great bridge between the impersonal heavily-polished Femme Fatale and the serviceable and engaging Glory, which saw Britney leading the way on how everything would sound from the start.
It’s quite ironic how the album’s naming (taking a cue from Janet Jackson’s Damita Jo, her actual middle name) plays against it, as self-titled releases (unless they are debut albums) are associated with being in control of your output or reinventions (pop examples includes Paramore as their first release as a trio, Beyoncé to fit the minimalistic sounds and Janet Jackson’s janet. to showcase independence from the Jackson family) and unless you’re Led Zeppelin, Peter Gabriel or Weezer, the idea of having a second eponymous release usually means that audiences should expect to experience the performer in a never-seen before way. 2001’s Britney was the album that give a meaning to the phrase “I’m not that innocent” spurred in her previous effort, with lyrics talking about womanhood and sexuality being complemented with R&B vibes and rock/hip-hop elements. Britney Jean, when compared to Femme Fatale, is way behind the difference between Britney and Oops!... I Did It Again, which in retrospective is even worse as the relative freshness and reinvention of Glory leaves the ‘openness’ and ‘variety’ of BJ in shambles.
One of the album’s biggest mistakes is in its sequencing: the first three tracks are the obvious highlights, the next three are basically DOA EDM songs, the next four are the most “adventurous” musically speaking and the bonus tracks are all about God. Taking out some of the ‘pure club’ anthems could theoretically create an album more deserving of its ‘personal’ label, going full Spinal Tap and amp up the production values to do something crazier might have given us something that was at least digestible in a single listening.
The album, as it is, is not perfect, but it’s far from the dumpster fire more people called it, including some of the most interesting Britney songwriting in years (or even her career) and some tracks that are already started to show signs of cult classic. The only positive thing most people seems to agree with is how short it is: with the alternative mix of Perfume included, BJ is ‘only’ 50 minutes long (the standard edition is just 36 minutes long), which is something most performers (even today) seems to struggle with.
Also, she didn’t came to play games with the art cover and aesthetics this era, the album cover and the booklet is her most gorgeous to date, with the former having her most flattering front picture of any of her albums and the neon typography creating a very pleasing contrast with her elegant black-and-white imagery (in the deluxe edition) or the elegantly, milky pastel coloring of the standard edition.

THERE CAN BE 100 LISTENERS IN THE ROOM AND 99 LEAVE BUT ONE... - BRITNEY JEAN THE DAY IT DEBUTED

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Britney and her team gave up quite easily on Britney Jean and, honestly, they shouldn’t be blamed: the offer to have a Vegas Residency with a salary of $15 million dollars per year seems like the kind of offer a pop star and mother of two with enough money already for several timelines would accept, with the album itself being more of an afterthought.
Britney was originally slated to remain on the Planet Hollywood Resort & Casino for two years but ultimately extended her run for another two years, before finally touring overseas (without an album attached to the performances) during 2017 and 2018.
Because of the lack of promotion, Britney Jean underperformed when compared to Miss Spears’ previous releases, with estimated worldwide sales (as of April 2018) being close to 1.3 million copies, less than a third of Femme Fatale’s sales.
Truth be told, BJ flopped hard… HOWEVER, not everything would have turned out that terrible (not even in a million years it would have sold as much a FF but at least the downfall could have been smaller) with some actual promotion and interest from Brit herself.

SOME REACHING… I MEAN… THE SIGNIFICANCE OF BRITNEY JEAN

BJ is, in my opinion, a compilation of the era, the resume of “in the previous episode of” that you get on serialized TV shows, a farewell to the bombastic era of synth-heavy EDM club anthems with gratuitous drops and interchangeable lyrics. During the genre’s opus, some performers tried to bend this sound (and their equivalents) to their benefit, either mixing it with their style or playing with the boundaries of the sound: it could be a Taylor Swift doing a We Are Never Getting Back Together to get a broad crossover hit, a Lady Gaga mixing multiple genres to create a sonically complex pastiche called Born This Way, or even straight-up jumping almost seamlessly from rap/R&B to club bangers like Nicki Minaj did in Roman Reloaded. Britney in Britney Jean did almost the opposite of that.
Britney Jean is, in some ways, a time capsule of the era in its rawest and purest form (some might differ and replace those buzzwords with generic and bland), with the average user being able to trace mostly any track to a style, influence, sub-genre or even performer. Listening to BJ is like watching a 70s movie in VHS in an old, square TV, basically an unintentional period piece that reflects the volatile, bombastic and extravagant style of those golden years of 2008-2013, which, within the mindset of Britney Jean sounds kinda tired and bland, surprising no one when that branch of pop went back into obscurity and irrelevance almost as fast as grunge music did when Kurt Cobain died.
Britney Jean came up in a time of transition of popular music, with streaming showing the kind of power it had on the charts and more subdued, minimalistic music taking the world by storm. Popular music, as you might already noticed, evolved into a slower, more melodic, calculated, numb, almost anticlimatic entity which was more fitting with our current social and political climate. To paraphrase Todd in the Shadows: 2013 had a hit literally called Happy and 2018 had both a hit called SAD! and another called Happier with a video about a dog that dies.
In terms of Britneyology (both the study of Britney Spears and the religion dedicated to her persona), BJ is also a glimpse into Britney the full-fledged artist. Britney has never been the kind of performer that gets heavily involved into her music, with Britney’s role being generally limited to the choice of songs, sequencing, development of sounds and themes with her assigned team of writers and producers, and performing of course; sometimes Britney gets involved into the heavier portions of her music (the classic Everytime is a great example of it) but most of the time she remains quite anonymous, with her voice and choice being overwritten by the men on charge, something that became quite apparent during and after the Dark Ages (2004-2008) with the cancelling of the legendary Original Doll, her lack of songwriting credits in both Blackout and Circus, and her much-criticized anonymity in Femme Fatale.
BJ was Britney deciding who does want to work with, what does she wants to sing and even how to equilibrate her musical and visual persona. Britney has always being in control of how is she portrayed on official media, most famously rejecting an animated concept for the video of …Baby One More Time in favor of a Lolita-inspired take on catholic school girls, and then the slow process from jailbait to grownup woman. During the post-production of the Work Bitch video, she clashed with director Ben Mor over the kind of content the video should show, as she was a mother in her 30s now instead of an unreachable male gaze fantasy.
With BJ, the Legendary Miss Britney Spears showed us how much she has changed since that controversial 2003/2004 period (the last time she was that involved with an album) in which she received the Kiss of Death from Madonna, suffered her infamous accident and, of course, married twice in a calendar year. This new Britney was a much-different person, and her voice deserved to be heard, and even if the results weren’t the greatest, it was a step into the right director for Britney to get what she always wanted: being a full-fledged artist capable of taking her own decisions and learning from her mistakes.

POP AFTER BRITNEY JEAN

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Coincidentally in 2014 most of the ambassadors of the dominant pop sound of the early 10s were either taking a musical break, flopping or changing lanes, so that year paved the way for the transition of what do we define as popular music, with the winners of the evolution race being trap (Fetty Wap’s Trap Queen), meme music from awful people (Bobby Shmurda’s Hot Nathans) or untalented losers (T-Wayne’s Nasty Freestyle, Silentó’s Watch Me), trop pop (OMI’s Cheerleader, Justin Bieber’s entire Purpose era) or whatever outlier track dared to pass through those filters.
What happened afterwards is a horror story most of popheads tells in fire camps a la Are You Afraid of the Dark?

BRITNEY AFTER BRITNEY JEAN

Glory , the follow-up Britney Jean, received very positives reviews and was considered a strong return-to-form for Britney, and even if it wasn’t as successful as her label might have wanted, the truth is that, at the end of the day, whatever Britney decides to do next (and considering the direction she seems to be taking) it can be as underwhelming as Britney Jean.

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submitted by radiofan15 to popheads [link] [comments]

Cord Cutters Guide to Motorsports - 2019 (Sorry it's little late)

 **Cord Cutters Guide to Motorsports - 2019** 

Table of Contents -

Introduction

NASCAR - Cup, xFinity, Trucks (Over the air listings) NASCAR - Online resources ARCA Racing NHRA Indycar Races (Over the air listings) Indycar - Online resources IMSA 24 Hrs Le Mans World Rally Championship (WRC) F1 British Touring Car Championship - (BTCC) German Touring Car Championship FIA WTCR Series FIA World Rallycross Championship 24hr Series Asian LeMans Series European LeMans Series Virgin Australia Supercars Australian ECB Super Utes Race of Champions (ROC) Short Track (Dirt and Paved oval) racing SCCA Goodwood 24Hrs of LeMons
List of online/streaming motorsports content providers and podcasts
Introduction If you’re reading this, you’re likely a motorsports fan interested in “cutting the cord”, and may be worried about not being able to watch your favorite races if you do tell your cable or satellite provider, to “shove it”. Or, maybe you recently cut the cord, and now you’re panicking, wondering how you'll watch all of your favorite racing now that you’ve returned the cable box to the cable company? The past few years, I’ve tried to put together as complete a list of on-line and OTA resources as possible, and share it here, at the CordKillers Reddit. I can’t promise that’s it’s 100% complete, but I can tell you I’ve done a lot of research into this subject, and anything/everything I’ve found is here for you to use, and hopefully you’ll find it all somewhat useful.
I would suggest that if you’re even half the motorsports fan that I am, that you consider taking some of the money you won’t be sending to your cable company, and spend it going to some races at your local short tracks. Dirt or pavement, it’s likely that not too far away from you, every weekend, there’s exciting racing to watch, live and in person. Countless people work hard to put on that show every week, from the track owner, the track promoters, the safety crews, the racers, and their friends and family that help them every week. Take some time to attend a local short track race near you in 2019. If you visit any in Northwest Florida, you may even bump into me!
http://www.racingin.com/track/
I would also suggest that if you’re as interested in motorsports as I assume you are, taking the time to read all of this, that you look at joining the SCCA (Sports Car Club of America). You’ll find a wide range of options that will allow you to get more involved in motorsports.
https://www.scca.com/pages/find-your-fun
If you don’t see anything interesting there, check out this article from Grassroots Motorsports, outlining even more options to go from watching to participating in motorsports you love:
https://grassrootsmotorsports.com/articles/22-easy-ways-go-spectator-participant/
And, if you’re a small business owner, looking for a way to promote your business, you won’t find a more passionate group of potential customers than motorsports fans. Hey, you already know this, you are a motorsports fan! Consider contacting your local track and inquiring about sponsoring part of their facility, or a local driver.
If you’re looking for opportunities to sponsor a driver to market your business, consider contacting Melinda Sewell and Melissa Collins at http://www.sponsordriversmm.com. They have a driveteam for every budget. http://www.racefansforever.org/sponsoring-drivers-with-sponsor-drivers-motorsports-marketing.html
And, if you’ve read this far, be sure to check out the YouTube version of the Guide! I’ll be re-booting it this year and will be featuring services and devices my 70+ year old parents are using as new cord-cutters who love motorsports.
https://www.youtube.com/channel/UCQUT5cxoH6t2tnTQkm2HiNA
And now, “The List”

NASCAR -

Over the Air -

While many NACAR races will be on Fox and NBC’s cable sports channels, some races will be broadcast and available over the air.

Scheduled NASCAR Sprint Cup races to be available *over-the-air *-

02/17/19 - Daytona 500 at Daytona International Speedway (Fox - 2:30pm EST) 02/24/19 - Folds of Honor QuikTrip 500 at Atlanta Motor Speedway (Fox - 2pm EST) 03/03/19 - Pennzoil 400 at Las Vegas Motor Speedway (Fox - 3:30pm EST) 03/10/19 - TicketGuardian 500 at ISM Raceway (Fox - 3:30pm EDT) 03/17/19 - Auto Club 400 at Auto Club Speedway in Fontana, Calif. (Fox - 3:30pm EDT) 03/31/19 - O'REILLY AUTO PARTS 500 at Texas Motor Speedway (Fox - 3pm EDT) 04/13/19 - Toyota Owners 400 at Richmond International Raceway (Fox - 7pm EDT) 04/28/19 - GEICO 500 at Talladega Superspeedway (Fox - 2pm EDT) 05/26/19 - Coca-Cola 600 at Charlotte Motor Speedway (Fox - 6pm EDT) 07/06/19 - Coke Zero Sugar 400 at Daytona International Speedway (NBC - 7:30pm EDT) 09/08/19 - Big Machine Vodka 400 Brickyard (NBC - 2pm EDT) 09/29/19 - Bank of America ROVAL 400 - Charlotte Motor Speedway (NBC - 2:30pm EDT) 10/13/19 - 1000Bulbs.con 500 at Talladega SuperSpeedway (NBC - 2pm EDT) 10/20/19 - Hollywood Casino 400 - Kansas Speedway (NBC - 2:30pm EDT) 11/10/19 - Can-Am 500 at Phoenix International Raceway (NBC - 2:30pm EST) 11/17/19 - Ford EcoBoost 400 at Homestead-Miami Speedway (NBC - 3pm EST)

NASCAR xFinity Series - available over-the-air -

08/03/19 - Zippo 200 at The Glen - Watkins Glen International (NBC) 08/31/19 - Sport Clips Haircuts VFW 200 - Darlington Raceway (NBC) 10/19/19 - Kansas Lottery 300 - Kansas Speedway (NBC) 11/09/19 - NASCAR Xfinity Series Race at ISM Raceway - ISM Raceway (NBC)

NASCAR Camping World Truck Series - available over-the-air -

03/23/19 - NASCAR Gander Outdoors Truck Series Race at Martinsville - Martinsville, VA (FOX) 07/27/19 - Gander Outdoors 150 - Pocono Raceway (FOX)
NASCAR has gotten better in recent years, providing fans with on-line access.

NASCAR online content

1. NASCAR Mobile - (iOS and Android) NASCAR news. Live content (in-car radio, live leaderboards, live-in-car cameras, “Battle Cam”,etc, $29.99/yr in-app purchase) Note, the "Battle Cam" view is often the exact video you'd be watching live on the TV broadcast.
I use this app constantly, often muting the TV and turning up the live-in-car audio from my favorite driver. While testing several options with my recently cord-cutting parents, we used an iPad to stream the “Battle Cam” view to their TV, while listening to either the MRN radio feed or their favorite drivers in-car audio.
2. NASCAR Raceview - iOS app and web - live, animated, views of NASCAR races, in-car audio - What are the subscription costs for NASCAR RACEVIEW?
NASCAR RACEVIEW MOBILE Premium Subscription Options:
  • One-Time, Mobile only Yearly Subscription of $29.99 for the entire 2017 NASCAR Season
  • Mobile only Monthly Recurring Subscription of $4.99 (Auto-Renewable)
  • One-Time, Mobile and Desktop Combination Purchase of $79.99 for the entire 2019 NASCAR Season
  • Mobile and Desktop Combination Monthly Recurring Subscription of $9.99 (Auto-Renewable)
3. NASCAR Drive - http://www.nascar.com/en_us/nascar-drive.html
Live streaming of in-car video of NASCAR Sprint Cup and xFinity races.
4. NASCAR also has full race replays on it's YouTube page, usually 7 days after the race. Highlights are usually available 24hrs after the race broadcast - https://www.youtube.com/useTheOfficialNASCAR
5. NEW IN 2019 - FansChoiceTV Will Live Stream all NASCAR Regional Series Races in 2019! (Free!) This includes K&N East Series, the K&N West Series, as well as the NASCAR Whelen Modified Tour Series! All 2018 races from these series are available on the site now.
https://www.fanschoice.tv
Radio/Streaming audio - You can tune into live streaming audio (radio simulcasts) of NASCAR races at - http://www.mrn.com
http://www.goprn.com
Streaming Television Providers - For cordcutting Motorsports fans, especially NASCAR fans, the 3 streaming TV providers are good options to consider. As of this update, Both YouTubeTV and Sony Playstation Vue seem to offer the best “Bang-for-the-buck” for Motorsports fans.
OUTSIDE THE US and CANADA -
For NASCAR fans outside the US and Canada there’s a new way to watch NASCAR racing in 2019. NASCAR TrackPass. NASCAR TrackPass will offer live and on-demand streaming of all 38 Monster Energy NASCAR Cup Series™ and 33 NASCAR XFINITY Series™ events in 2019. No word on other NASCAR series (Trucks, K&N, EURO, etc). If you live in one of the 120 countries the service will be available in, and don’t mind the $125/yr price, this may be the streaming service you’ve been waiting for.

ARCA Racing

Access to live streaming audio and timing and scoring - http://www.arcaracing.com
ARCA races available on-demand on Lucas Oil Racing https://lucasoilracing.tv

NHRA

Live Timing - http://www.nhra.com/livetiming/livetiming.aspx NHRA Videos - http://www.nhra.com/videowall.aspx

Indycar Races - available over-the-air -

No, I didn’t forget about the Indycar Series fans!
Here is the schedule of Indycar Races that will be available over-the-air (8 of 17 2019 races will air on local NBC stations)
5/11 Indianapolis Motor Speedway Road Course NBC
5/26 103rd Indianapolis 500 NBC
6/1 Street of Detroit - Race 1 NBC
6/2 Street of Detroit - Race 2 NBC
6/23 Road America NBC
7/28 Mid-Ohio Sports Car Course NBC
9/1 Portland International Raceway NBC
9/22 WeatherTech Raceway Laguna Seca NBC

Indycar Online Content

The entire Indycar season will be available to stream with a NBC Sports Gold “Indycar” package.

United Sports Car Series

2019 brings IMSA racing to a new home on NBC/NBCSN/CNBC.
https://michelinracingusa.com/2019-imsa-broadcast-schedule-on-nbc/
There will be two IMSA races broadcast OTA on local NBC stations:
07/07/19 - Sports Car Grand Prix at Canadian Motorsports Park - 1pm EDT 09/15/19 - WeatherTech Raceway Laguna Seca - 5pm EDT 10/12/19 - The first 3 hours of the Motul Petit Le Mans will also air on local NBC affiliates 12pm EDT
For fans outside the US, check the IMSA app for live streaming of all IMSA/United Sports Car Series and Continental Tire Challenge Series races.
IMSA TV does stream full replays of all races, with NBC taking over from Fox, we will have to wait and see if replays will be available after 24-48 hours as in the past, or if there will be a longer delay with the new broadcast partner.
Update - The Replay of the Rolex24 in Daytona was posted the Thursday after the race.
http://www.imsa.com/series/united-sportscatv-episodes https://www.youtube.com/useUnitedSportsCar
Streaming Television Providers - For cordcutting Motorsports fans, especially IMSA fans, the 3 streaming TV providers are good options to consider. As of this update, Sony Playstation Vue seems to offer the best “Bang-for-the-buck” for Motorsports fans.

2019 24 Hrs Le Mans

http://www.24h-lemans.com/live/en/
http://www.24h-lemans.com/en/live/official-application_2_2_2581.html
http://radiolemans.com
iOS and Android apps are available, from which you can purchase a $9.99 pass for just the 2019 24Hrs of LeMans streaming video, or a $29.99 pass for the entire WEC (FIA World Endurance Championship) racing season.

Continental Tire Challenge

Every Continental Tire Challenge race will be streamed live in its entirety on IMSA.tv and the IMSA mobile app. - See more at: http://www.imsa.com/articles/2016-television-schedules-weathertech-championship-and-continental-tire-challenge-announced#sthash.RgqmfJYh.dpuf

World Rally Championship (WRC)

WRC offers a subscription service, WRC+ that offers access to live video content, as well as race replays.
https://plus.wrc.com
EUR 49.99,- per year for the annual subscription.
As in past, a discount code is available, "WRC2019”.

F1

F1 Offers a live streaming service with two levels of access with both monthly and annual plans. F1 TV Access $2.99/mo, $26.99/yr, and F1 TV Pro $11.99/mo, $99.99/yr Content can be accessed either with a web browser or mobile app.

British Touring Car Championship - (BTCC)

Races available on the iTV Player
http://www.itv.com/btcc/video
Video highlights available on the web site.

DTM Championship

Video replays available at www.dtm.com
http://www.dtm.com/en/dtmtv
Also available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

FIA WTCR Series

https://www.fiawtcr.com

FIA World Rallycross Championship

http://www.fiaworldrallycross.com/tv_listings#
http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

24hr Series

24hr Endurance Series
http://www.24hseries.com
https://www.motortrendondemand.com/channel/motorsport/42024482/

Asian LeMans Series

Asian LeMans Series
https://www.motortrendondemand.com/channel/motorsport/42024482/

European LeMans Series

European LeMans Series
https://www.motortrendondemand.com/channel/motorsport/42024482/

Virgin Australia Supercars

39.95AU membership for live video
https://www.supercars.com/superview/
Also available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

Australian ECB Super Utes

Available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

Race of Champions (ROC)

Available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content
The 2018 ROC is available on-demand on the website and AppleTV app, the 2019 should be available to live stream to subscribers and also on-demand after.
UPDATE: Live stream doesn’t seem to be working on the Motortrend AppleTV app, but is working on the website.

Short Track (Dirt and Paved oval) racing

The single best option to find video content of your favorite short track racing events is speed51.com.

Speed51TV

Speed51 offers monthly and yearly paid memberships. The yearly membership includes a 10% discount on all major PPV Live Race content. Speed 51 has expanded it’s live broadcasts of short track racing quite a bit in the past year or two. Yes, the majority of the content, like the Snowball Derby, is PPV, but when you consider that this is racing that you otherwise wouldn’t get to see at all, unless you were at the track, it’s a great service at a great price. If you're a motorsports fan, and want more cord cutting-friendly options, you should really support them and find a PPV event you'd like to watch this year.
http://speed51.com/racing-videos/
$7.99/mo $59.99/yr (Includes 10% discount on PPV events)

Racing Boys TV

The other site broadcasting some great short track racing, is http://www.racinboys.com. They once again will air PPV coverage of the first 5 days of preliminary racing for the 2019 Chili Bowl Nationals. Premium memberships cost $6.50/mo or $50/yr
Check out Lucas Oil Racing TV to watch the C-Mains->A-Main racing at the 2019 Chili Bowl Nationals!

Additional On-Line resources for short track racing content

Race22

http://race22.com/category/videos/

IMCA

https://www.imca.com
If you're looking for more short track racing, check out the IMCA.
https://imca.tv
Access to IMCA Video is $24.95/mo

PitRow.TV

Live and on-demand PPV short track racing, including Legend Cars/INEX races. Different pricing tiers for different quality videos, season passes or single races, depending on race series and venue..

The Cushion

http://thecushion.com/join-now/ Free account required to purchase PPV races. $79.99/year account includes access to all Video-On-Demand (VOD) Content covering all major Sprint Car racing from across the country.
Minimum10% Discount on every individual Live PPV broadcast purchase
875+ Videos-On-Demand including Cushion Original programs like the 410 Build Show

Lucas Oil Racing TV

Another option for getting your racing fix on-line is http://www.lucasoilracing.tv. For $99/yr you get access to -
Live and on-demand coverage of the Lucas Oil Chili Bowl Nationals, one of the biggest dirt racing events all year, every year ARCA Racing Series AMA Flat Track AMERICAN SPRINT CAR SERIES ASB - AMERICAN SPRINT BOAT AUSTRALASIAN SUPERBIKE CHAMPIONSHIP BEST IN THE DESERT BRITISH F1 SIDECAR CHAMPIONSHIP Bojangles' Summer Shootout (Legends Cars / Bandoleros) DAVE DESPAIN SHOW DRAG BOAT RACING SERIES F4 British Championship F4 US Championship FIA F4 Ginetta Supercup LATE MODEL DIRT SERIES MODIFIED SERIES OPTIMA - SEARCH FOR THE ULTIMATE STREET CAR 2018 PRO MOTOCROSS CHAMPIONSHIP
As well as car shows like “Two Guys Garage”, “My Classic Car”, and “Chop Cut Rebuild”

USAC Racing

http://usacracing.com/2013-03-02-17-46-30/loudpedal-tv Loudpedal.tv Monthly Membership
For only $9.95 a month, access to everything USAC Racing and Loudpedal Productions from across the country! USD 9.95
Loudpedal.tv Yearly Membership
Best Value for only $99.95 a year, access to everything USAC Racing and Loudpedal Productions from coast to coast. USD 99.95

Legend Cars/INEX

Some past events, like the Bojangle’s Summer Shoot-Out from 2016 can be found at:
https://lucasoilracing.tv/shows/summer-shootout/

PitRow.TV

PitRow.tv offers some Legend Car and Bandellero racing, as Live and on-demand PPV streams.

Fanschoice.tv

As always fanschoice.tv has lots of great short track racing, including the K&N East and West, the NASCAR Whelen Modified Tour Series, and the World Series of Asphalt at New Smyrna Speedway, FOR FREE!

The 2018 SCCA Runoffs are available on the SCCA website -

https://www.scca.com/videos?utf8=✓&order=recently_added&search=2018+runoffs
The SCCA has on-demand video of the SCCA Runoffs from 2009-2018 https://www.scca.com/pages/2015-scca-runoffs-ondemand
The 2019 SCCA Runoffs should also be available on the SCCA Website this fall 2019.

Goodwood Videos (Revival, Festival of Speed, etc)

https://m.youtube.com/useGoodwoodTV

24Hrs of LeMons

http://www.youtube.com/use24hoursoflemons/videos
Streaming Television Providers - For cordcutting Motorsports fans, especially NASCAR and IMSA fans, the 3 streaming TV providers are good options to consider. As of this update, Sony Playstation Vue seems to offer the best “Bang-for-the-buck” for Motorsports fans.

List of online/streaming motorsports content providers

Speed51 - http://speed51.com/racing-videos/
Race22 - http://race22.com/category/videos/
Lucas Oil Racing - http://www.lucasoilracing.tv.
Motor Trend - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content $4.99/mo
Fans Choice TV - http://www.fanschoice.tv
IMCA.TV - https://imca.tv
PitRow.TV
The Cushion http://thecushion.com/join-now/

Great Motorsports Podcasts you should check out!

PETM Racing Podcast - http://www.petmpodcast.com
Jeff Gluck's Racing Podcast - http://jeffgluck.com
Dirty Mo Radio Network Podcasts - http://www.dalejr.com/radio/default.aspx
Lapped Traffic Podcast - http://thelappedtrafficpodcast.podbean.com
The Cordcutter's Guide to Motorsports - https://www.youtube.com/channel/UCQUT5cxoH6t2tnTQkm2HiNA/ (Why does that sound familiar?)

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submitted by perfectface4radio to CordKillers [link] [comments]

(DRAFT) 2019 Cord-cutter's Guide to Motorsports

 **Cord Cutters Guide to Motorsports - 2019 (DRAFT) ** 

Table of Contents -

Introduction

NASCAR - Cup, xFinity, Trucks (Over the air listings) NASCAR - Online resources ARCA Racing NHRA Indycar Races (Over the air listings) Indycar - Online resources IMSA 24 Hrs Le Mans World Rally Championship (WRC) F1 British Touring Car Championship - (BTCC) German Touring Car Championship FIA WTCR Series FIA World Rallycross Championship 24hr Series Asian LeMans Series European LeMans Series Virgin Australia Supercars Australian ECB Super Utes Race of Champions (ROC) Short Track (Dirt and Paved oval) racing SCCA Goodwood 24Hrs of LeMons
List of online/streaming motorsports content providers and podcasts
Introduction If you’re reading this, you’re likely a motorsports fan interested in “cutting the cord”, and may be worried about not being able to watch your favorite races if you do tell your cable or satellite provider, to “shove it”. Or, maybe you recently cut the cord, and now you’re panicking, wondering how you'll watch all of your favorite racing now that you’ve returned the cable box to the cable company? The past few years, I’ve tried to put together as complete a list of on-line and OTA resources as possible, and share it here, at the CordKillers Reddit. I can’t promise that’s it’s 100% complete, but I can tell you I’ve done a lot of research into this subject, and anything/everything I’ve found is here for you to use, and hopefully you’ll find it all somewhat useful.
I would suggest that if you’re even half the motorsports fan that I am, that you consider taking some of the money you won’t be sending to your cable company, and spend it going to some races at your local short tracks. Dirt or pavement, it’s likely that not too far away from you, every weekend, there’s exciting racing to watch, live and in person. Countless people work hard to put on that show every week, from the track owner, the track promoters, the safety crews, the racers, and their friends and family that help them every week. Take some time to attend a local short track race near you in 2019. If you visit any in Northwest Florida, you may even bump into me!
http://www.racingin.com/track/
I would also suggest that if you’re as interested in motorsports as I assume you are, taking the time to read all of this, that you look at joining the SCCA (Sports Car Club of America). You’ll find a wide range of options that will allow you to get more involved in motorsports.
https://www.scca.com/pages/find-your-fun
If you don’t see anything interesting there, check out this article from Grassroots Motorsports, outlining even more options to go from watching to participating in motorsports you love:
https://grassrootsmotorsports.com/articles/22-easy-ways-go-spectator-participant/
And, if you’re a small business owner, looking for a way to promote your business, you won’t find a more passionate group of potential customers than motorsports fans. Hey, you already know this, you are a motorsports fan! Consider contacting your local track and inquiring about sponsoring part of their facility, or a local driver.
If you’re looking for opportunities to sponsor a driver to market your business, consider contacting Melinda Sewell and Melissa Collins at http://www.sponsordriversmm.com. They have a driveteam for every budget. http://www.racefansforever.org/sponsoring-drivers-with-sponsor-drivers-motorsports-marketing.html
And, if you’ve read this far, be sure to check out the YouTube version of the Guide! I’ve re-booted it this year and will be featuring services and devices my 73 year old parents are using as new cord-cutters who love motorsports.
https://www.youtube.com/channel/UCQUT5cxoH6t2tnTQkm2HiNA
And now, “The List”

NASCAR -

Over the Air -

While many NACAR races will be on Fox and NBC’s cable sports channels, some races will be broadcast and available over the air.

Scheduled NASCAR Sprint Cup races to be available *over-the-air *-

02/17/19 - Daytona 500 at Daytona International Speedway (Fox - 2:30pm EST) 02/24/19 - Folds of Honor QuikTrip 500 at Atlanta Motor Speedway (Fox - 2pm EST) 03/03/19 - Pennzoil 400 at Las Vegas Motor Speedway (Fox - 3:30pm EST) 03/10/19 - TicketGuardian 500 at ISM Raceway (Fox - 3:30pm EDT) 03/17/19 - Auto Club 400 at Auto Club Speedway in Fontana, Calif. (Fox - 3:30pm EDT) 03/31/19 - O'REILLY AUTO PARTS 500 at Texas Motor Speedway (Fox - 3pm EDT) 04/13/19 - Toyota Owners 400 at Richmond International Raceway (Fox - 7pm EDT) 04/28/19 - GEICO 500 at Talladega Superspeedway (Fox - 2pm EDT) 05/26/19 - Coca-Cola 600 at Charlotte Motor Speedway (Fox - 6pm EDT) 07/06/19 - Coke Zero Sugar 400 at Daytona International Speedway (NBC - 7:30pm EDT) 09/08/19 - Big Machine Vodka 400 Brickyard (NBC - 2pm EDT) 09/29/19 - Bank of America ROVAL 400 - Charlotte Motor Speedway (NBC - 2:30pm EDT) 10/13/19 - 1000Bulbs.con 500 at Talladega SuperSpeedway (NBC - 2pm EDT) 10/20/19 - Hollywood Casino 400 - Kansas Speedway (NBC - 2:30pm EDT) 11/10/19 - Can-Am 500 at Phoenix International Raceway (NBC - 2:30pm EST) 11/17/19 - Ford EcoBoost 400 at Homestead-Miami Speedway (NBC - 3pm EST)

NASCAR xFinity Series - available over-the-air -

(Placeholder until NASCAR releases 2019 info)
03/18/17 - Axalta Faster. DC Solar 200 Phoenix International Raceway - Avondale, AZ (FOX) 04/08/17 - Cowboy 300 Texas Motor Speedway - Fort Worth, TX (FOX) 05/06/17 - Sparks Energy 300 Talladega Superspeedway - Talladega, AL (FOX) 06/10/17 - Pocono 250 Pocono Raceway - Long Pond, PA (FOX) 07/29/17 - US Cellular 250 Iowa Speedway - Newton, IA (NBC) 08/27/17 - Road America 180 - Elkart Lake, WI (NBC) 10/05/17 - Kansas Lottery 300 Kansas Speedway - Kansas City, KS (NBC) 11/11/17 - Ticket Galaxy 200 Phoenix International Raceway - Avondale, AZ (NBC)

NASCAR Camping World Truck Series - available over-the-air -

(Placeholder until NASCAR releases 2019 info) ** Edit: Fox added two additional OTA dates after I posted! **
04/01/17 - ALPHA ENERGY SOLUTIONS 250 - Martinsville, VA (FOX) 07/29/17 - Pocono 150 - Pocono Raceway (FOX) 10/14/17 - Fred's 250 Talladega Superspeedway - Talladega, AL (FOX)
NASCAR has gotten better in recent years, providing fans with on-line access.

NASCAR online content

1. NASCAR Mobile - (iOS and Android) NASCAR news. Live content (in-car radio, live leaderboards, live-in-car cameras, “Battle Cam”,etc, $29.99/yr in-app purchase) Note, the "Battle Cam" view is often the exact video you'd be watching live on the TV broadcast.
I use this app constantly, often muting the TV and turning up the live-in-car audio from my favorite driver. While testing several options with my recently cord-cutting parents, we used an iPad to stream the “Battle Cam” view to their TV, while listening to either the MRN radio feed or their favorite drivers in-car audio.
2. NASCAR Raceview - iOS app and web - live, animated, views of NASCAR races, in-car audio - What are the subscription costs for NASCAR RACEVIEW MOBILE?
$4.99 per month via iTunes or Google Play (Pricing may change for 2019) $39.99 per season via iTunes or Google Play (Pricing may change for 2019)
3. NASCAR Drive - http://www.nascar.com/en_us/nascar-drive.html
Live streaming of in-car video of NASCAR Sprint Cup and xFinity races.
4. NASCAR also has full race replays on it's YouTube page, usually 7 days after the race. Highlights are usually available 24hrs after the race broadcast - https://www.youtube.com/useTheOfficialNASCAR
Radio/Streaming audio - You can tune into live streaming audio (radio simulcasts) of NASCAR races at - http://www.mrn.com
http://www.goprn.com
Streaming Television Providers - For cordcutting Motorsports fans, especially NASCAR fans, the 3 streaming TV providers are good options to consider. As of this update, Sony Playstation Vue seems to offer the best “Bang-for-the-buck” for Motorsports fans.
OUTSIDE THE US and CANADA -
For NASCAR fans outside the US and Canada there’s a new way to watch NASCAR racing in 2019. NASCAR TrackPass. NASCAR TrackPass will offer live and on-demand streaming of all 38 Monster Energy NASCAR Cup Series™ and 33 NASCAR XFINITY Series™ events in 2019. No word on other NASCAR series (Trucks, K&N, EURO, etc). If you live in one of the 120 countries the service will be available in, and don’t mind the $125/yr price, this may be the streaming service you’ve been waiting for.

ARCA Racing

Access to live streaming audio and timing and scoring - http://www.arcaracing.com
ARCA races available on-demand on Lucas Oil Racing https://lucasoilracing.tv

NHRA

Live Timing - http://www.nhra.com/livetiming/livetiming.aspx NHRA Videos - http://www.nhra.com/videowall.aspx

Indycar Races - available over-the-air -

No, I didn’t forget about the Indycar Series fans!
Here is the schedule of Indycar Races that will be available over-the-air (8 of 17 2019 races will air on local NBC stations)
5/11 Indianapolis Motor Speedway Road Course NBC
5/26 103rd Indianapolis 500 NBC
6/1 Street of Detroit - Race 1 NBC
6/2 Street of Detroit - Race 2 NBC
6/23 Road America NBC
7/28 Mid-Ohio Sports Car Course NBC
9/1 Portland International Raceway NBC
9/22 WeatherTech Raceway Laguna Seca NBC

Indycar Online Content

The entire Indycar season will be available to stream with a NBC Sports Gold “Indycar” package.

United Sports Car Series

2019 brings IMSA racing to a new home on NBC/NBCSN/CNBC.
https://michelinracingusa.com/2019-imsa-broadcast-schedule-on-nbc/
There will be two IMSA races broadcast OTA on local NBC stations:
07/07/19 - Sports Car Grand Prix at Canadian Motorsports Park - 1pm EDT 09/15/19 - WeatherTech Raceway Laguna Seca - 5pm EDT 10/12/19 - The first 3 hours of the Motul Petit Le Mans will also air on local NBC affiliates 12pm EDT
For fans outside the US, check the IMSA app for live streaming of all IMSA/United Sports Car Series and Continental Tire Challenge Series races.
IMSA TV does stream full replays of all races, with NBC taking over from Fox, we will have to wait and see if replays will be available after 24-48 hours as in the past, or if there will be a longer delay with the new broadcast partner.
http://www.imsa.com/series/united-sportscatv-episodes https://www.youtube.com/useUnitedSportsCar
Streaming Television Providers - For cordcutting Motorsports fans, especially IMSA fans, the 3 streaming TV providers are good options to consider. As of this update, Sony Playstation Vue seems to offer the best “Bang-for-the-buck” for Motorsports fans.

2019 24 Hrs Le Mans

http://www.24h-lemans.com/live/en/
http://www.24h-lemans.com/en/live/official-application_2_2_2581.html
http://radiolemans.com
iOS and Android apps are available, from which you can purchase a $9.99 pass for just the 2019 24Hrs of LeMans streaming video, or a $29.99 pass for the entire WEC (FIA World Endurance Championship) racing season.

Continental Tire Challenge

Every Continental Tire Challenge race will be streamed live in its entirety on IMSA.tv and the IMSA mobile app. - See more at: http://www.imsa.com/articles/2016-television-schedules-weathertech-championship-and-continental-tire-challenge-announced#sthash.RgqmfJYh.dpuf

World Rally Championship (WRC)

WRC offers a subscription service, WRC+ that offers access to live video content, as well as race replays.
https://plus.wrc.com
EUR 49.99,- per year for the annual subscription.
As in past, a discount code is available, "WRC2019”.

F1

F1 Offers a live streaming service with two levels of access with both monthly and annual plans. F1 TV Access $2.99/mo, $26.99/yr, and F1 TV Pro $11.99/mo, $99.99/yr Content can be accessed either with a web browser or mobile app.

British Touring Car Championship - (BTCC)

Races available on the iTV Player
http://www.itv.com/btcc/video
Video highlights available on the web site.

DTM Championship

Video replays available at www.dtm.com
http://www.dtm.com/en/dtmtv
Also available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

FIA WTCR Series

https://www.fiawtcr.com

FIA World Rallycross Championship

http://www.fiaworldrallycross.com/tv_listings#
http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

24hr Series

24hr Endurance Series
http://www.24hseries.com
https://www.motortrendondemand.com/channel/motorsport/42024482/

Asian LeMans Series

Asian LeMans Series
https://www.motortrendondemand.com/channel/motorsport/42024482/

European LeMans Series

European LeMans Series
https://www.motortrendondemand.com/channel/motorsport/42024482/

Virgin Australia Supercars

39.95AU membership for live video
https://www.supercars.com/superview/
Also available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

Australian ECB Super Utes

Available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

Race of Champions (ROC)

Available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content
The 2018 ROC is available on-demand on the website and AppleTV app, the 2019 should be available to live stream to subscribers and also on-demand after.
UPDATE: Live stream doesn’t seem to be working on the Motortrend AppleTV app, but is working on the website.

Short Track (Dirt and Paved oval) racing

The single best option to find video content of your favorite short track racing events is speed51.com.

Speed51TV

Speed51 offers monthly and yearly paid memberships. The yearly membership includes a 10% discount on all major PPV Live Race content. Speed 51 has expanded it’s live broadcasts of short track racing quite a bit in the past year or two. Yes, the majority of the content, like the Snowball Derby, is PPV, but when you consider that this is racing that you otherwise wouldn’t get to see at all, unless you were at the track, it’s a great service at a great price. If you're a motorsports fan, and want more cord cutting-friendly options, you should really support them and find a PPV event you'd like to watch this year.
http://speed51.com/racing-videos/
$7.99/mo $59.99/yr (Includes 10% discount on PPV events)

Racing Boys TV

The other site broadcasting some great short track racing, is http://www.racinboys.com. They once again will air PPV coverage of the first 5 days of preliminary racing for the 2019 Chili Bowl Nationals. Premium memberships cost $6.50/mo or $50/yr
Check out Lucas Oil Racing TV to watch the C-Mains->A-Main racing at the 2019 Chili Bowl Nationals!

Additional On-Line resources for short track racing content

Race22

http://race22.com/category/videos/

IMCA

https://www.imca.com
If you're looking for more short track racing, check out the IMCA.
https://imca.tv
Access to IMCA Video is $24.95/mo

PitRow.TV

Live and on-demand PPV short track racing, including Legend Cars/INEX races. Different pricing tiers for different quality videos, season passes or single races, depending on race series and venue..

The Cushion

http://thecushion.com/join-now/ Free account required to purchase PPV races. $79.99/year account includes access to all Video-On-Demand (VOD) Content covering all major Sprint Car racing from across the country.
Minimum10% Discount on every individual Live PPV broadcast purchase
875+ Videos-On-Demand including Cushion Original programs like the 410 Build Show

Lucas Oil Racing TV

Another option for getting your racing fix on-line is http://www.lucasoilracing.tv. For $99/yr you get access to -
Live and on-demand coverage of the Lucas Oil Chili Bowl Nationals, one of the biggest dirt racing events all year, every year ARCA Racing Series AMA Flat Track AMERICAN SPRINT CAR SERIES ASB - AMERICAN SPRINT BOAT AUSTRALASIAN SUPERBIKE CHAMPIONSHIP BEST IN THE DESERT BRITISH F1 SIDECAR CHAMPIONSHIP Bojangles' Summer Shootout (Legends Cars / Bandoleros) DAVE DESPAIN SHOW DRAG BOAT RACING SERIES F4 British Championship F4 US Championship FIA F4 Ginetta Supercup LATE MODEL DIRT SERIES MODIFIED SERIES OPTIMA - SEARCH FOR THE ULTIMATE STREET CAR 2018 PRO MOTOCROSS CHAMPIONSHIP
As well as car shows like “Two Guys Garage”, “My Classic Car”, and “Chop Cut Rebuild”

USAC Racing

http://usacracing.com/2013-03-02-17-46-30/loudpedal-tv Loudpedal.tv Monthly Membership
For only $9.95 a month, access to everything USAC Racing and Loudpedal Productions from across the country! USD 9.95
Loudpedal.tv Yearly Membership
Best Value for only $99.95 a year, access to everything USAC Racing and Loudpedal Productions from coast to coast. USD 99.95

Legend Cars/INEX

Some past events, like the Bojangle’s Summer Shoot-Out from 2016 can be found at:
https://lucasoilracing.tv/shows/summer-shootout/

PitRow.TV

PitRow.tv offers some Legend Car and Bandellero racing, as Live and on-demand PPV streams.

Fanschoice.tv

As always fanschoice.tv has lots of great short track racing, including the World Series of Asphalt at New Smyrna Speedway, FOR FREE!

The 2018 SCCA Runoffs are available on the SCCA website -

https://www.scca.com/videos?utf8=✓&order=recently_added&search=2018+runoffs
The SCCA has on-demand video of the SCCA Runoffs from 2009-2018 https://www.scca.com/pages/2015-scca-runoffs-ondemand
The 2019 SCCA Runoffs should also be available on the SCCA Website this fall 2019.

Goodwood Videos (Revival, Festival of Speed, etc)

https://m.youtube.com/useGoodwoodTV

24Hrs of LeMons

http://www.youtube.com/use24hoursoflemons/videos
Streaming Television Providers - For cordcutting Motorsports fans, especially NASCAR and IMSA fans, the 3 streaming TV providers are good options to consider. As of this update, Sony Playstation Vue seems to offer the best “Bang-for-the-buck” for Motorsports fans.

List of online/streaming motorsports content providers

Speed51 - http://speed51.com/racing-videos/
Race22 - http://race22.com/category/videos/
Lucas Oil Racing - http://www.lucasoilracing.tv.
Motor Trend - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content $4.99/mo
Fans Choice TV - http://www.fanschoice.tv
IMCA.TV - https://imca.tv
PitRow.TV
The Cushion http://thecushion.com/join-now/

Great Motorsports Podcasts you should check out!

PETM Racing Podcast - http://www.petmpodcast.com
Jeff Gluck's Racing Podcast - http://jeffgluck.com
Dirty Mo Radio Network Podcasts - http://www.dalejr.com/radio/default.aspx
Lapped Traffic Podcast - http://thelappedtrafficpodcast.podbean.com
The Cordcutter's Guide to Motorsports - https://www.youtube.com/channel/UCQUT5cxoH6t2tnTQkm2HiNA/ (Why does that sound familiar?)

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Cord-cutters Guide to Motorsports 2016

 **Cord Cutters Guide to Motorsports - 2016 ** 

Table of Contents -

Introduction

NASCAR - Cup, xFinity, Trucks (Over the air listings) NASCAR - Online resources ARCA Racing NHRA Indycar Races (Over the air listings) Indycar - Online resources United Sports Car Series 24 Hrs Le Mans Continental Tire Challenge Series World Rally Championship (WRC) Redbull Global Rallycross - (Redbull GRC) F1 British Touring Car Championship - (BTCC) German Touring Car Championship Blancpain GT Series V8 Supercars V8 Utes Race of Champions (ROC) Short Track (Dirt and Paved oval) racing SCCA Goodwood 24Hrs of LeMons
List of online/streaming motorsports content providers
Introduction If you’re reading this, you’re likely a motorsports fan interested in “cutting the cord”, and may be worried about not being able to watch your favorite races if you do tell your cable or satellite provider, to “shove it”. Or, maybe you recently cut the cord, and now you’re panicking, wondering how you'll watch all of your favorite racing now that you’ve returned the cable box to the cable company? The past few years, I’ve tried to put together as complete a list of on-line and OTA resources as possible, and share it here, at the CordKillers Reddit. I can’t promise that’s it’s 100% complete, but I can tell you I’ve done a lot of research into this subject, and anything/everything I’ve found is here for you to use, and hopefully you’ll find it all somewhat useful.
I would suggest that if you’re even half the motorsports fan that I am, that you consider taking some of the money you won’t be sending to your cable company, and spend it going to some races at your local short tracks. Dirt or pavement, it’s likely that not too far away from you, every weekend, there’s exciting racing to watch, live and in person. Countless people work hard to put on that show every week, from the track owner, the track promoters, the safety crews, the racers, and their friends and family that help them every week. Take some time to attend a local short track race near you in 2016.
http://www.racingin.com/track/
And, if you’re a small business owner, looking for a way to promote your business, you won’t find a more passionate group of potential customers than motorsports fans. Hey, you already know this, you are a motorsports fan! Consider contacting your local track and inquiring about sponsoring part of their facility.
If you’re looking for opportunities to sponsor a driver, consider contacting Melinda Sewell and Melissa Collins at http://www.sponsordriversmm.com. They have a driveteam for every budget. They helped me find a team that was perfect for my business, and they can help you too! http://www.racefansforever.org/sponsoring-drivers-with-sponsor-drivers-motorsports-marketing.html
And now, “The List”

NASCAR -

Over the Air -

While many NACAR races will be on Fox and NBC’s cable sports channels, some races will be broadcast and available over the air.

Scheduled NASCAR Sprint Cup races to be available *over-the-air *-

02/13/16 - Sprint Unlimited - Daytona International Speedway (Fox) 02/21/16 - Daytona 500 at Daytona International Speedway (Fox) 02/28/16 - Folds of Honor QuikTrip 500 at Atlanta Motor Speedway (Fox) 03/06/16 - Kobalt 400 at Las Vegas Motor Speedway (Fox) 03/13/16 - Good Sam 500 at Phoenix International Raceway (Fox) 03/20/16 - Auto Club 400 at Auto Club Speedway in Fontana, Calif. (Fox) 04/09/16 - Duck Commander 500 at Texas Motor Speedway (Fox) 04/17/16 - Food City 500 at Bristol Motor Speedway (Fox) 04/24/16 - Toyota Owners 400 at Richmond International Raceway (Fox) 05/01/16 - GEICO 500 at Talladega Superspeedway (Fox) 05/29/16 - Coca-Cola 600 at Charlotte Motor Speedway (Fox) 07/02/16 - Coke Zero 400 at Daytona International Speedway (NBC) 09/04/16 - Bojangles' Southern 500 at Darlington Raceway (NBC) 10/08/16 - At Charlotte Motor Speedway (NBC) 10/16/16 - Hollywood Casino 400 at Kansas Speedway (NBC) 11/06/16 - AAA Texas 500 at Texas Motor Speedway (NBC) 11/13/16 - Can-Am 500 at Phoenix International Raceway (NBC) 11/20/16 - Ford EcoBoost 400 at Homestead-Miami Speedway (NBC)

NASCAR xFinity Series - available over-the-air -

03/12/16 - Axalta Faster. Tougher. Brighter. 200 Phoenix International Raceway - Avondale, AZ (FOX) 04/30/16 - Talladega 300 Talladega Superspeedway - Talladega, AL (FOX) 05/14/16 - Dover 200 Dover International Speedway - Dover, DE (FOX) 05/28/16 - Hisense 300 Charlotte Motor Speedway - Concord, NC (FOX) 07/23/16 - Lilly Diabetes 250 Indianapolis Motor Speedway - Indianapolis, IN (NBC) 09/03/16 - VFW Sport Clips Help a Hero 200 Darlington Raceway - Darlington, SC (NBC) 11/05/16 - O'Reilly Auto Parts Challenge Texas Motor Speedway - Fort Worth, TX (NBC) 11/19/16 - Ford EcoBoost 300 Homestead-Miami Speedway - Homestead, FL (NBC)

NASCAR Camping World Truck Series - available over-the-air -

10/22/16 - Fred's 250 Talladega Superspeedway - Talladega, AL (FOX)
NASCAR has gotten better in recent years, providing fans with on-line access.

NASCAR online content

1. NASCAR Mobile - (iOS and Android) NASCAR news. Live content (in-car radio, live leaderboards, live-in-car cameras, etc free to Sprint Cellular customers w/ Unlimited data plan, $24.99/yr for non-Sprint customers)
I use this app constantly, often muting the TV and turning up the live-in-car audio from my favorite driver.
2. NASCAR Raceview - iOS app and web - live, animated, views of NASCAR races, in-car audio - What are the subscription costs for NASCAR RACEVIEW MOBILE?
$4.99 per month via iTunes or Google Play $39.99 per season via iTunes or Google Play Sprint offers NASCAR RACEVIEW MOBILE without subscription to their customers on a Sprint device with an Unlimited data plan
3. NASCAR Racebuddy -http://www.nascar.com/racebuddy
Live streaming of in-car video of NASCAR Sprint Cup and xFinity races.
4. NASCAR also has full race replays on it's YouTube page - https://www.youtube.com/useTheOfficialNASCAR
Radio/Streaming audio - You can tune into live streaming audio (radio simulcasts) of NASCAR races at - http://www.mrn.com
http://www.goprn.com

ARCA Racing

Access to live streaming audio and timing and scoring - http://www.arcaracing.com

NHRA

Live Timing - http://www.nhra.com/livetiming/livetiming.aspx NHRA Videos - http://www.nhra.com/videowall.aspx
Update New in 2016 - NHRA "All-Access". Every event from the 2016 Mello Yello Drag Racing Series – live streamed or on demand. Subscribe for $99.95 a season. Go to http://www.nhraallaccess.com for more information.

Indycar Races - available over-the-air -

No, I didn’t forget about the Indycar Series fans!
Here is the schedule of Indycar Races that will be available over-the-air (All on ABC stations)
3/13 Streets of St. Petersburg ABC
5/14 Angie's List Grand Prix of Indianapolis ABC
5/29 Indianapolis 500 Mile Race ABC
6/4 Chevrolet Dual in Detroit Race 1 ABC
6/5 Chevrolet Dual in Detroit Race 2 ABC

Indycar Online Content

The Indycar App now allows for video/telemetry, etc, depending on your Cell provider. Verizon customers have the most features with this app.
Exclusive Features to Verizon Wireless devices • Interactive 3D Live View (Beta) with real-time leader board and car telemetry Enhanced real-time leader board with 2D marching ants and car telemetry Live in-car camera video streaming for select drivers during IndyCar races Live driver and pit crew transmissions audio streaming during IndyCar races Live INDYCAR radio broadcast audio streaming during all track activities
Features Available to All Carrier devices Real-time leader board Championship Points-As-They-Run leader board Podcasts (INDYCAR Radio, INDYCAR Media Release & Trackside) Optional on-device notification alerts when IndyCar race starts and ends and for breaking news Current track weather and forecast Favorite driver and team selection for quicker access to follow Exclusive VOD race highlights, crashes, driver interviews, INDYCAR 101 & technologies, historical race footage, and more Breaking news and photo galleries Standings, race results, schedule, and race extras such as high-resolution track map images and spotter guides Driver profiles and Racing team profiles INDYCAR social twitter feeds INDYCAR 101 and more

United Sports Car Series

Almost all 2016 races will be on Fox Sports 1 and 2.
One race will be available over-the-air
07/23/16 - Northeast Grand Prix - Lime Rock Park (FOX)
IMSA TV does stream replays of all races, and sometimes offers live video of races not being broadcast (the overnight racing of a 24 hour race for instance)
http://www.imsa.com/series/united-sportscatv-episodes
http://www.fanschoice.tv also has IMSA video content available.

2016 24 Hrs Le Mans

http://www.24h-lemans.com/live/en/
http://www.24h-lemans.com/en/live/official-application_2_2_2581.html
iOS and Android apps are available, from which you can purchase a $9.99 pass for just the 2016 24Hrs of LeMans streaming video, or a $29.99 pass for the entire WEC (FIA World Endurance Championship) racing season.
In 2015, switched between the feed from the #64 C7.R and the English main 24hrs LeMans feed. All are commercial free! Streaming the live video from my iPhone to my AppleTV, video quality looked great, very little buffering, if any.
Radio LeMans - http://radiolemans.com

Continental Tire Challenge Series

Every Continental Tire Challenge race will be streamed live in its entirety on IMSA.tv and the IMSA mobile app. - See more at: http://www.imsa.com/articles/2016-television-schedules-weathertech-championship-and-continental-tire-challenge-announced#sthash.RgqmfJYh.dpuf

World Rally Championship (WRC)

WRC offers a subscription service, WRC+ that offers access to live video content, as well as race replays.
https://plus.wrc.com
EUR 49.99,- per year for the annual subscription.
Use the Promo code "WRC2016" (no quotes-make sure WRC is in all caps) to get 20% off WRC plus. Once subscribed go into your profile and cancel your subscription. Why? Because your purchased subscription will stay active, but auto-renewal will be disabled. So you'll have a chance to take advantage of 20% off next year. (Thanks for pointing this out dusto_man!)
The RedBullTV channel on the AppleTV has 1hr highlight shows of all 2014 WRC Rally events. RedBullTV has hour long post-rally reviews for 2016. Monte Carlo is already up now.
Go to "RedBullTV" on your AppleTV, once in the RedBullTV app, select "Sports". Then select "Motorsports". Then scroll down to "Shows" and look for WRC.
Lucas Oil Racing also offers WRC content, in addition to several other racing series at http://www.lucasoilracing.tv. For $60/yr So far, 2015 highlight episodes are available, no 2016 content so far.

Redbull Global Rallycross - (Redbull GRC)

All GRC events are broadcast live on NBC over the air
All GRC events are also streamed live on http://www.redbullglobalrallycross.com
All of the 2015 GRC Lites competitions are available via the RedBull App on the AppleTV

F1

Edited Race Replays available at - http://www.formula1.com/video/race_edits/

British Touring Car Championship - (BTCC)

http://www.btcc.net/live-zone/
Live timing data and audio is avaialbe
Races available on the iTV Player
http://www.itv.com/btcc/video
Video highlights available on the web site.

FIA WTCC (World Touring Car Chalenge) Series

First race will be available for free.
New streaming service/app includes:
Live Video Races on-demand (previous seasons for free) Access through web site or app Rewind, pause, play, time shift Stats Highlights
14.95 euro per round/race event, 99.95 euro a season (previous seasons/archive content - FREE)

Blancpain GT Series

Live race video -
http://www.blancpain-gt-series.com/gt-tv (This page is currently down. Will update when more information is available)
Highlights are still available at - https://www.youtube.com/usegt1world
Also available on -
http://24hseries.com
http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

V8 Supercars

39.99AU membership for live video
https://www.v8supercars.com.au/v8superview
Also available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

V8 Utes Championship

Available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

Race of Champions (ROC)

Available on - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content

Short Track (Dirt and Paved oval) racing

Speed51TV and FansChoice.tv

Once again in 2016, Speed51TV and FansChoiceTV will team up to provide a free broadcast of the 50th World Series of Asphalt Stock Car Racing (Twitter hashtag: #NewSmyrnaWS) on FansChoice.tv.
http://speed51.com/51-fanschoice-tv-to-provide-live-video-of-new-smyrna-world-series/ http://www.fanschoice.tv
On-demand replays of the racing will also be available later at http://www.fanschoice.tv

Speed51TV

Speed51 is now offering monthly and yearly paid memberships. The yearly membership includes a 10% discount on all major PPV Live Race content. Both include access to race highlights, stories, and interviews from the world of short track racing. Speed 51 has expanded it’s live broadcasts of short track racing quite a bit in the past year or two. Yes, allot of the content, like the Snowball Derby, is PPV, but when you consider that this is racing that you otherwise wouldn’t get to see at all, unless you were at the track, it’s a great service at a great price. If you're a motorsports fan, and want more cord cutting-friendly options, you should really support them and find a PPV event you'd like to watch this year.
http://speed51.com/racing-videos/
$7.99/mo $59.99/yr (Includes 10% discount on PPV events)

Racing Boys TV

The other site broadcasting some great short track racing, is http://www.racinboys.com. They once again aired PPV coverage of the first 5 days of preliminary racing for the 2016 Chili Bowl Nationals.

Additional On-Line resources for short track racing content

Race22

http://race22.com/category/videos/

Dirt Nation TV

https://dirtnation.tv

"The Battle at Berlin 251"

CordKilling Motorsports Fans - Another option to satisfy your hunger for racing online - "The Battle at Berlin 251" will be available streaming PPV - June 2016
http://www.berlinraceway.com
$19.95
"The Battle at Berlin 251" has become one of those short track races that attracts drivers from all over the country. The 2015 race attracted drivers such as, Chase Elliott, Bubba Pollard, John Hunter Nemechek, and Ross Kenseth.
Again, if you want to see more options for Cordcutting motorsports fans, and you love great short track racing, this should be on your list to watch.

Lucas Oil Racing TV

Another option for getting your racing fix on-line is http://www.lucasoilracing.tv. For $60/yr you get access to -
Lucas Oil Chili Bowl Nationals, one of the biggest dirt racing events all year, every year AMA Flat Track AMERICAN SPRINT CAR SERIES ASB - AMERICAN SPRINT BOAT AUSTRALASIAN SUPERBIKE CHAMPIONSHIP BEST IN THE DESERT BRITISH F1 SIDECAR CHAMPIONSHIP DAVE DESPAIN SHOW DRAG BOAT RACING SERIES LATE MODEL DIRT SERIES MODIFIED SERIES OPTIMA - SEARCH FOR THE ULTIMATE STREET CAR PRO MOTOCROSS CHAMPIONSHIP WRC - WORLD RALLY CHAMPIONSHIP
As well as car shows like “Two Guys Garage”, “My Classic Car”, and “Chop Cut Rebuild”

USAC Racing

http://usacracing.com/2013-03-02-17-46-30/loudpedal-tv Loudpedal.tv Monthly Membership / Yearly Membership
USD 9.95/mo / USD 99.95/yr

Legend Cars/INEX

The Winter Nationals (Monday 2/15-Friday 2/19) as well as the Summer ShootOut will air on http://www.speed51.com

The International Motor Contest Association (IMCA)

imca.com / imca.tv offers Live PPV and On-Demand short track racing. Check out https://www.imca.com/view/series/ for a full list of all the racing action!

SpeedShift TV

https://www.speedshifttv.com Live and On-Demand Short Track racing.

The SCCA Solo Nationals are streaming LIVE on ustream.tv, just search for SCCA. The videos are also available on-demand after live competition has concluded.

http://www.ustream.tv/channel/sccasolo

The SCCA Runoffs are being streamed on USTREAM -

Just search for SCCA. The content is available live this week, as well as on-demand after competition has concluded each day.
http://www.ustream.tv/channel/scca-runoffs

Watch the Goodwood Revival’s Vintage Racing Live, All Weekend, Right Here -

http://blog.caranddriver.com/watch-the-goodwood-revivals-vintage-racing-live-all-weekend-right-here/
https://manifest.googlevideo.com/api/manifest/hls_variant/pmbypass/yes/source/yt_live_broadcast/upn/pYI7ILbRIt8/expire/1442098020/signature/E3EB32F7D3A9D7D062CDCFBF51DFE18FA75C4ECB.AC1C42FF7D427CB4E0C30D81BA25E5EDE6FAACF1/id/t4sGzQKKzVc.3/fexp/9407060%2C9408710%2C9409069%2C9415365%2C9415485%2C9416023%2C9416126%2C9417707%2C9418153%2C9418448%2C9420348/gcus/sve3/itag/0/sparams/gcr%2Cid%2Cip%2Cipbits%2Citag%2Cmaudio%2Cplaylist_type%2Cpmbypass%2Csource%2Cexpire/ip/98.170.220.166/key/yt5/ipbits/0/maudio/1/playlist_type/DVfile/index.m3u8

24Hrs of LeMons

http://www.roadkill.com/watch-24-hours-lemons-live-sonoma-raceway-weekend/
http://www.youtube.com/use24hoursoflemons/videos

List of online/streaming motorsports content providers

Speed51 - http://speed51.com/racing-videos/
Race22 - http://race22.com/category/videos/
Lucas Oil Racing - http://www.lucasoilracing.tv.
Motor Trend - http://www.motortrendondemand.com/motorsport/?utm_source=Twitter&utm_medium=social&utm_content=Con2-FolKW--T1&utm_campaign=TW_Content
Fans Choice TV - http://www.fanschoice.tv

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