10 Most Beautiful Female Pornstars in the World (2020)

(2020) Invisible Man 9/10
This remake, simply put, is excellent. I’m a huge fan of Leigh Whannell and while I do think the story itself is fantastic, it’s his directing that blew me away. This movie is so fucking tense without showing anything for a huge majority of its runtime. When shit actually starts to go down, it’s the definition of thrilling. Elisabeth Moss killed her role.
(2020) The Rental 8/10
The meat and bones of this movie is a character driven drama story. It’s tense and having so much knowledge right away as the viewer that the characters don’t have is frankly anxiety inducing, in a good way. I thought all four main performances were fantastic, especially Sheila Vand. There’s a moment in the film where everything is abruptly subverted in a grand horror fashion and depending on your tastes, that may be off-putting. To me, it was absolutely genius. Dave Franco directed the fuck out of this movie and eliminated all the comfort of campiness that great slashers usually hold.
(2020) Relic 8/10
Robyn Nevin is fantastic here and all the supporting roles are great but not only does this woman make the movie, she is the movie. Her dialogue, her delivery and her body language, at least to me, are a huge chunk of the entire plot. I just found this movie to be gentle until it isn’t, which makes for the most tense moments. It’s a very claustrophobic film; I think it does justice to a very serious and frightening illness.
(2020) Palm Springs 8/10
It doesn’t take long to catch on that, while this is a romantic comedy, it’s also a sci-fi horror film and a specific subset of sci-fi that makes me anxious. So in some regards, at least to genre placement, there’s my bias. The movie is seriously a treat though. It’s a new spin on an old formula and it’s genuinely funny, suspenseful and endearing. Even if you disagree that it shouldn’t be discussed in the horror circles, you won’t regret watching it.
(2020) Shirley 7/10
It’s an incredibly interesting film for many reasons but mostly because it exists as a biopic, as well as a psychological horror film. Jackson is played Elisabeth Moss who is just wonderful. She really brought to life the internal struggle of Jackson. I’d suggest doing some research before diving into this because her profession during the time period was not glamorous or widely accepted, which gives context to, well, everything.
(2020) Becky 8/10
Kevin James was fantastic. He’s a sadistic fuck in this movie. But he doesn’t deserve all the credit and the writers don’t either. I’m going to highlight Greta Zozula here. The most powerful moments in this entire film were purely cinematography based. Melanie Garros and Jenn McGouran deserve a shoutout as well. This was a cookie-cutter home invasion film at its core and these people, among others, made it one of my favorite home invasion films of the decade. Alissa Gee deserves recognition too for creating the most disgusting moment I’ve seen in a minute.
(2019) Parasite 9/10
This film is most obviously on-the-nose but in the same breath, so incredibly impactful. I can’t even describe the seamless transition from black comedy to horror. It’s a heartbreaking view on classism and poverty while also just being a thrilling experience. Every single performance is remarkable and natural. I’m not even sure what else to say without spoiling it. This film isn’t just specific to Asian culture but very relevant to anyone feeling that they’re in a rut.
(2019) Villains 8/10
The premise is sort of simple but the horror is in the details. i loved how everything played out and I thought all four main actors did an incredible job. Everything was super convincing which had me invested and tense. There’s a scene at the end, despite the movies dark, comedic aspects, that was really sweet and very climactic.
(2019) Swallow 9/10
Haley Bennett delivers a heartbreaking performance with a powerful but melancholy ending. The narrative itself is twisted and sadistic. This film make me anxious, depressed and in the end, I’m not sure it offered much reprieve. I loved this film but I’d caution anyone going through mental trauma to venture cautiously into it. It doesn’t promote anything negative but the subject matter can be difficult.
(2019) Nimic 8/10
When I googled the name of this film it gave me the Romanian translation of “nothing” but also, “everything”. For a 10-minute short it offers so much. It felt like a powerfully dark statement about performance in general.
(2019) The Head Hunter 9/10
This was one of the most creative, restrained yet somehow absolutely insane movies I’ve seen all year. I’m absolutely blown away. The exposition is limited and told so refreshingly through almost entirely visuals. It’s caused many viewers frustrations but for me, it was absolutely the best aspect. That’s saying a lot because visually, stylistically, it’s fucking remarkable. I’ve heard people say this movie is boring and to me, there’s not a dull moment throughout the entire film, not a single wasted shot. It’s thrilling, dark, gritty, campy at times and embodies this identity that’s both somehow fluid and refined. It feels like an arthouse film in its minimalism but avoids any pretentiousness you may associate with that sub-genre. Jordan Downey has done some intentionally so-bad-it’s good movies in the past and he clearly wanted to still reference those aspects through some of his shlocky, 50’s horror inspirations in here; especially Fiend Without a Face. That’s a creative decision that will turn a lot of people off but I just really appreciated it and it made the actual watching experience so incredibly fun.
(2019) The Lighthouse 9.5/10
This film is among the few that I felt compelled to watch it again almost immediately. It’s so incredibly rich in every aspect that can make a movie successful. The visuals are jaw-dropping; almost every single frame of this film is photographic. The soundtrack is stripped down to just these haunting sounds of fog horns and piss buckets. The package everything is delivered in, from an artistic standpoint, is so memorable. The performances by Pattinson and Dafoe are both some of the best I’ve seen this entire year and really, the decade…possibly of all time. They deliver this brilliant script’s dialogue with such passion, humor and intensity. The story in this film is shrouded in mystery but the clues and tools needed to decipher it do exist and with a rewatch, finding them felt so rewarding. It’s the kind of movie that I want to make my friends watch, simply so I have someone to discuss it with. It’s one of the best horror films I’ve ever seen.
(2019) I Trapped the Devil 7/10
This one is a bit of a slow-burn but I felt the tension from beginning to end so none of it felt like a blind investment. It had the potential to be another, cookie-cutter, pretentious statement but what I found it to be was simply a well-crafted horror film.
(2019) Pet Sematary 7.5/10
The original film was entertaining to me but I felt it was also dated and a bit too unintentionally silly for my tastes. So going into this, I was hoping for a darker, more serious film and I’m happy to say, that’s what I got.
(2019) Guns Akimbo 7.5/10
This is non-stop gory action, an absurd story and an insane performance by Radcliffe, who I’m such a big fan of at this point. The best part? It’s genuinely, laugh-out-loud funny, both through physical comedy and clever dialogue.
(2019) Harpoon 7/10
I enjoyed this movie a lot and I mean “enjoyed” in every sense of the word. It was the kind of movie to stop making me think so critically about the acting and cinematography because I just find the stranded genre so fun. This movie really delivered in both dark humor and pure, unpredictability.
(2019) Annabelle Comes Home 7/10
I know that Gary Dauberman has worked closely with the series so he definitely understands Wan’s Conjuring universe’s vibe. I mean that from both a pacing and cinematography standpoint. I loved that all the possessed artifacts come into play.
(2019) Vivarium 8/10
This movie is fucking terrifying. The cast may even be too loaded because it’s the environment and Senan Jennings that makes everything so scary. The final 30 minutes of this film are a complete mindfuck and just left my jaw on the floor.
(2019) It Chapter 2 9/10
It embodies the heartfelt, character driven story of King’s novel so incredibly well. Every single performance by the adult actors is fantastic and as much as people didn’t like the overuse of humor, it felt like a natural evolution to me. Things were destined to be less scary with the adult characters coming into contact with an evil they’ve faced before. The last 30-min to me were just so touching, sad and it was the culmination I was hoping for.
(2019) Zombieland: Double Tap 7.5/10
It’s certainly a sequel as far as sequels go but I had a ton of fun with it and it was great to see this group back together. It’s a super cheesy film and I would expect some hate but the original is cheesy fun too, if even to a lesser extent.
(2019) The Color Out of Space 7/10
The entire suspense if the film is how each individual character reacts to this unknown force but Cage’s is of course the most volatile. I love the body horror and I think the entire movie is pretty goddamn exciting in that aspect. It goes so far beyond what you’d expect.
(2019) Joker 9.5/10
To have a Batman-universe film stand out this much among all the others is incredible. This film intentionally evokes almost every emotion until a raw, chilling finale. Gotham is unkempt, unstable and teetering.
(2019) Come to Daddy 7.5/10
This movie is definitely a dark comedy but it’s incredibly interesting in that, among the dark humor, is a real horror movie and a very graphic one at that.
(2019) The Lodge 9/10
The misdirects in this story are excellent and I was blown away about how well the cinematography was used to manipulate the viewer. It feels like it’s twist after twist but in reality, nothing changes and that’s the scariest aspect to the entire movie.
(2019) Home with a View of the Monster 7/10
They do a fantastic job of storytelling, switching timelines and perspectives throughout the film. It’s a technique that’s been around longer than we’ve all been alive but one that’s not easily mastered.
(2019) Ready or Not 7.5/10
It’s just a ton of fun and Samara Weaving is fantastic. There’s so much great meta-humor and the effects are top notch. I think this sub-genre of sadistic games being played has been done to death so it was a welcomed surprise to see a film do it in such a successful way.
(2019) The Platform 9.5/10
One of my favorite things about horror is that you can trace history itself through the decades, with films reflecting the current political, social and economic state around the globe. First we has Us and then another incredible film Parasite, all with similar desperate themes of class instability. Then you have The Platform, which in its pure brutalism combines horror, religion and politics to make an incredibly powerful statement.
(2019) I See You 9/10
This film consistently surprised, disappointed and impressed me throughout its runtime based purely on my own expectations. It frankly made a fool out of me.
(2019) The Vast of Night 7/10
This movie is pretty low-budget but they really worked with what they had to create this warm, throwback aesthetic that just tickled my tiny little nuts. It’s a dialogue driven, on-the-nose Twilight Zone homage and I really enjoyed it.
(2019) John Wick: Chapter 3 – Parabellum 8/10
The choreography and production is mesmerizing. This might be a Hollywood mainstream action film but the kills are powerful and fucking brutal.
(2018) Bloodline 7.5/10
Sean William Scott is a forever type casted actor but has managed to break free of that throughout the years and this is another great example of him doing just that. His performance is reserved but effective.
(2018) Gwen 8.5/10
It’s an incredibly heartbreaking story that, while exists in the folk-horror genre, subverts any and all expectations. Eleanor Worthington-Cox and Maxine Peaks carry the entire film.
(2018) Freaks 8/10
Emile Hirsch, Amanda Crew and Lexy Kolker were all great but it was Bruce Dern who blew me away. He’s such a powerful on-screen presence; just his delivery alone establishes a lot of the more horrifying elements to this film.
(2018) Overlord 8/10
I thought it would be a traditional zombie movie and the circumstances would be the twist but it was its own thing. It’s kind of difficult to describe but I think action-war-horror would be the closest thing I could pin it too. Jovan Adepo was a great fucking lead.
(2018) Monster Party 7.5/10
It’s awesome to experiment but this is a film that will appeal to almost everyone without feeling unoriginal or sold out. This is dark humor at its most enjoyable and the practical effects and gore are fucking awesome.
(2018) Pledge 7.5/10
It’s a simple premise but so well executed. I loved the ending and pretty much 95% of the creative decisions. This isn’t a bloodbath of a horror film but it’s violent as hell.
(2018) High Life 7/10
This film is a really uncomfortable watch from beginning to end. It’s filled with violent, psychosexual imagery, a disjointed narrative and cum. It ends and if you don’t outright hate it, it’s hard to explain why you like it because it’s such a rough watch. I fall in the latter category.
(2018) Possum 8/10
I love the way the story unfolds in the end, just methodically bit-by-bit until a crushing reveal. I felt for this main character and his pain seemed so real.
(2018) Wildling 8/10
Bel Powley and Liv Tyler both play very complimentary fantastic roles. There’s an extended portion of the film that’s almost uplifting and pleasantly strange, following their relationship with each other. I’m happy to say things turn sinister quickly and the last 30-minutes are a wild ride, to say the least.
(2018) The Nightingale 9.5/10
Jennifer Kent decided to put in such a universally disgusting scene that had people walking out of screenings and almost justifiably so. It’s really difficult to watch in portions. It’s just fortunate she followed it up with a masterpiece.
(2017) John Wick: Chapter 2 8/10
These assassins dance so carefully around innocent civilians that it almost comes off as a black comedy, in a great way.
(2017) My Friend Dahmer 8/10
To me, especially with Ross Lynch’s performance, it was an equally endearing and chilling film. It humanized someone who I’ve always considered to be a literal monster, which is something I don’t know how to feel about.
(2017) One Cut of the Dead 7/10
This movie is super creative and pretty fucking hilarious. It feels like a modern day Bowfinger.
(2017) Marrowbone 7.5/10
The characters portrayed are vibrant and fully realized, whether it be through substance or lack-there-of. I obviously don’t actively try and predict movies like a gameshow but this film seemed to excel in misdirect.
(2016) White Girl 8/10
It reminded me a lot of Larry Clark’s Kids but actually intelligently modernized to make a statement on these neighborhoods on the fringe of gentrification.
(2016) The Lighthouse 7.5/10
Mark Lewis Jones and Michael Jibson play their respective roles as the lighthouse keepers really well. Towards the end of the film when the story demands even more of them both, they truly deliver.
(2015) Room 9/10
Brie Larson is an incredible actress and plays this profoundly realistic character. There's moments where emotions do bubble over but most of the time, she does so much by doing so little.
(2015) Jurassic World 7.5/10
Some people will be completely turned off by some of the more absurd and out-there plot elements but I have to say, despite it being cheesy on paper, a lot of the newer sci-fi concepts just happen to work. This is bound to forever be kind of divisive but I liked it.
(2015) Tag 8.5/10
It’s like Tokyo Gore Police meets The Matrix. Sono makes a powerful statement on film media, gender oppression and interestingly enough, he doesn’t leave himself out of the lens of criticism.
(2015) The Invitation 9/10
This movie’s horror aspect is incredibly telegraphed and manipulated with these creepy violin sounds. However, Karyn Kusama’s impeccably clean cinematography and direction use all of that to its benefit.
(2014) John Wick 8/10
I saw this movie in theaters and let me just say, as a beagle owner, this may be my favorite revenge movie. Keanu Reeves is badass as shit and it was the first film in a long time to make me interested in action.
(2014) Spring 8.5/10
It feels helpless and hopeful at the same time, Benson’s script is amazing. I’ve always said that films shot in idyllic landscapes are a blank canvas for horror. There’s so much beautiful contrast.
(2014) The Treatment 7.5/10
This film is so unnerving, dark and depressing. The bones of it are structured like any crime thriller but the meat of it is pure depravity.
(2014) Clown 8/10
This is body horror and one of the better ones out there; the slow, methodical transformation throughout this movie was so effective.
(2014) The Incident 9/10
Bleak doesn’t even begin to describe this film. It’s pure nihilism, screamed loudly into the universe.
(2014) The Guest 8.5/10
I fucking love the story, Dan Stevens is fantastic and the production was cleanly executed. It’s Adam Wingard’s best film so far.
(2013) Blue Ruin 9/10
It’s a standout to me among revenge films. Macon Blair’s character isn’t some bloodthirsty ex-navy seal bent on revenge. He’s a completely broken man that’s overcome by heartbreak.
(2013) Evil Dead 7.5/10
It’s one of the few examples where a remake of a classic, near perfect movie, actually works.
(2013) Redemption 8/10
The film is shot so well, the editing and portrayal of the visuals all correspond to the ebb and flow of his characters physical and mental health.
(2013) Under the Skin 9/10
The second death in this movie is one of the most remarkably unsettling scenes I’ve witnessed to date.
(2011) The Strange Thing About the Johnsons 7/10
Astor flips child molestation on its head in a tense, sickeningly well-made film and I absolute hate it. Do not watch this movie, this will only detract from your overall happiness.
(2011) Contagion 9/10
There’s some fantastic performances by Paltrow, Law, Fishburne and quite a few others. However, it’s the research and writing of this film, the frightening scientific accuracy, that makes it so effective.
(2011) We Need to Talk About Kevin 9/10
This is probably one of the most sensitive subjects you can approach and I’m a huge fan of Lynne Ramsay. Ezra Miller has one of the most chillingly realistic performances of the decade.
(2010) Inception 9.5/10
It’s Nolan’s masterpiece in my mind and that statement isn’t to be taken lightly, as everything he’s done has felt powerful.
(2010) Buried 8/10
This is one of my favorite movies filmed all in one location. It’s tense, claustrophobic (obviously) and it feels genuinely helpless.
(2010) Skeletons 7/10
It’s a strange little film but it’s charming, smart and a refreshing take on the exorcism sub-genre.
(2009) The House of the Devil 8/10
My absolute favorite aspect of this film is the retro feel. It captured 70’s horror so incredibly well. Ti West is a talented filmmaker and this is one of my favorites by him.
(2009) Cropsey 7/10
If there was one thing I really took away from this film, it would be how society and children in particular adapt to unsolved murders.
(2009) The Loved Ones 7.5/10
It reminds of almost a modern day interpretation on The Texas Chainsaw Massacre, if the dinner scene was the entire film.
(2008) Lake Mungo 9/10
This family is so incredibly natural, real and convincing. It’s not too over the top. The horror is hidden in every frame and simultaneously interwoven with heartbreak. Despite many previous and later films attempting to do what it does, I’ve never seen anything like it.
(2007) An American Crime 7.5/10
Elliot Page is wonderful as Sylvia Likens, she just has this innocent nature to her that amplified the violent aspects of the film. I loved the editing of courtroom footage throughout the runtime, it was a constant reminder that what you’re watching actually happened, despite the theatrical nature of the film at times.
(2007) Teeth 8/10
Teeth is actually such an incredibly hard movie to review critically. The film itself, as a whole, is so many things at once. It’s a comedy, an exploitation film, a revenge film and even sort of…a slasher? I have to give respect where respect is due.
(2007) Death Sentence 7/10
This movie is so goddamn intense during the action sequences that it actual reminds me more of a Max Payne video game film adaptation. It’s so over-the-top but in a really entertaining way.
(2007) Timecrimes 8.5/10
I loved this movie when I first saw it but upon re-watching it, I can’t help but stress its influence in the time-loop horror sub-genre. Sure films like Primer definitely helped pave the way but Timecrimes really manages to focus less on the science fiction and more on the horrifying consequences that come with time travel.
(2007) Zodiac 9/10
It’s not the most violent film, it’s much more story driven but the moments of violence feel fucking powerful. The horror in this film isn’t about the serial killer, it’s really about obsession and Gyllenhaal absolutely nails his performance to bring that aspect home.
(2006) Population 436 7/10
It didn’t aim to disgust or push boundaries; it’s just a fun, creepy story with a satisfying ending.
(2006) Children of Men 9.5/10
It’s a bleak film, as bleak as they come from some perspectives but through the violence and despair is a powerful message of hope. Clive Owen’s character is as a broken as the world around him and one of my favorite character arcs of all time.
(2005) Red Eye 7/10
The setup is sinister enough, being in the confines of a plane, to warrant it being discussed as a horror but it does devolve into an action thriller, not that I’m a genre-snob. Both Cillian Murphy and Rachel McAdams are fantastic and it’s a tight knit package.
(2005) The Descent 9.5/10
It’s absolutely terrifying and top-to-bottom, one of the most effective horror movies ever made. After seeing over a thousand horror projects, this still remains one of the most intense, period.
(2005) Constantine 8.5/10
Listen, I’ve obviously never even heard about this comic but let me just say, as a standalone movie, it’s fucking awesome. It’s basically Keanu Reeves battling his way through hell, murking demons and basically just being badass as shit.
(2004) Saw 8/10
It’s one of the most creative projects of the 00’s and a project that launched Wan’s and Whannell’s career. I can safely say, the two of them haven’t had any major misses since. This movie is raw, disturbing and has a strong mystery-driven backbone that makes it iconic and endlessly re-watchable. I absolutely love it.
(2004) Hellboy 7.5/10
Listen, I’m not a fucking nerd who is all-knowing about these comics and how well they translate to film but let me tell you, this movie fucking rocks. Ron Perlman kills this role and has so much personality.
(2000) The Gift 8.5/10
Everyone here is wonderful. If I had to pick a standout though, it would be Giovanni Ribisi. His performance is so raw and emotive. The unstable nature of his character actually held up as the backbone to the mystery portion of this film, making it very much unpredictable.
(1999) The Ninth Gate 9/10
It’s two hours of a giant satanic onion being peeled back layer by layer. It’s clear that when Polanski isn’t raping children, he’s creating filmmaking masterpieces.
(1999) Deep Blue Sea 7.5/10
The science-fiction aspects may be super contrived to someone smarter than I am but the entire movie is so goddamn entertaining. I love all the characters and LL Cool J is particularly hilarious.
(1998) Pi 7.5/10
Aronofsky is challenging religion with science and mathematics and it comes together in a really insane way.
(1997) The Lost World: Jurassic Park 7/10
One scene in particular that stuck with me was the raptors in the tall grass, so aesthetically gorgeous and well-shot. It’s not a perfect movie but Goldblum and Moore are charismatic, it’s fucking action packed and the set pieces are diverse as shit. This isn’t some dialed in bullshit for a quick buck.
(1997) Men in Black 9/10
Vincent D’Onofrio was fucking incredible. The entire villain that is Edgar is one of my favorites of all time. Everything from his speech, his loose-skin and awkwardly stiff gate just really sell it.
(1996) The Craft 7.5/10
I love all the acting and characters but Fairuza Balk is probably my favorite. She’s just so eclectic and over-the-top.
(1995) Tales from the Crypt: Demon Knight 7/10
This is such a fun movie and very much in the Tales from the Crypt vein. It’s campy but super violent too; the practical effects are fucking dope. It’s kind of like Evil Dead meets From Dusk till Dawn. Billy Zane is great in it and just brings a ton of personally to the film. I even really dug the raunchy, meta-horror opening.
(1994) The Mask 7/10
Jim Carrey is his usual, hilarious, eclectic, over-the-goddamn-top self which softens the edges. There’s also a villain though and the same childish aspects don’t apply to him. As a kid, he was kind of scary actually.
(1993) Jurassic Park 9.5/10
Even just typing that title blows my mind, this movie was made in 1993 and 27 years later, it still looks better than most modern monster movies. Jurassic Park is everything. This movie is the perfect blend of horror, action, adventure and sci-fi.
(1991) Highway to Hell 7.5/10
This is an absolutely awesome 90’s horror movie. It has cameos from the entire Stiller family, even fucking Gilbert Gottfried. You also have Chad Lowe, who I truthfully didn’t even know existed. The story, set pieces and script are also all excellent. It’s darkly funny, well-paced and just a wild ride from start to finish.
(1990) The Exorcist 3 8.5/10
This movie, for a film following such an iconic movie, being a third film in a series, is just bafflingly good. The original writer of the first film is returning and his script as well as directorial product both deliver.
(1989) Indiana Jones and the Last Crusade 8/10
Indy is still Indy here, he’s fucking badass; his character and dialogue excel in this entry immensely. Not just dialogue but this film contains some of the best action choreography of the entire series, something that almost seems unfairly diminished through repetition. This movie is fucking awesome.
(1988) Akira 7.5/10
This story is one that would feel very difficult to pull off through traditional media. The level of violence and body horror would possibly be even too much for Cronenberg’s plate. The ending of this film is mind-melting.
(1988) Hellbound: Hellraiser 2 7.5/10
It’s violent, dark, disgusting and gory as fuck. It feels like a fever dream of hell. I loved the female character kind of forcing this disgusting erotic nature and it doubled down on the series soul which is the deadly allure of hell.
(1988) Vampire’s Kiss 7/10
I love American Psycho and watching this, I can see where a ton of the performance inspiration in that film came from. Cage’s body language here is so insanely expressive and probably my favorite part of the entire project. Even if you’ve seen this one before, I highly suggest a re-watch, there’s something special about it.
(1987) Fatal Attraction 7.5/10
Holy shit Glenn Close you goddamn crazy bitch, such a great performance. This movie is so incredibly and exponentially tense as it plays out. I loved Micheal Douglas and the entire film is just a reminder to never fucking cheat.
(1987) The Believers 7/10
It gets a bit absurd at certain points but the cult aspects are awesome. I also think it’s the first horror movie I’ve seen specifically about Santeria. It’s not perfect but it stuck with me.
(1987) The Lost Boys 8/10
Joel Schumacher’s The Lost Boys is so indicative of 80’s horror that it could very well be the face of the decade itself. The one-liners, the practical effects, aesthetics and story are all just wonderful. I’m not sure what else to say, this movie feels like a warm blanket to me.
(1986) Little Shop of Horrors 8/10
Rick Moranis is as goofy as ever and good god…the practical effects are mind-blowing. You’re watching this giant plant movie and it just melts your brain thinking about how it was accomplished.
(1986) Aliens 7/10
They exploited the action of the first film to capture a larger audience and lost what made Alien such an effective horror movie in the first place. I still like this movie because it contains my favorite heroin and monster but I’m sick of acting like the Alien series ever needed a director like Cameron. The ending is absolutely insane and bumps this up a few points for sure.
(1984) The Terminator 8/10
This movie, simply put, is badass as shit. I’m aware the series kind of progresses into more action focused territory with the sequels but the original will always be a horror movie to me. The pacing, the unstoppable force that is Arnold, it’s all thrilling as shit.
(1984) Indiana Jones and the Temple of Doom 8/10
I think it’s a scary movie and a really dark turn in the trilogy. There are quirky aspects of it character wise that are kind of goofy but playful. Overall though, goddamn dude, these set pieces are amazing.
(1984) Friday the 13th: The Final Chapter 7/10
Jason is super fucking powerful here; he moves quickly, intelligently and is able to drive the suspense of the movie. The success is greatly attributed to a solid performance by Crispin Glover but more importantly, Corey Feldman. I know Corey gets a lot of shit these days but he was an eclectic child actor.
(1981) Raiders of the Lost Ark 9/10
Raiders of the Lost Arc is such an important movie to me. It helped open my eyes to darker content as a child, for better or worse. Everything that could ever be said about this film has been said, I’m just here to show my appreciation.
(1980) City of the Living Dead 8/10
This movie is batshit insane in the best way possible. It’s ultra-gory, tons of crazy impressive practical effects which are very much Fulci in style. The narrative is a bit confusing but I think, or hope at least, intentionally so.
(1980) The Ninth Configuration 7/10
The Ninth Configuration, while still representing William Peter Blatty’s struggle with religion, is tonally very different from The Exorcist. It’s a tedious, slow, detail oriented, character driven film that exceeds so well because of great writing.
(1979) Nosferatu the Vampire 8/10
This film not only embodies and celebrates the original in terms of structure as well as substance, but in its restrained filmmaking methods; its ability to let shots live without intervention. It’s atmospheric, well-trimmed and just an all-around, exceptional film. Klaus Kinsi as Nosferatu is perfect.
(1979) The Amityville Horror 7/10
I like James Brolin’s character, he’s odd and the axe sharpening is somewhat iconic. The film has both pacing issues as well as dialogue issues. With that being said though, the finale in sinister as fuck and really brings life, quite literally, to this evil house.
(1979) Alien 9.5/10
My love for this single film transcends my love for the genre itself. Ridley Scott pulled off an absolute masterpiece and despite having watched it 25 times, I still cannot comprehend how a film of this quality was pulled off in 1979. It’s as close as perfection can be.
(1978) Dawn of the Dead 8/10
Obviously at first glance you can tell this is a really lengthy film at over 2-hours long. However, the pacing is actually my favorite part. Romero really builds up to the climax slowly and lets you linger in his world for such a long time that it becomes fleshed out through pure exposure.
(1978) Slave to the Cannibal God 7/10
I love the visuals, the story and Ursula Andress’ great big dirty milkers. It’s a wonderful, sleazy little exploitation film. The audio is also fantastic; I just love the way this film is edited all around.
(1977) Shock Waves 7/10
Peter Cushing is awesome and I really liked Brooke Adams as well. Despite the cheesy premise though, this film is dark and moody. The tension and action really builds throughout the film and with the atmospheric nature, you kind of forget the ridiculousness of it all.
(1975) Satanico Pandemonium 7/10
This is a pretty great, atmospheric, old-school exploitation film. It dives right into the temptations of sex and the devil among this convent. It gets pretty fucking dark, especially for the time period, specifically for Mexican horror.
(1974) Vampyres 9/10
It’s dark, moody, sexy and offers one of the most unique vampire film experiences to date. It’s a film that makes Dennis’ idea from It’s Always Sunny in Philadelphia about a full-penetration, Dolph Lundgren crime fighting movie seem almost plausible.
(1973) Soylent Green 8/10
I loved all the concepts and details in this film. It took me a bit to get invested but once I was, real food was replaced with gold in my brain watching the plot play out. Charlton Heston did a great job of bringing life to this fictional universe as well through his dynamic and invested performance.
(1973) The Crazies 7/10
There’s this great scene with this old lady knitting that I just adore. The innocent and violent clash in such an effective way. Obviously the horror aspects in that scene, as well as the virus itself are very fictional. The government response though, seems almost plausible, considering how they’re currently handling Covid-19.
(1972) Horror Express 8/10
It’s genuinely creepy to this day and the storyline is ambitious as fuck. I’d be hard-pressed to say it’s not one of the better horror-sci-fis of the 70’s and that category includes some great fucking films.
(1968) Even the Wind is Afraid 8/10
Coming over a decade before Suspiria, I can’t but feel, despite how unknown this film is, how influential it was to the genre. The story is great; it’s not super violent or anything and when they do show anything, it’s so well built up. It’s either a reveal at either peak tension or the opposite, when it’s least expected.
(1967) Our Mother’s House 8/10
Jack Clayton, simply for directing The Innocents, is one of my favorite directors. He manages to capture super poignant emotional moments unlike no one else. We have some great modern directors working today that do the same but in terms of 1960's horror, it was harder to come by.
(1967) Violated Angels 7/10
It’s actually based on an American case, about a man Richard Speck who broke into a hospital in 1966, raped and murdered eight nurses. The cinematography is startling cold. The dialogue is profound and helpless. This has to be up there with the most cynically sexualized piece of exploitation cinema.
(1964) Lady in a Cage 7.5/10
It’s a really great little thriller with a solid performance by Olivia de Havilland and also James Caan. I think this movie captures such a helpless nature really well.
(1964) The Last Man on Earth 7.5/10
I loved this movie. It’s actually one of my favorite Price films, which at least for me, is a bold statement. His films tend to have this warm, campy feel to them but this one actually felt pretty dark and desolate. It still contains those less-serious scenes and bits of dialogue but the writing and ideas themselves feel like a huge leap forward for the horror genre.
(1960) The Virgin Spring 9/10
This is clearly the inspiration for The Last House on the Left and while I appreciate that film immensely, it didn’t evoke the same emotions this one did. The cinematography, per-Bergman, is impeccable.
(1958) The Fly 7.5/10
The plot is actually non-linear and the first half is my favorite. Patricia Owens plays up the paranoia of her character incredibly well and I was actually really happy to see Price in a supporting role.
(1956) Forbidden Planet 8/10
I personally think it’s one of the best sci-fi films of the decade. I know I’m going to get chirped for saying this but there’s even a scene towards the end that I believe could have inspired the tesseract in Interstellar.
(1935) The Black Room 7/10
This is another Universal horror film starring Karloff, directed by Roy Neill. It presents itself with the usual, tight-knit flair you may have come to expect but it somehow has seen much less recognition than any of the major monster movies. I really liked this movie.
(1932) The Old Dark House 8/10
This is also Karloff’s best look to date. I mean seriously, his performance is pretty muted and mostly expressed in body language but he has the same screen presence as Mickey Rourke.

CHRISTMAS SPECIAL - LAST CHRISTMAS - 9/10
We had so many Christmas specials in concession for a while when they kept splitting up the episodes that it feels like it’s been ages since the last one. It’s Peter Capaldi’s first real Christmas special as the Doctor, Clara is still around and Santa Claus has landed on her roof. Nick Frost is brilliantly silly as Santa and it’s a funny contrast with the Doctor’s cynicism, like how he refused to believe Robin Hood was really real. Clara rejoins the Doctor for an adventure to the North Pole where a space station has been invaded by Face Huggers, monsters that put you into a dream whilst they eat your brain. They have a super creepy beetle-like design and feel kind of similar to the beetle from “Turn Left” with the clicky noise they make and the dreamworld they put you in.
Since the backdrop of the episode is the Doctor and Clara lying to each other about finding happiness whilst actually being alone and sad, it was inevitable that Clara would get put into a dreamworld by one of the Face Huggers. We get a final appearance of Danny though just as an idealised version of Clara's imagination. The bit with Clara and the chalk board was very creepy, the sound editing was really great with the faint sound of the Doctor saying the words as they appeared. The lighting in this episode was also really beautiful, from Clara’s Christmas decorated house to the cold clinical space station.
It’s a very Inception-based episode and I guessed quite early the space station was a dream itself. The sad moment of realisation when reading the textbooks being inter-cut with Santa Claus saying weird stuff like calling himself “sweet papa Crimbo” feels like something that shouldn’t work but just does and I can’t really explain why. Maybe just because Nick Frost feels like he was meant to play this part (I mean he is called Nick Frost!) Santa rides everyone around on his sleigh, and even the Doctor is smiling and laughing and having a go at riding it. It felt so weird to see him smiling I thought it was gonna be a whole other dream. The little tidbit of the Doctor waking up on a volcano planet not getting an explanation was funny, just one of the things he does when Clara’s not around.
The Doctor makes it back to save Clara but she’s been sleeping for 60 years and is now an old lady. It’s like the opposite of “The Girl Who Waited” in Clara’s acceptance. I think it’s interesting how Amy had a sort of blind love and admiration for the Doctor yet got the most angry with him, whereas Clara is much more pragmatic and cynical with the Doctor but takes his perspective into account much more. The whole moment with the Doctor and old Clara saying goodbye was very sweet and felt like Clara’s end, but then it was all another dream and she got to run off with him again. As they’re leaving a tangerine is waiting on the windowsill. Does that mean they’re still in a dream or just that Santa Claus is actually real? I like to believe the latter.
EPISODE 1 - THE MAGICIAN’S APPRENTICE - 8/10
Clara’s staying, but she’s still balancing Doctor life with school teaching life. The Doctor seems to be having little adventures of his own whilst she’s away, and in one of them ends up trying to save a little boy stuck in a hand mine. The hands coming out of the ground are unnerving, but the eyes on them make them a little less scary and more silly. The whole location of the battlefield is designed really well, they get the atmosphere really right. Then the little boy telling the Doctor his name is Davros, I really wasn’t expecting that!
All the planes in the sky have frozen and it’s all a lure from Missy to recruit Clara. I love her reintroduction through “Hey Missy”. I’m not sure if it’s just the planes that are frozen or the people inside are too, honestly I think it would be kinder if they were frozen too - imagine being conscious and moving around in a plane frozen still with no way out and not knowing if it could just fall from the sky at any moment. I guess it’s very in-keeping with the Master to do something so silly just to get someone’s attention.
The Doctor plays the electric guitar in case anyone was in any doubt that Peter Capaldi is cool. I loved Missy getting upset at the Doctor calling Davros his arch enemy. It’s interesting how they’re building up Missy to join the Doctor’s side because I don’t really believe it at all. I am loving Missy’s interactions with Clara - it’s really testing Clara’s teaching skills having to look after the naughtiest student. I loved the reveal that they were on Skaro, the music in that moment was outstanding. I like the design of everything being white and feeling very retro and reminiscent of the TARDIS design from the classic series. It’s an interesting moral dilemma to end on, especially as the series opener. The Doctor seems a lot more reckless the more time he spends with Clara, they often seem to bring out the worst in each other. Clearly Clara and Missy aren't’ dead, my guess is a teleport like the one from “The Parting of the Ways” when Rose was teleported onto the Daleks ship during the Weakest Link.
EPISODE 2 - THE WITCH’S FAMILIAR - 9/10
Clara is forced to spend the episode as Missy’s companion, and Missy and the Doctor have very different ideas about companionship. I like that they both have an innate need to show off how smart they are by explaining everything to her like a Bond villain. Missy’s treatment of Clara is played for comedy, and it is funny like the bit when she pushes her down the hole to check how deep it is, but it says a lot about Clara that even though she sees herself as brave and reckless she still wouldn’t dare go it alone.
The Doctor steals Davros’s chair and the image of his half body lying helplessly on the floor is really disturbing and I found myself feeling sorry for him as if he’s not an evil mastermind who commits genocide. The conversation between the Doctor and Davros where the Doctor agrees to help him is delivered brilliantly by Peter Capaldi and Julian Bleach that even though I guessed Davros would betray him it was still heartbreaking. Julian Bleach did a fantastic job of conveying so much emotion through heavy prosthetics.
Missy converting Clara into a Dalek was a nice callback to when she was Oswin in “Asylum of the Daleks”. The Doctor’s confrontation with Dalek Clara just after he’s been betrayed by Davros, coupled with Missy’s insistence in killing her, was really heartbreaking. Jenna Coleman does a great job this episode playing the quiet role, in an episode filled with big characters and performances, she doesn’t ham it up and try to match them but keeps it quiet and real and elevates a very heartbreaking moment. It’s moments like this which remind us we’re not actually supposed to root for Missy despite how entertaining she is. Then we end by returning to the battlefield and the Doctor saving little boy Davros, thus cementing him as a morally sound character. It’s an interesting note that during a story that focuses on three massive characters, the Doctor, Missy and Davros, what eventually separates the Doctor from them is that he will always remain a good person despite what he’s been through.
EPISODE 3 - UNDER THE LAKE - 9/10
The Doctor and Clara turn up on an underwater base in typical Doctor Who fashion. I adored the shot when the TARDIS landed and you could see inside the TARDIS through the open door. The show has come a LONG way since the graphics in “Rose”. Then they come across some ghosts - I like the design of the typically slightly see-through and floating quality ghosts. The ghosts lead them to a ship with markings on the wall and it seems the ghosts are only able to harm you once you’ve seen it, sort of like the videotape from “The Ring”.
The Doctor and Clara join the team working on the base and we get an excellent crew of supporting characters that have just enough individuality without being overdeveloped and distracting. I particularly like Cass (a deaf actor playing a deaf character - amazing) because she’s written as a strong female character in a way that makes sense for the context of the story and without being a cliche on “strong female character”. I liked the Doctor’s flashcards helping him show empathy (and Clara writing them out for him in true teacher fashion). Capaldi’s Doctor feels the most alien of all the Doctors, he doesn’t just click right into knowing everything about human interaction the way the others often did. As much as I liked David Tennant he could often feel more like a very smart human, a Sherlock Holmes type, than an alien from another planet.
The ghosts are starting to pick people off, who then appear as new ghosts, but are killing them in human ways which is interesting - they’re not dangerous because of some power they have like the Daleks and Cybermen have built-in guns, they just want to kill everyone and use very human ways. I liked the sequence of trying to trap the ghosts, even if for some reason none of them considered the gang of ghosts might split up. The Doctor and Clara get separated and Clara gets another crack at her favourite pastime of playing Doctor, despite the Doctor’s warning about that near the start of the episode. Clara’s becoming a bit of an adrenaline junkie, more so than the Doctor has been at times, something that’s been building up in her since maybe even before Danny died.
The episode ends on a cliffhanger when the Doctor’s ghost appears, and we’re getting another two-parter story. We’ve gone the opposite from the last series when we got mostly single episodes and one two-part finale. I liked the design of the underwater base; the creaking submarine sounds and the aquarium-like windows. It seems like the people who turned into ghosts aren’t really dead since the Doctor is now one, but then we haven’t seen the Doctor’s dead body so maybe that’s the twist.
EPISODE 4 - BEFORE THE FLOOD - 9/10
Peter Capaldi starts the episode talking to the camera, like in “Listen”, it’s like when Clara’s not around he walks around giving lectures to himself. I like that they’re exploring the Bootstrap Paradox directly, I wonder if this is in direct response to people criticising it in past episodes. Peter Capaldi plays the electric guitar again, I like that this is kind of his version of fish fingers and custard. We get two stories running parallel yet in different times, in one Clara and her companions Cass and Lunn keep an eye on the ghosts in the base, whilst the Doctor and his companions O’Donnell and Bennett explore the village before it was flooded. We get the return of the alien previously played by David Williams in “The God Complex” (though utilised much better here).
The Doctor’s compassion is questioned again, after the flashcards last episode, when O’Donnell is killed by the Fisher King and Bennett points out the long-running trope of the Doctor showing little remorse for victims until his companion may become one. Cass and Lunn call out Clara similarly back on the base. It feels like Clara is slowly falling into what Jackie predicted would happen to Rose back in “Army o fGhosts”, the more she tries to emulate the Doctor the more she loses herself and her humanity. The Doctor has a confrontation with the Fisher King culminating in the flooding of the village that began the whole story. The Fisher King is quite boring in design really, probably the weakest part of the episode. The Doctor ghost is solved with a hologram quite predictably, but the central idea of the episode being the Bootstrap Paradox isn’t really answered - but I like that, it’s a paradox because it can’t be explained rationally.
EPISODE 5 - THE GIRL WHO DIED - 6/10
Doctor Who finally does Vikings, and it feels very Horrible Histories at times - the physical comedy in particular. The setting of a Viking village, what could have been a dark insight into medieval history, becomes a silly parody - similar to the Pirates in “The Curse of the Black Spot”, it’s not so much that it’s bad, just wasted potential for something better. Maisie Williams guest stars as Ashildr, a young girl with more natural talent than all the adults (not typecast at all). She has an exceptional talent for making puppets (?) and uses it to defeat robot Vikings that are attacking her village.
Ashildr is killed in battle, but the Doctor uses a device to grant her immortality (a device never seen before used to fix the whole problem, sort of like concluding the Astronaut storyline in Series 6 with a Teselecta only introduced a few episodes before). I get the point being he feels guilty over her death but he’s felt guilty about many before but not granted them immortality, what makes Ashildr so special other than that she’s played by Maisie Williams?
The standouts of the episode are the small emotions beats - the Doctor translating the baby crying as it sensing danger coupled with Clara knowing the Doctor has decided to stay and help because the baby has stopped crying. Then the big moment of the Doctor realising why he regenerated into a face he’s already met. It’s such a sad parallel how Donna affected the Doctor so much that two regenerations later he is still affected by her so deeply, whilst she remembers nothing of her time with him and will never know how important she was for him. It’s also interesting how it parallels Clara’s journey into trying to becoming more like the Doctor, and that the more she tries to be like him the more she loses some of that humanity when it’s that very humanity of Donna that has stuck with the Doctor all these years.
EPISODE 6 - THE WOMAN WHO LIVED - 4/10
We’re getting a follow-up to the implications the Doctor set up in “The Girl Who Died”. We find the Doctor in a moment he’s gone travelling whilst Clara is out school teaching (Clara must really love being a teacher to continue going back to it when she could spend all her time travelling, especially after moments like in “Under the Lake” where she says out loud how she’s itching for adventures). The Doctor runs into Ashildr again, but so far down the line she no longer remembers the person she once was and now refers to herself as “Me”. I get the idea behind calling herself “Me” but I think it’s pretty stupid, just pick another name if you don’t like that one.
What’s frustrating about this episode is the potential of exploring the consequences of immortality and being a message about savouring being alive. It’s in there somewhere but gets lost with the weird lion alien. I think part of the annoyance is it kept making me think of Jack. I know he got a spin-off with Torchwood which I assume dealt with similar issues of his immortality, but this episode could have worked better had it been explored through Jack instead - a character we’ve grown to care for instead of told to care for. It was touched on briefly when Jack returned in “Utopia” but never really brought up again, mainly just used as a plot device.
EPISODE 7 - THE ZYGON INVASION - 9/10
We’re getting a follow-up to the events of “The Day of the Doctor” starting with Osgood, the Doctor Who fan turned Doctor Who character. It’s interesting to see the aftermath of a big story like the 50th anniversary, and something that as far as I can remember hasn’t been done before. I’ve seen pictures of the Zygons in the classic series and I enjoy the mix of maintaining their original design integrated with a bigger budget and talent for effects that really elevate them. Also, I loved the bit of the Doctor posing like a rockstar outside the plane.
Just a small moment but I loved the bit where Clara knows Truth or Consequences is in New Mexico because she used to memorise Trivial Pursuit answers. It’s an interesting point that even the Zygons don't know they’re not the people when they get so immersed, more like Jennifer in “The Rebel Flesh” than the bad Sontaran clone of Martha. It becomes quite obvious Clara is a Zygon impersonator about midway through the episode, partly because of some quite obvious hints but partly because she seems much more calmer than usual.
I like the American-style music when they arrive in New Mexico. The location of the episode is fantastic, I don’t know where they filmed it but it looks a bit like the places they used to film old Westerns. The Zygon's emotional manipulation when luring the soldiers with the promise of seeing their families so cruel, and the soldier in that scene and all the supporting cast in this episode deliver great performances.
EPISODE 8 - THE ZYGON INVERSION - 10/10
Clara is stuck in a dreamworld similar to “Last Christmas” whilst a Zygon impersonates her. Clara’s close watch of the Doctor comes in handy when she figures out she can control her Zygon clone. I like the moments of Osgood coming up with the plan before the Doctor. It’s like just being around the Doctor makes people want to be like him, it reminds me of something Rory once said, I can’t remember which episode, about the Doctor making people want to impress him. The Doctor and Osgood make a good team, especially the bit when she gets scared of his smile. It feels really unnerving any time he lets his guard down enough to let someone see him happy.
The whole story of alien invasion leads up to one long fabulous scene of confrontation between the Doctor, Kate and Bonnie the Zygon. Peter Capaldi perfectly delivers a speech that correlates the human and Zygon battle to real world politics of war. It’s perfectly written and even more perfectly delivered by Capaldi, One of the deepest and most important moments Doctor Who, an often silly science-fiction show, has ever done.
EPISODE 9 - SLEEP NO MORE - 5/10
Doctor Who does found-footage. I’m very surprised they haven’t tried this angle before, it seems like an obvious idea to use in a Doctor Who scenario. I’m not sure about the Grunts, I understand the idea and the “symbolism” of the way they’re treated but it’s never really resolved and only a bit of a side commentary that feels slightly wasted as a concept when it could’ve been a central theme of an episode in itself. Also, I thought the Doctor was careful not to judge other cultures and worlds but he’s very critical of the Grunts’ treatment “that’s how they roll in the 38th century” in a disapproving voice as if the audience couldn’t figure out it was inhumane themselves.
There are machines that grab you and play Mr Sandman. I like the contrast of a machine that puts you to sleep playing a calming and happy song, sort of like a lullaby. It feels a little bit on the nose when we find out they’re facing “sand monsters”. The idea of monsters created from dust particles of dead skin sounds terrifying but is incredibly under-utilised and just becomes a typical Doctor Who monster instead of really trying something new.
From what I can recall this is the first episode that ended with the monsters reigning victorious and the Doctor just being like “what are you gonna do?” and trotting off again. The whole episode felt a little lacklustre because I was expecting it to be a part one since the whole series has been two parter stories, so it felt like a whole episode of build up leading to a second part that never came and left the episode feeling quite flat.
EPISODE 10 - FACE THE RAVEN - 4/10
Rigsy’s back! He was one of the best one episode guest stars from the last series, and also an interesting episode to bring back Clara’s old companion when her attempt to become the Doctor is finally coming back to bite her. Also Ashildr’s back and I’m less excited about that, she’s similarly flat, uninteresting and easily manipulated as before. The idea of the alley is a bit too much of a rip off of Diagon Alley.
It’s another story that’s a comment on social convention, but falls a little flat for various reasons. For one, Maisie Williams only looks about 12 making it feel very unrealistic that she’s taken seriously as a mayor, especially when she’s called “Mayor Me”.
The main crux of the episode is leading up to Clara trying to play Doctor one final time and it literally being the death of her. I’m glad we didn’t get some super obvious line at the start of the episode of someone being like “oh Clara trying to be like the Doctor is going to be the death of you” like I think they might have back in previous series. I do like that it was Rigsy she sacrificed herself for. It felt a little bit like an attempt to emulate the Doctor sacrificing himself to save Wild in “The End of Time”. Jenna Coleman really sold this episode despite the questionable writing. Overall, I really don’t understand why this wasn’t a two-parter. We get two single stories after all two parters, both of which I think would have been improved with more added depth. I do like the idea of Clara’s death, but the whole episode was incredibly weak. I wish they’d done this ending but in an actually good episode.
EPISODE 11 - HEAVEN SENT - 10/10
After the catastrophe that was the last episode, it turns just following Peter Capaldi around a haunted house with a camera was all the show needed to do. This whole episode is designed beautifully. I think it’s some of Steven Moffat’s best writing in ages, and feels so perfectly written for Capaldi’s Doctor. No one other than Peter Capaldi could have pulled off the absurdity so convincingly, but then again the absurdity of the episode fits so well with him that I can tell it was written around him. It makes me wish they’d done that with the other Doctors, I’d maybe argue they did somewhat with Tennant in “Midnight” when they played with and against all the quirks of Tennant’s Doctor.
Peter Capaldi sums up in this one episode why he’s become my favourite Doctor. The design of the building is also amazing, and plans on horror movie tropes without being too over-the-top. The monologuing and talking to himself could be quite cheesy but it works because it’s Capaldi, and I love how it plays into other moments like in “Listen” when he was talking to himself or in “Before the Flood” when he talked directly to the camera. The music was outstanding as well, one of the best pieces of music the show has given in a long time. I’d put it up there with the music in “Doomsday” as one of my favourite pieces.
EPISODE 12 - HELL BENT - 9/10
We’re getting a conclusion to the whole series’s arc, beginning where it all began back on Gallifrey. I love that we’re getting ties back to everything the show has done through bits like the barn. It feels like Capaldi’s Doctor had tied all the other incarnations more than any other Doctor. He feels like both a combination of other Doctors and a whole new entity entirely, and I think it’s a credit both to Moffat’s great writing and understanding of this Doctor and Capaldi’s magnificent delivery of such an intricate man. This episode links back to Clara’s interaction with a childhood Doctor in “Listen” and how a combination of past incarnations fixed the Time War back in “The Day of the Doctor”.
The Doctor, in a moment reminiscent of the Doctor’s rage at fate in “The Waters of Mars”, saves Clara at the moment of her death in “Face the Raven”. The Doctor resorting to violence and even using a gun says so much about his deterioration, and how much his solitary isolation in “Heaven Sent” affected him and made him question himself. The moment Clara discovers how long the Doctor waited for her was heartbreaking, and delivered perfectly by both Jenna Coleman and Capaldi.
And then the Doctor steals a TARDIS, again linking the whole show together. I love the Doctors moments of rage, and so deserved after everything that’s happened in just a few episodes. Then Ashildr returns I guess because Maisie Williams was on a four episode contract, and becomes Clara’s companion as the Doctor gives her the TARDIS he stole at the expense of losing all his memories or her, like a reverse of Donna’s ending. The diner TARDIS is very silly, but it’s still not the most silly thing the show has done. I like the open-ended-ness of Clara’s departure, a lot more than her death in “Face the Raven” as it felt so anticlimactic after such a boring and forgettable episode.
Jenna Coleman has been an absolute gift to this show, I think she and Catherine Tate have been the best actors on the show, perhaps because they were given some of the best material, but I don’t think it’s a coincidence that Clara and Donna are my favourite companions. Peter Capaldi continued to be amazing, he’s definitely my favourite Doctor. Capaldi and Coleman worked together so well and so effortlessly it will be hard to see him with another companion, though at least since he’s forgotten her we won’t get a whole series or him moping about her whilst mistreating his current companion like poor Martha.

Best run in terms of anything and only Male Actors
Jack Lemmon: Some Like it Hot, Mister Roberts, Three for the Show, Phffft, It Should Happen to You, Once Too Often, Cowboy, Hollywood Bronc Busters, You Can't Run Away from It, Fire Down Below, My Sister Eileen, It Happened to Jane, Operation Mad Ball, and Bell, Book and Candle.
Max von Sydow: The Seventh Seal, Miss Julie, Ingen mans kvinna, Rätten att älska, Wild Strawberries, Prästen i Uddarbo, Kvinnlig spion 503, The Magician, and Brink of Life.
Frank Sinatra: From Here to Eternity, The Man with the Golden Arm, Pal Joey, Suddenly, Double Dynamite, Meet Danny Wilson, Young at Heart, Not as a Stranger, Guys and Dolls, The Tender Trap, Meet Me in Las Vegas, High Society, Johnny Concho, Around the World in 80 Days, The Pride and the Passion, The Joker Is Wild, Kings Go Forth, Some Came Running, A Hole in the Head, and Never So Few.
Gene Kelly: Singing in the Rain, An American in Paris, Invitation to the Dance, It's Always Fair Weather, Summer Stock, It's a Big Country, Black Hand, Love Is Better Than Ever, The Devil Makes Three, Brigadoon, Seagulls Over Sorrento, Deep in My Heart, The Happy Road, Les Girls, and Marjorie Morningstar.
Ernest Borgnine: Marty, China Corsair, Vera Cruz, From Here to Eternity, Bad Day at Black Rock, The Mob, The Whistle at Eaton Falls, Treasure of the Golden Condor, The Stranger Wore a Gun, Johnny Guitar, The Bounty Hunter, Demetrius and the Gladiators, Violent Saturday, Jubal, The Catered Affair, Run for Cover, The Last Command, The Square Jungle, The Best Things in Life Are Free, The Vikings, Summer of the Seventeenth Doll, Torpedo Run, and The Rabbit Trap.
James Stewart: Bell, Book and Candle, Vertigo, Winchester '73, The Glenn Miller Story, The Man Who Knew Too Much, The Naked Spur, Rear Window, Harvey, The Greatest Show on Earth, The Man from Laramie, Strategic Air Command, Anatomy of a Murder, The Spirit of St. Louis, Bend of the River, Thunder Bay, Broken Arrow, No Highway in the Sky, The Jackpot, Carbine Williams, Night Passage, The FBI Story, and The Far Country.
Ward Bond: The Searchers, Mister Roberts, Johnny Guitar, Hondo, The Quiet Man, Singing Guns, Riding High, Wagon Master, Kiss Tomorrow Goodbye, Operation Pacific, The Great Missouri Raid, The Halliday Brand, Rio Bravo, On Dangerous Ground, Only the Valiant, Hellgate, Bullfighter and the Lady, Thunderbirds, The Moonlighter, Blowing Wild, Gypsy Colt, The Bob Mathias Story, The Long Gray Line, A Man Alone, Dakota Incident, Pillars of the Sky, The Wings of Eagles, China Doll, and Alias Jesse James.
John Wayne: The Searchers, Hondo, Rio Grande, The Quiet Man, Rio Bravo, Operation Pacific, The Wings of Eagles, Big Jim McLain, Flying Leathernecks, The Sea Chase, Trouble Along the Way, Island in the Sky, The High and the Mighty, Blood Alley, Jet Pilot, The Conqueror, Legend of the Lost, The Horse Soldiers, and The Barbarian and the Geisha.
Paul Newman: The Rack, The Silver Chalice, Somebody Up There Likes Me, The Long, Hot Summer, The Helen Morgan Story, Until They Sail, The Young Philadelphians, Rally Round the Flag, Boys!, The Left Handed Gun, and Cat on a Hot Tin Roof.
Marlon Brando: The Men, A Streetcar Named Desire, Viva Zapata!, Julius Caesar, The Wild One, On the Waterfront, Désirée, Guys and Dolls, The Teahouse of the August Moon, Sayonara, and The Young Lions.
Orson Welles: Othello, Touch of evil, Mr. Arkadin, Royal Affairs in Versailles, The Long, Hot Summer, The Vikings, High Journey, Ferry to Hong Kong, Compulsion, Masters of the Congo Jungle, South Seas Adventure, The Roots of Heaven, Napoléon, Man in the Shadow, Moby Dick, Three Cases of Murder, Trouble in the Glen, Disorder, The Black Rose, Return to Glennascaul, Little World of Don Camillo, Man, Beast and Virtue, and Trent's Last Case.
Montgomery Clift: The Big Lift, A Place in the Sun, I Confess, Indiscretion of an American Wife, From Here to Eternity, Raintree County, Lonelyhearts, The Young Lions, and Suddenly, Last Summer.
Tony Curtis: The Prince Who Was a Thief, Flesh and Fury, No Room for the Groom, Houdini, The Black Shield of Falworth, So This Is Paris, Six Bridges to Cross, The Square Jungle, Trapeze, Mister Cory, The Midnight Story, Sweet Smell of Success, The Vikings, Kings Go Forth, The Defiant Ones, Some Like It Hot, Operation Petticoat, Sierra, Winchester '73, Kansas Raiders, Forbidden, Son of Ali Baba, Meet Danny Wilson, All American, Beachhead, The Midnight Story, The Perfect Furlough, The Rawhide Years, The Purple Mask, Francis, Woman in Hiding, I Was a Shoplifter, and Johnny Dark.
James Dean: East of Eden, Has Anybody Seen My Gal?,Rebel Without a Cause, and Giant.
Kirk Douglas: Young Man With a Horn, The Glass Menagerie, Along the Great Divide, Ace in the Hole, Detective Story, The Big Sky, The Bad and the Beautiful, The Story of Three Loves, The Juggler, 20,000 Leagues Under the Sea, Man Without a Star, Lust for Life, Top Secret Affair, Gunfight at the O.K. Corral, Paths of Glory, The Vikings, Last Train from Gun Hill, and The Devil’s Disciple.
Alec Guinness: Last Holiday, The Mudlark, The Lavender Hill Mob, The Man in the White Suit, The Promoter, The Captain’s Paradise, Malta Story, The Detective, To Paris with Love, The Prison, The Ladykillers, The Swan, The Bridge on the River Kwai, All at Sea, The Horse’s Mouth, The Scapegoat, and Our Man in Havana.
Charlton Heston: Julius Caesar, Dark City, The Greatest Show on Earth, Ruby Gentry, The President’s Lady, Arrowhead, The Naked Jungle, The Private war of Major Benson, Lucy Gallant, The Ten Commandments, Touch of Evil, The Big Country, The Wreck of the Mary Deare, Ben-Hur, The Far Horizons, The Buccaneer, Three Violent People, Secret of the Incas, Bad for Each Other, The Savage, The President's Lady, and Pony Express
Rock Hudson: The Fat Man, Bend of the River, Scarlet Angel, Has Anyone Seen My Gal?, Magnificent Obsession, All that Heaven Allows, Never Say Goodbye, Giant, Written on the Wind, Something of Value, The Tarnished Angels, The Earth Is Mine, Pillow Talk, Winchester '73, Tomahawk, Horizons West, Twilight for the Gods, A Farewell to Arms, This Earth Is Mine, Captain Lightfoot, One Desire, Seminole, Bengal Brigade, Sea Devils, Gun Fury, Back to God's Country, The Golden Blade, Taza, Son of Cochise, The Lawless Breed, Peggy, The Desert Hawk, Iron Man, Here Come the Nelsons, Bright Victory, and Air Cadet.
Burt Lancaster: The Flame and the Arrow, Mister 880, Jim Thorpe—All-American, The Crimson Pirate, Come Back Little Sheba, From Here to Eternity, Apache, Vera Cruz, The Rose Tattoo, Trapeze, The Rainmaker, Gunfight at the O.K. Corral, Sweet Smell of Success, Run Silent Run Deep, The Devil’s Disciple, Ten Tall Men, South Sea Woman, and Three Sailors and a Girl.
Elvis Presley: Love Me Tender, Loving You, Jailhouse Rock, and King Creole.
William Holden: The Horse Soldiers, Sunset Boulevard, Sabrina, Stalag 17, Picnic, The Bridge on the River Kwai, Union Station, Father Is a Bachelor, Submarine Command, Born Yesterday, Force of Arms, Boots Malone, Executive Suite, Die Jungfrau auf dem Dach, The Moon Is Blue, The Bridges at Toko-Ri, Escape from Fort Bravo, Forever Female, Love Is a Many-Splendored Thing, The Country Girl, The Key, The Proud and Profane, and Toward the Unknown.
Cary Grant: An Affair to Remember, North by Northwest, The Pride and the Passion, Houseboat, To Catch a Thief, Indiscreet, Crisis, People Will Talk, Room for One More, Dream Wife, Monkey Business, Kiss Them for Me, and Operation Petticoat.
Toshiro Mifune: Samurai Trilogy, Seven Samurai, Rashomon, Throne of Blood, Scandal, The Hidden Fortress, Conduct Report on Professor Ishinaka, Engagement Ring, Elegy, Escape from Prison, Beyond Love and Hate, Pirates, Meeting of the Ghost Après-Guerre, Fog Horn, Conclusion of Kojiro Sasaki:Duel at Ganryu Island, The Life of a Horsetrader, Golden Girl, Who Knows a Woman's Heart, Vendetta for a Samurai, The Life of Oharu, Swift Current, Tokyo Sweetheart, Sword for Hire, The Man Who Came to Port, The Last Embrace, My Wonderful Yellow Car, Sunflower Girl, Eagle of the Pacific, The Black Fury, The Sound of Waves, All is Well part 1 & 2, The Merciless Boss: A Man Among Men, No Time for Tears, I Live in Fear, Rainy Night Duel, The Under World, Settlement of Love, Scoundrel, A Wife's Heart, Rebels on the High Seas, A Man in the Storm, Be Happy, These Two Lovers, A Dangerous Hero, Yagyu Secret Scrolls 1 & 2, Downtown, The Lower Depths, Holiday in Tokyo, Rickshaw Man, All About Marriage, Theater of Life, Yaji and Kita on the Road, The Three Treasures, Life of an Expert Swordsman, Boss of the Underworld, Desperado Outpost, and The Saga of the Vagabonds.
Henry Fonda: Mister Roberts, The Wrong Man, Pictura: An Adventure in Art, 12 Angry Men, Stage Struck, The Man Who Understood Women, Warlock, The Tin Star, and War and Peace
Dean Martin: Some Came Running, Rio Bravo, Career, Ten Thousand Bedrooms, The Young Lions, Little New Orleans Girl, Pardners, Hollywood or Bust, Artists and Models, Living It Up, You're Never Too Young, 3 Ring Circus, The Caddy, Road to Bali, Money from Home, Scared Stiff, The Stooge, That's My Boy, Sailor Beware, Jumping Jacks, My Friend Irma Goes West, and At War with the Army.
Anthony Perkins: The Tin Star, Friendly Persuasion, Fear Strikes Out, The Matchmaker, On the Beach, Desire Under the Elms, Green Mansions, The Actress, The Lonely Man, and This Angry Age.
Gregory Peck: Only the Valiant, Roman Holiday, Moby Dick, Captain Horatio Hornblower, Pork Chop Hill, Beloved Infidel, David and Bathsheba, The Gunfighter, Pictura: An Adventure in Art, The World in His Arms, The Snows of Kilimanjaro, Designing Woman, On the Beach, The Hidden World, The Bravados, The Big Country, Night People, Boum sur Paris, The Million Pound Note, The Man in the Gray Flannel Suit, and The Purple Plain.
Clark Gable: Mogambo, Run Silent, Run Deep, Teacher's Pet, Betrayed, Never Let Me Go, The Tall Men, Key to the City, Across the Wide Missouri, To Please a Lady, Lone Star, But Not for Me, Soldier of Fortune, The King and Four Queens, and Band of Angels.
Gary Cooper: It's a Big Country, Blowing Wild, High Noon, The Wreck of the Mary Deare, They Came to Cordura, Ten North Frederick, Love in the Afternoon, Man of the West, The Hanging Tree, Friendly Persuasion, Vera Cruz, The Court-Martial of Billy Mitchell, Garden of Evil, Springfield Rifle, Return to Paradise, Starlift, You're in the Navy Now, Distant Drums, and It's a Big Country.
Robert Mitchum: Not as a Stranger, His Kind of Woman, River of No Return, Fire Down Below, The Night of the Hunter, Macao, The Racket, Where Danger Lives, The Lusty Men, River of No Return, Angel Face, White Witch Doctor, My Forbidden Past, Second Chance, One Minute to Zero, She Couldn't Say No, Bandido, Track of the Cat, The Wonderful Country, The Hunters, Heaven Knows, Mr. Allison, The Enemy Below, Thunder Road, and The Angry Hills.
Humphrey Bogart: The African Queen, The Caine Mutiny, Road to Bali, Deadline – U.S.A., Sabrina, The Barefoot Contessa, In a Lonely Place, The Left Hand of God, Sirocco, Chain Lightning, The Enforcer, Battle Circus, We're No Angels, The Love Lottery, Beat the Devil, The Desperate Hours, and The Harder They Fall.
Sidney Poitier: Band of Angels, The Defiant Ones, Porgy and Bess, Edge of the City, Virgin Island, The Mark of the Hawk, Something of Value, No Way Out, Cry, the Beloved Country, Go Man Go, Red Ball Express, Good-bye, My Lady, and Blackboard Jungle.
Takashi Shimura: Seven Samurai, Ikiru, Rashomon, Scandal, Elegy, The Idiot, Ikari no machi, Boryōku no Machi, Ore wa yojinbo, Ma no Ogen, Shunsetsu, Tenya wanya, Ginza Sanshiro, Yoru no hibotan, Ginza Sanshiro, Ai to nikushimi no kanata e, Kedamono no yado, Mesu Inu, Aoi shinju, Nusumareta koi, Hopu-san: sarariiman no maki, Muteki, The Life of a Horsetrader, Vendetta for a Samurai, Nangoku no hada, The Life of Oharu, Bijo to touzoku, Sengoku burai, Oka wa hanazakari, Minato e kita otoko, Hoyo, Fuun senryobune, Tobō chitai, Yoru no owari, Godzilla, Taiheiyō no washi, Jirochō sangokushi: kaitō-ichi no abarenbō, Asakusa no yoru, Kimi shinitamo koto nakare, Haha no hatsukoi, Shin kurama tengu daiichi wa: Tengu shutsugen, Shin kurama tengu daini wa: Azuma-dera no ketto, Bazoku geisha, Mekura neko, Mugibue, Godzilla Raids Again, No Time for Tears, Sanjusan go sha otonashi, Shin kurama tengu daisanbu, Muttsuri Umon torimonocho, Sugata naki mokugekisha, Asagiri, Geisha Konatsu: Hitori neru yo no Konatsu, I Live in Fear, Samurai III: Duel at Ganryu Island, Shin, Heike monogatari: Yoshinaka o meguru sannin no onna, Wakai ki, Kyatsu o nigasuna, The Underworld, Godzilla, King of the Monsters!, Arakure, Narazu-mono, Tōkyō hanzai chizu, Bōkyaku no hanabira, Throne of Blood, Sanjūrokunin no jōkyaku, Kono futari ni sachi are, Yama to kawa no aru machi, Bōkyaku no hanabira: Kanketsuhen, Kiken na eiyu, Yuunagi, Dotanba, Aoi sanmyaku Shinko no maki, The Mysterians, Ohtori-jo no hanayome, Edokko matsuri, haha, Forty-seven rōnin, Seven from Edo, Ten to Sen, Uguisu-jō no hanayome, Jinsei gekijō, The Hidden Fortress, Nichiren to Mōko Daishūrai, Ken wa shitte ita, Sora kakeru hanayome, Tetsuwan tōshu Inao monogatari, Kotan no kuchibue, Taiyō ni somuku mono, Sengoku gunto-den, Kagero ezu, The Three Treasures, Beran me-e geisha, Shobushi to sono musume, and Kēdamonō no torū michi.
James Mason: 20,000 Leagues Under the Sea, A Star Is Born, The Desert Fox: The Story of Rommel, North by Northwest, Journey to the Center of the Earth, Bigger Than Life, Julius Caesar, A Touch of Larceny, The Decks Ran Red, Island in the Sun, Cry Terror!, Charade, Forever, Darling, The Desert Rats, Prince Valiant, The Man Between, The Tell-Tale Heart, Botany Bay, The Story of Three Loves, Face to Face, The Prisoner of Zenda, 5 Fingers, Lady Possessed, One Way Street, and Pandora and the Flying Dutchman.
Sterling Hayden: The Last Command, The Asphalt Jungle, The Killing, Johnny Guitar, Hellgate, The Star, Journey into Light, The Golden Hawk, Denver and Rio Grande, Flaming Feather, So Big, Flat Top, Crime Wave, Fighter Attack, Kansas Pacific, Take Me to Town, Suddenly, Naked Alibi, The Come On, Top Gun, Battle Taxi, Shotgun, Timberjack, The Eternal Sea, Arrow in the Dust, Ten Days to Tulara, 5 Steps to Danger, Crime of Passion, Valerie, Gun Battle at Monterey, Zero Hour!, Terror in a Texas Town, and The Iron Sheriff.
Harry Belafonte: Calypso, Carmen Jones, Island in the Sun, Odds Against Tomorrow, The World, the Flesh and the Devil, and Bright Road.
Laurence Olivier: Richard III, Carrie, Father's Little Dividend, The Magic Box, The Beggar's Opera, The Prince and the Showgirl, and The Devil's Disciple.
Jose Ferrer: Cyrano de Bergerac, Crisis, Anything Can Happen, Producers' Showcase: "Cyrano de Bergerac", Moulin Rouge, Miss Sadie Thompson, The Caine Mutiny, Deep in My Heart, I Accuse!, The High Cost of Loving, The Great Man, The Shrike, and The Cockleshell Heroes.
James Cagney: Mister Roberts, Run for Cover, Kiss Tomorrow Goodbye, The West Point Story, Come Fill the Cup, A Lion Is in the Streets, What Price Glory, Love Me or Leave Me, The Seven Little Foys, Tribute to a Bad Man, Man of a Thousand Faces, These Wilder Years, Never Steal Anything Small, and Shake Hands with the Devil.
Farley Granger: Strangers on a Train, Our Very Own, Side Street, Behave Yourself!, Edge of Doom, O. Henry's Full House, I Want You, The Story of Three Loves, Hans Christian Andersen, Senso, Small Town Girl, The Girl in the Red Velvet Swing, and The Naked Street.
Bing Crosby: High Society, Alias Jesse James, Say One for Me, Anything Goes, The Joker Is Wild, Man on Fire, White Christmas, The Country Girl, Road to Bali, Scared Stiff, The Greatest Show on Earth, Little Boy Lost, Just for You, Son of Paleface, Angels in the Outfield, Riding High, Here Comes the Groom, and Mr. Music.
Chishū Ryū: Tokyo Story, The Munekata Sisters, Home Sweet Home, Early Summer, Carmen Comes Home, The Flavor of Green Tea over Rice, Arashi, Twenty-Four Eyes, Early Spring, Tokyo Twilight, Rickshaw Man, Floating Weeds, and Good Morning.
Ray Milland: Three Brave Men, A Man Alone, The Girl in the Red Velvet Swing, A Woman of Distinction, A Life of Her Own, Copper Canyon, Dial M for Murder, Lisbon, The Safecracker, The River's Edge, High Flight, Something to Live For, Jamaica Run, The Thief, Close to My Heart, Rhubarb, Bugles in the Afternoon, and Night into Morning.
Alan Ladd: The Badlanders, The Big Land, Branded, Captain Carey, U.S.A, Shane, Botany Bay, Boy on a Dolphin, A Cry in the Night, The Man in the Net, Island of Lost Women, The Deep Six, The Proud Rebel, Saskatchewan, Drum Beat, The McConnell Story, Desert Legion, The Red Beret, The Black Knight, Santiago, Hell on Frisco Bay, Red Mountain, Hell Below Zero, A Sporting Oasis, The Iron Mistress, Thunder in the East, and Appointment with Danger.
Ben Johnson: Wagon Master, Shane, Rio Grande, Fort Bowie, War Drums, Slim Carter, Wild Stallion, Oklahoma!, and Rebel in Town.
Walter Brennan: Rio Bravo, A Ticket to Tomahawk, Singing Guns, Bad Day at Black Rock, The Far Country, Good-bye, My Lady, The Way to the Gold, Tammy and the Bachelor, God Is My Partner, Glory, At Gunpoint, Sea of Lost Ships, Come Next Spring, The Proud Ones, Surrender, Curtain Call at Cactus Creek, The Showdown, Return of the Texan, Best of the Badmen, The Wild Blue Yonder, Lure of the Wilderness, Along the Great Divide, Four Guns to the Border, and Drums Across the River.
Ralph Meeker: Kiss Me Deadly, Paths of Glory, Jeopardy, A Woman's Devotion, Glory Alley, Somebody Loves Me, Teresa, 4 Num Jeep, The Naked Spur, Big House, U.S.A., Run of the Arrow, The Fuzzy Pink Nightgown, Code Two, and Desert Sands.
Edmond O’Brian: The Turning Point, The Hitch-Hiker, 1984, The Girl Can't Help It, Julius Caesar, The Barefoot Contessa, The Greatest Show on Earth, Denver and Rio Grande, Pete Kelly's Blues, The Rack, The Restless and the Damned, The World Was His Jury, Sing, Boy, Sing, A Cry in the Night, The Big Land, Stopover Tokyo, Up Periscope, D-Day the Sixth of June, The Shanghai Story, Shield for Murder, China Venture, The Bigamist, Cow Country, Man in the Dark, Backfire, 711 Ocean Drive, The Admiral Was a Lady, The Redhead and the Cowboy, Between Midnight and Dawn, Silver City, Warpath, and Two of a Kind.
Lee J. Cobb: The Left Hand of God, On the Waterfront, 12 Angry Men, The Brothers Karamazov, The Man in the Gray Flannel Suit, Party Girl, The Trap, Green Mansions, But not for me, Man of the West, The Garment Jungle, Miami Expose, The Three Faces of Eve, The Racers, Day of Triumph, The Road to Denver, The Fighter, The Family Secret, Yankee Pasha, Gorilla at Large, The Man Who Cheated Himself, and The Tall Texan.
Karl Malden: Baby Doll, A Streetcar Named Desire, On the Waterfront, The Hanging Tree, I Confess, The Gunfighter, Halls of Montezuma, Where the Sidewalk Ends, Diplomatic Courier, Time Limit, The Sellout, Bombers B-52, Ruby Gentry, Phantom of the Rue Morgue, Ruby Gentry, Take the High Ground!, and Operation Secret.
Rod Steiger: The Harder They Fall, Cry Terror!, Teresa, On the Waterfront, Oklahoma!, The Big Knife, Jubal, The Court-Martial of Billy Mitchell, Al Capone, Back from Eternity, Run of the Arrow, The Unholy Wife, and Across the Bridge.
Aldo Ray: The Marrying Kind, Pat and Mike, Let's Do It Again, Battle Cry, God's Little Acre, Nightfall, The Naked and the Dead, Men in War, The Siege of Pinchgut, Three Stripes in the Sun, The Barefoot Mailman, My True Story, and Never Trust a Gambler.
Richard Conte: I'll Cry Tomorrow, The Fighter, The Sleeping City, Hollywood Story, The Raging Tide, The Raiders, The Blue Gardenia, Desert Legion, Slaves of Babylon, Highway Dragnet, New York Confidential, The Big Combo, Mask of Dust, Full of Life, The Big Tip Off, Little Red Monkey, Bengazi, Target Zero, The Brothers Rico, This Angry Age, and They Came to Cordura.
Tab Hunter: They Came to Cordura, That Kind of Woman, Gunman's Walk, Damn Yankees, Lafayette Escadrille, The Lawless, Gun Belt, The Island of Desire, Battle Cry, Track of the Cat, While We're Young, The Steel Lady, Return to Treasure Island, The Sea Chase, Fear Strikes Out, The People Against McQuade, The Burning Hills, The Girl He Left Behind, Mask for the Devil, Forbidden Area, Hans Brinker and the and Silver Skates.
Robert Ryan: Born to Be Bad, The Secret Fury, Flying Leathernecks, Hard, Fast and Beautiful, Clash by Night, On Dangerous Ground, The Racket, Horizons West, Beware, My Lovely, Bad Day at Black Rock, The Naked Spur, Best of the Badmen, Inferno, City Beneath the Sea, About Mrs. Leslie, Alaska Seas, Back from Eternity, The Tall Men, House of Bamboo, The Proud Ones, Her Twelve Men, Escape to Burma, Men in War, Odds Against Tomorrow, Lonelyhearts, Day of the Outlaw, and God's Little Acre.
Charles Laughton: Witness for the Prosecution, The Blue Veil, O. Henry's Full House, The Strange Door, Salome, Abbott and Costello Meet Captain Kidd, Young Bess, and Hobson's Choice.
Lee Marvin: Teresa, You're in the Navy Now, The Big Heat, Gorilla at Large, The Caine Mutiny, The Glory Brigade, The Stranger Wore a Gun, Bad Day at Black Rock, Gun Fury, Attack, Seven Men from Now, Raintree County, The Rack, The Missouri Traveler, Violent Saturday, I Died a Thousand Times, Not as a Stranger, A Life in the Balance, Pillars of the Sky, Shack Out on 101, The Wild One, The Raid, Down Among the Sheltering Palms, The Duel at Silver Creek, Hangman's Knot, Eight Iron Men, Seminole, Diplomatic Courier, and We're Not Married!.
Marcello Mastroianni: Lulu, It's Never Too Late, Black Feathers, Sunday Heroes, The Mute of Portici, The Most Wonderful Moment, Fathers and Sons, Sand, Love and Salt, White Nights, Girls for the Summer, The Bigamist, Piece of the Sky, Three Girls from Rome, The Eternal Chain, Il viale della speranza, Schiava del peccato, Tom Toms of Mayumba, The Island Princess, The Miller's Beautiful Wife, Too Bad She's Bad, House of Ricordi, Lucky to Be a Woman, The Law, Ferdinando I, re di Napoli, My Wife's Enemy, Everyone's in Love, Love and Troubles, Big Deal on Madonna Street, Doctor and the Healer, Chronicle of Poor Lovers, A Slice of Life, Days of Love, Sunday in August, A Tale of Five Cities, The Accusation, Tragic Return, Eager to Live, Barefoot Savage, Paris Is Always Paris, La valigia dei sogni, Against the Law, A Dog's Life, and Hearts at Sea.
Glenn Ford: The Big Heat, Blackboard Jungle, 3:10 to Yuma, Appointment in Honduras, The Violent Men, The Man from the Alamo, Plunder of the Sun, The Americano, Cowboy, Don't Go Near the Water, Trial, Jubal, The Fastest Gun Alive, Ransom!, It Started with a Kiss, The Sheepman, The Teahouse of the August Moon, Imitation General, Torpedo Run, The Gazebo, Human Desire, Interrupted Melody, The White Tower, Convicted, The Redhead and the Cowboy, The Secret of Convict Lake, The Flying Missile, Follow the Sun, The Green Glove, Young Man with Ideas, Time Bomb, and Affair in Trinidad.
Walter Matthau: The Kentuckian, Bigger Than Life, The Indian Fighter, King Creole, A Face in the Crowd, Slaughter on Tenth Avenue, Onionhead, Voice in the Mirror, and Ride a Crooked Trail.
Jeff Chandler: Broken Arrow, Female on the Beach, Deported, Away All Boats, Abbott and Costello in the Foreign Legion, The Desert Hawk, Double Crossbones, Two Flags West, Sign of the Pagan, Taza, Son of Cochise, Drango, The Tattered Dress, Pillars of the Sky, The Lady Takes a Flyer, Man in the Shadow, Jeanne Eagels, Ten Seconds to Hell, Stranger in My Arms, The Jayhawkers!, Thunder in the Sun, Raw Wind in Eden, Foxfire, The Toy Tiger, The Spoilers, East of Sumatra, Yankee Pasha, Girls in the Night, War Arrow, The Great Sioux Uprising, Iron Man, The Battle at Apache Pass, Smuggler's Island, Meet Danny Wilson, Flame of Araby, Bird of Paradise, Son of Ali Baba, Because of You, Yankee Buccaneer, and Red Ball Express.
Vincent Price: While the City Sleeps, Serenade, The Ten Commandments, Son of Sinbad, The Fly, The Vagabond King, The Baron of Arizona, Adventures of Captain Fabian, Pictura: An Adventure in Art, Champagne for Caesar, His Kind of Woman, Curtain Call at Cactus Creek, Born in Freedom: The Story of Colonel Drake, Dangerous Mission, House of Wax, The Tingler, House on Haunted Hill, The Big Circus, The Story of Mankind, Return of the Fly, The Bat, Casanova's Big Night, The Mad Magician, and The Las Vegas Story.
Joel Mccrea: Wichita, Stranger on Horseback, Stars in My Crown, The Outriders, Frenchie, Saddle Tramp, The San Francisco Story, Hollywood Story, Cattle Drive, Rough Shoot, The Oklahoman, Black Horse Canyon, The First Texan, The Lone Hand, The Tall Stranger, The Gunfight at Dodge City, Fort Massacre, Trooper Hook, Gunsight Ridge, and Cattle Empire.
Van Heflin: 3:10 to Yuma, Shane, Gunman's Walk, The Prowler, Tomahawk, Week-End with Father, South of Algiers, Tanganyika, Black Widow, Woman's World, Wings of the Hawk, The Raid, They Came to Cordura, Tempest, Patterns, Count Three and Pray, My Son John, and Battle Cry.
Fred Macmurray: Woman's World, Borderline, Pushover, The Rains of Ranchipur, At Gunpoint, There's Always Tomorrow, Quantez, Gun for a Coward, The Oregon Trail, The Shaggy Dog, Good Day for a Hanging, Face of a Fugitive, Day of the Badman, Fair Wind to Java, The Caine Mutiny, Callaway Went Thataway, A Millionaire for Christy, Never a Dull Moment, The Far Horizons, and The Moonlighter.
Zbigniew Cybulski: A Generation, Ashes and Diamonds, Wraki, Kariera, Tajemnica dzikiego szybu, Trzy starty, Krzyż Walecznych, Night Train, and The Eighth Day of the Week.
Sam Jaffe: The Asphalt Jungle, Ben-Hur, The Day the Earth Stood Still, I Can Get It for You Wholesale, The Barbarian and the Geisha, Main Street to Broadway, and Les Espions.
Richard Widmark: Panic in the Streets, Hell and High Water, Warlock, The Tunnel of Love, Pickup on South Street, Don't Bother to Knock, Halls of Montezuma, Time Limit, Night and the City, Take the High Ground!, No Way Out, O. Henry's Full House, Destination Gobi, The Frogmen, Red Skies of Montana, My Pal Gus, Backlash, A Prize of Gold, The Trap, The Law and Jake Wade, The Last Wagon, Saint Joan, Garden of Evil, The Cobweb, Run for the Sun, and Broken Lance.
Yul Brynner: The King and I, The Ten Commandments, Anastasia, The Brothers Karamazov, The Buccaneer, Solomon and Sheba, The Sound and the Fury, and The Journey.
Jack Warden: The Asphalt Jungle, From Here to Eternity, 12 Angry Men, That Kind of Woman, Darby's Rangers, The Sound and the Fury, The Bachelor Party, The Man with My Face, Red Ball Express, Run Silent, Run Deep, Edge of the City, You're in the Navy Now, and The Frogmen.
Fred Astaire: The Band Wagon, Funny Face, Silk Stockings, On the Beach, Daddy Long Legs, The Belle of New York, and Royal Wedding.
Anthony Quinn: La Strada, Viva Zapata!, Lust for Life, Wild Is the Wind, The Brave Bulls, Mask of the Avenger, The World in His Arms, Funniest Show on Earth, Fatal Desire, East of Sumatra, The Magnificent Matador, Attila, Seven Cities of Gold, The Long Wait, City Beneath the Sea, Seminole, Ride, Vaquero!, Warlock, Last Train from Gun Hill, The Black Orchid, Hot Spell, Van Gogh: Darkness Into Light, The Hunchback of Notre Dame, The Ride Back, Man from Del Rio, The Naked Street, The River's Edge, Angels of Darkness, Ulysses, Ulysses, The Brigand, and The Wild Party.
Donald O'Connor: Francis, Curtain Call at Cactus Creek, Double Crossbones, The Milkman, Francis Covers the Big Town, There's No Business Like Show Business, Anything Goes, The Buster Keaton Story, Walking My Baby Back Home, Francis Joins the WACS, Singin' in the Rain, Francis Goes to the Races, I Love Melvin, Francis Goes to West Point, Call Me Madam, and Francis in the Navy.
John Gavin: Imitation of Life, A Time to Love and a Time to Die, Quantez, Behind the High Wall, Four Girls in Town, and Raw Edge.
Richard Basehart: Fourteen Hours, Time Limit, Moby Dick, Tension, Outside the Wall, The House on Telegraph Hill, Side Street, Titanic, Avanzi di galera, Le avventure di Cartouche, The Restless and the Damned, The Brothers Karamazov, Jons und Erdme, The Intimate Stranger, Love and Troubles, Golden Vein, The Stranger's Hand, La Strada, Canyon Crossroads, Miracles of Thursday, Il bidone, Decision Before Dawn, Angels of Darkness,Fixed Bayonets!, and The Extra Day.
Arthur Kennedy: Bright Victory, Peyton Place, The Lusty Men, Trial, Impulse, The Man from Laramie, The Ten Commandments, Twilight for the Gods, The Rawhide Years, Some Came Running, Home Is the Hero, The Desperate Hours, A Summer Place, The Glass Menagerie, Bend of the River, The Girl in White, Red Mountain, Crashout, and Rancho Notorious.
Andy Griffith: A Face in the Crowd, No Time for Sergeants, and Onionhead.
George Sanders: All About Eve, King Richard and the Crusaders, Ivanhoe, I Can Get It for You Wholesale, Black Jack, Assignment – Paris!, Call Me Madam, Journey to Italy, The King's Thief, That Certain Feeling, While the City Sleeps, Never Say Goodbye, Jupiter's Darling, The Scarlet Coat, Witness to Murder, The Light Touch, Moonfleet, From the Earth to the Moon, Rock-A-Bye Baby, The Seventh Sin, The Whole Truth, That Kind of Woman, and Solomon and Sheba.
Jack Hawkins: Mandy, Angels One Five, Twice Upon a Time, Fortune Is a Woman, The Prisoner, The Intruder, The Seekers, Front Page Story, The Bridge on the River Kwai, The Man in the Sky, Ben-Hur, Gideon's Day, The Two-Headed Spy, Touch and Go, The Long Arm, Land of the Pharaohs, The Cruel Sea, The Planter's Wife, Malta Story, The Elusive Pimpernel, The Black Rose, State Secret, No Highway in the Sky, The Adventurers, and Home at Seven.
Spencer Tracy: For Defense for Freedom for Humanity, The Actress, Bad Day at Black Rock, Broken Lance, The Old Man and the Sea, Desk Set, The Mountain, The Last Hurrah, The People Against O'Hara, Plymouth Adventure, Pat and Mike, Father's Little Dividend, and Father of the Bride.
Sonny Tufts: Gift Horse, Cat-Women of the Moon, Run for the Hills, The Seven Year Itch, Serpent Island, No Escape, The Parson and the Outlaw, and Come Next Spring.
David Niven: The Moon Is Blue, Separate Tables, Happy Anniversary, Ask Any Girl, My Man Godfrey, Bonjour Tristesse, Around the World in 80 Days, The Little Hut, Oh, Men! Oh, Women!, The Birds and the Bees, The King's Thief, The Silken Affair, Happy Ever After, Carrington V.C., The Love Lottery, The Toast of New Orleans, The Lady Says No, Appointment with Venus, Soldiers Three, Happy Go Lovely, and The Elusive Pimpernel.
Off of Personal Preference Glenn Ford, Gene Kelly, and William Holden are my top three.

Here's a translation. Kind of late, but I figured I'd post it anyway in hopes that it may still be useful to someone. If I made any mistakes, please let me know and I'll fix them up, thanks!
Survey here
Please enter your game ID (friend code) (お客様のIDを教えてください)
Please enter your age (年齢を教えてください)
First option is under 10 Last option is 70 or over
Please enter your gender (性別を教えてください)

• female (女性)
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• other (その他)

Please select the prefecture you live in. Choose whichever one you want. (お住まいの都道府県を教えてください)

• Hokkaido (北海道)
• Aomori (青森県)
• Iwate (岩手県)
• Miyagi (宮城県)
• Akita (秋田県)
• Yamagata (山形県)
• Fukushima (福島県)
• Ibaraki (茨城県)
• Tochigi (栃木県)
• Gunma (群馬県)
• Saitama (埼玉県)
• Chiba (千葉県)
• Tokyo (東京都)
• Kanagawa (神奈川県)
• Niigata (新潟県)
• Toyama (富山県)
• Ishikawa (石川県)
• Fukui (福井県)
• Yamanashi (山梨県)
• Nagano (長野県)
• Gifu (岐阜県)
• Shizuoka (静岡県)
• Aichi (愛知県)
• Mie (三重県)
• Shiga (滋賀県)
• Kyoto (京都府)
• Osaka (大阪府)
• Hyogo (兵庫県)
• Nara (奈良県)
• Wakayama (和歌山県)
• Tottori (鳥取県)
• Shimane (島根県)
• Okayama (岡山県)
• Hiroshima (広島県)
• Yamaguchi (山口県)
• Tokushima (徳島県)
• Kagawa (香川県)
• Ehime (愛媛県)
• Kochi (高知県)
• Fukuoka (福岡県)
• Saga (佐賀県)
• Nagasaki (長崎県)
• Komamoto (熊本県)
• Oita (大分県)
• Miyazaki (宮崎県)
• Kagoshima (鹿児島県)
• Okinawa (沖縄県)

Please state your profession (ご職業を教えてください)

• Company Employee/Civil Servant (会社員･公務員)
• Company Executive (会社役員)
• Self-employeed/Freelance (自営業/自由業)
• Elementary or Middle Schooler (小･中学生)
• High Schooler (高校生)
• Vocational School Student/College Student (専門学生/大学生)
• Part Timer (パート/アルバイト)
• Full-time house wife/house husband (専業主婦/主夫)
• Unemployed (無職)
• Other (その他)

How long do you use a smartphone or tablet on a given day, for weekdays and holidays? (平日および休日で、1日にスマートフォン･タブレットを利用する時間を教えてください)
Weekdays (平日)

• I don't use a smartphone or tablet (スマートフォン・タブレットは利用しない)
• Under 30 minutes (30分未満)
• 30 minutes to 1 hour (30分～1時間程度)
• 1 to 2 hours (1時間～2時間程度)
• 2 to 3 hours (2時間～3時間程度)
• 3 to 4 hours (3時間～4時間程度)
• 4 to 5 hours (4時間～5時間程度)
• over 5 hours (5時間以上)

Holiday (休日)

• I don't use a smartphone or tablet (スマートフォン・タブレットは利用しない)
• Under 30 minutes (30分未満)
• 30 minutes to 1 hour (30分～1時間程度)
• 1 to 2 hours (1時間～2時間程度)
• 2 to 3 hours (2時間～3時間程度)
• 3 to 4 hours (3時間～4時間程度)
• 4 to 5 hours (4時間～5時間程度)
• over 5 hours (5時間以上)

How much do you spend on your hobbies each month? Also, within that amount, how much do you spend on smart phone games each month? (月に趣味に使う金額はいくらですか。また、そのうちスマートフォンゲームに使う金額はいくらですか)
Money you spend on hobbies (趣味に使う金額)
Within that amount, money you spend on smart phone games (そのうちゲームに使う金額)
(1 yen is about 1 cent these days, so take off two zeroes to covert roughly to dollars.)
What media or services do you normally use? Please choose all that apply. (あなたが普段利用しているメディアやサービスをすべて選んでください)

• LINE
• Twitter
• Facebook
• Instagram
• TikTok
• 17LIVE
• Other Social Network Service (その他のSNS)
• YouTube
• Youtube Live
• Nicovideo (ニコニコ動画)
• Nicovideo live streaming (ニコニコ生放送)
• ABEMA
• Mirrativ
• Netflix
• Hulu
• Amazon Prime Video
• d anime store (dアニメストア)
• GYAO!
• DAZN
• Game app (ゲームアプリ)
• Manga app (マンガアプリ)
• E-book (電子書籍)
• Music app (音楽アプリ)
• Information retrieval system (情報検索)
• Shopping site/app (ショッピングサイト・アプリ)
• Bulletin board site (掲示板（5ちゃんねるなど）)
• Game specialty news site (ゲーム専門のニュースサイト)
• Non-game news site (ゲーム以外のニュースサイト)
• Game strategy guide site (ゲーム攻略サイト)
• Summary Blog/self-run information website (まとめブログ・個人の情報サイト)
• Other (50 character limit) (その他(50字以内))

From the following magazines, please choose the ones you subscribe to. Please limit to the magazines you yourself read. (以下の雑誌のうち、あなたが今購読しているものをすべて選んでください。※ここでの購読は自分が読むために購入したものに限ります)

• Weekly Shonen Jump (週刊少年ジャンプ)
• Weekly Shonen Magazine (週刊少年マガジン)
• Weekly Shonen Champion (週刊少年チャンピオン)
• Weekly Shonen Sunday (週刊少年サンデー)
• Weekly Young Jump (週刊ヤングジャンプ)
• Weekly Young Magazine (週刊ヤングマガジン)
• Young Champion (ヤングチャンピオン)
• Monthly Shounen Magazine (月刊少年マガジン)
• Gessan (Monthly Shonen Sunday) (ゲッサン（月刊少年サンデー）)
• Monthly Shonen Gan Gan (月刊少年ガンガン)
• Monthly Bushiroad (月刊ブシロード)
• Monthly Comic Zero-Sum (月刊コミックゼロサム)
• V Jump (Vジャンプ)
• Weekly Famitsu (週刊ファミ通)
• Dengeki PlayStation (電撃PlayStation)
• Dengeki G's magazine (電撃G's magazine)
• Nintendo DREAM
• App Style (アプリスタイル)
• Comptiq (コンプティーク)
• B's-LOG
• Dragon Magazine (ドラゴンマガジン)
• Newtype（月刊ニュータイプ）
• Animage（アニメージュ）
• VOICE Newtype（ボイスニュータイプ）
• Seiyuu Animedia (声優アニメディア)
• Otomedia (オトメディア)
• Manga Time Kirara (まんがタイムきらら)
• Seiyuu GranPrix (声優グランプリ)
• Seiyuu Paradise R (声優パラダイスR)
• None in particular (特になし)

Please state which home game consoles you currently possess (現在所持している、家庭用ゲーム機を教えてください)

• PlayStation 5
• PlayStation 4 / 4 Pro
• PlayStation VR
• PlayStation Vita / PlayStation Vita TV
• Nintendo Switch / Switch Lite
• Nintendo 3DS / 2DS (ニンテンドー3DS / 2DS)
• Xbox One S / X
• Xbox Series X / S
• None (所持していない)
• Other (50 character limit) (その他(50字以内))

Currently, aside from Fate/Grand Order, please state which apps you've played in the last week. (現在、Fate/Grand Order以外で、1週間以内に遊んだアプリを教えてください)

• Idolmaster Cinderella Girls Starlight Stage (アイドルマスター シンデレラガールズ スターライトステージ)
• Azure Lane (アズールレーン)
• Ensemble Stars!! Music (あんさんぶるスターズ！！Music)
• Arknights (アークナイツ)
• WAR OF THE VISIONS Final Fantasy Brave Exvius Phantom War (WAR OF THE VISIONS ファイナルファンタジー ブレイブエクスヴィアス 幻影戦争)
• Granblue Fantasy (グランブルーファンタジー)
• Genshin Impact (原神)
• Knives Out (荒野行動-スマホ版バトロワ)
• Compass (#コンパス 戦闘摂理解析システム)
• SINoALICE ーシノアリスー
• White Cat Project (白猫プロジェクト)
• Live Commentary Powerful Pro Baseball (実況パワフルプロ野球（パワプロアプリ）)
• Disney: Twisted-Wonderland (ディズニー ツイステッドワンダーランド)
• Dolls Frontline (ドールズフロントライン)
• Dragon Quest Walk (ドラゴンクエストウォーク)
• Dragon Quest Tact (ドラゴンクエストタクト)
• Dragon Ball Legends (ドラゴンボール レジェンズ)
• Dragon Ball Z Dokkan Battle (ドラゴンボールZ ドッカンバトル)
• Seven Deadly Sins (七つの大罪 ～光と闇の交戦（グランドクロス）～)
• The Battle Cats (にゃんこ大戦争)
• Puzzle & Dragons (パズル＆ドラゴンズ)
• Bandori! Girls Band Party! (バンドリ！ ガールズバンドパーティ！)
• PUBG MOBILE
• Fire Emblem Heroes (ファイアーエムブレム ヒーローズ)
• Princess Connect! Re:Dive (プリンセスコネクト！Re:Dive (プリコネR))
• Professional Baseball Spirits A (プロ野球スピリッツA)
• Houchi Shoujo (放置少女 ～百花繚乱の萌姫たち)
• Pokémon GO
• Magia Record (マギアレコード 魔法少女まどか☆マギカ外伝)
• Mafia City (マフィア･シティ-極道風雲)
• Monster Strike (モンスターストライク)
• LINE: Disney TsumuTsumu (LINE： ディズニー ツムツム)
• Love Live! School Idol Festival All Stars (ラブライブ！スクールアイドルフェスティバル ALL STARS)
• Romancing Saga Re Universe (ロマンシング サガ リ･ユニバース)
• I don't play any other titles (他のタイトルは遊ばない)
• Other (50 character limit) (その他(50字以内))

Please state what genres of content you like (好きなコンテンツのジャンルを教えてください)

• Anime (アニメ)
• Manga (マンガ)
• Light novel (小説・ライトノベル)
• Movie (映画)
• Console game (家庭用ゲーム)
• Arcade game (アーケードゲーム)
• PC game (PCゲーム)
• Indie novel/Indie game (同人誌・同人ゲーム)
• Smart phone app (スマートフォンアプリ)
• Browser game (ブラウザゲーム)
• Other (50 character limit) (その他(50字以内))

Please state what genres of game you like (好きなゲームのジャンルを教えてください)

• Command battle RPG (コマンドバトルRPG)
• Action RPG (アクションRPG)
• Turn based RPG (ターン制のシミュレーションRPG)
• 3D dungeon RPG (3DダンジョンRPG)
• Rogue-like RPG (ローグライクRPG)
• Puzzle game (パズルゲーム)
• Action adventure game (アクションアドベンチャーゲーム)
• Text adventure game (テキストアドベンチャーゲーム)
• Fighting game (対戦格闘ゲーム)
• Rhythm game (音楽ゲーム)
• Sports game (スポーツゲーム)
• Shooting game (シューティングゲーム)
• Racing game (レーシングゲーム)
• Real time strategy game (リアルタイムストラテジーゲーム)
• First person shooter / Third Person shooter game (FPS/TPSゲーム)
• Other (50 character limit) (その他(50字以内))

From the following, please select all that apply for what you look for in a smart phone game. (あなたが、スマートフォン向けゲーム(iPhoneやiPad、Androidで遊べるゲームアプリ)に求めるものとして、あてはまるものをすべて選んでください)

• I want to relieve stress (ストレスを解消したい)
• I want to feel accomplished (達成感を味わいたい)
• I want to feel excited (ワクワクしたい)
• I want to use my head (頭を使いたい)
• I want to forget everyday life (日常の生活を忘れたい)
• I want to feel refreshed (爽快感を味わいたい)
• I want to be healed (癒やされたい)
• I want to kill time (暇をつぶしたい)
• I want to have fun with friends, acquaintances, family (友人・知人・家族と楽しみたい)
• I want to win a competition (競争に勝ちたい)
• I want to be immersed in a story (ストーリーに浸りたい)
• I want to interact with other players in game (ゲーム上で他のプレイヤーと交流したい)
• I want to be stimulated (刺激を味わいたい)
• I want to enjoy strategic gameplay (勝負の駆け引きを楽しみたい)
• I want to experience vicariously (疑似体験をしたい)
• I want to be moved (感動したい)
• I want to express myself (自分を表現したい)
• I want to feel superior (優越感を味わいたい)
• I want to be surprised (驚きたい)
• I want to experience character's charms (キャラクターの魅力に触れたい)
• I want to become an inhabitant of that world (その世界の住人になりたい)
• I want to enjoy something popular (流行りのものを楽しみたい)
• Other (50 character limit) (その他(50字以内))

How do you normally get information about Smart phone games? Please choose all that apply. (あなたが、普段スマートフォン向けゲーム(iPhoneやiPad、Androidで遊べるゲームアプリ)の情報を入手する場合、どのような方法で入手していますか。あてはまるものをすべて選んでください)

• TV (テレビ)
• Web Game Related Information Site (Web ゲーム関連情報サイト)
• Web Game Strategy Guide/Review Site (Web ゲーム攻略、レビューサイト)
• Web Bulletin board site (Web 掲示板（５ちゃんねるなど）)
• Web other (Web その他)
• SNS Twitter (timeline) (SNS Twitter（タイムライン）)
• SNS Twitter (Official account) (SNS Twitter（公式アカウント）)
• SNS LINE (Official account) (SNS LINE（公式アカウント）)
• SNS other (SNS その他)
• Video Nicovideo (game live stream) (動画 ニコニコ動画（ゲーム実況）)
• Video Nicovideo (Official live stream) (動画 ニコニコ動画（公式生放送番組）)
• Video Youtube (game live stream) (動画 YouTube（ゲーム実況）)
• Video Youtube (Official live stream) (動画 YouTube（公式生放送番組）)
• Video other (動画 その他)
• App Store Ranking list (アプリストア App StoreやGoogle Playのランキング)
• App Store Featured list (アプリストア App StoreやGoogle Playの特集)
• Publication Game related magazine (出版物 ゲーム関連情報雑誌)
• Publication other magazine (出版物 その他雑誌)
• Publication books other than magazines (出版物 雑誌以外の書籍など)
• Billboards, posters, etc. on stores (屋外の大型ビジョン、ポスターなど)
• Posters or such in train stations or in trains (駅や電車内のポスターなど)
• Word of mouth from friends or family (家族・友人からの口コミ)
• I don't really seek information (特に情報を取得しない)
• Other (50 character limit) (その他(50字以内))

From following, please select all that apply for what caused you to download a smart phone game. (あなたが、スマートフォン向けゲーム(iPhoneやiPad、Androidで遊べるゲームアプリ)をダウンロードするきっかけとして、あてはまるものをすべて選んでください)

• The game was covered by a TV show (テレビ番組で取り上げられているのを見て)
• I saw a TV commercial of it (テレビCMを見て)
• I was it was recommended on the net (ネット上でのオススメアプリやゲームなどの紹介を見て)
• I found out about it on Twitter (Twitterで知って)
• I found out about it on Facebook (Facebookで知って)
• I found out about it on LINE (LINEで知って)
• I saw someone play it on a live stream (ニコニコ動画やYouTubeなどのゲーム実況動画を見て)
• I saw an official live stream of it (ニコニコ生放送やYouTube ライブなどの公式生放送番組を見て)
• I saw it in the top of the rankings in the App Store or Google Play (App StoreやGoogle Playのランキングで上位になっているのを見て)
• I saw it in the featured list in the App Store or Google Play (App StoreやGoogle Playの特集枠で表示されているのを見て)
• I saw it was introduced in a magazine or book (雑誌や書籍で紹介されているのを見て)
• I saw a magazine ad of it (雑誌の広告を見て)
• I saw a billboard or poster of it on a building (屋外の大型ビジョンやポスターを見て)
• I saw a poster of it in a train station or in a train (駅や電車内のポスターを見て)
• I saw a friend, colleague, or family member playing it (友人・同僚・家族が遊んでいるのを見て)
• A friend, colleague, or family member invited me to try it (友人・同僚・家族と一緒にいる時に誘われて)
• I liked the original anime or manga (原作になったアニメやマンガが好きだから)
• I saw a pre-registration campaign (事前登録のキャンペーンを見て)
• I found out a celebrity is playing it (有名人が遊んでいるのを知って)
• The game is popular so I wanted to try it (流行っているゲームで遊んでみたいと思って)
• I found out that a series I like had, or will have, a collaboration event with the game (興味があるコンテンツとのコラボイベントを実施する（した）ことを知って)
• Other (50 character limit) (その他(50字以内))

Please state when you play smart phone games. (スマートフォン向けゲームを遊ぶタイミングについて教えてください。あてはまるものをすべて選んでください)

• Right after waking up (起床後すぐ)
• While eating breakfast (朝食を食べながら)
• While commuting to work / school (通勤･通学中)
• While doing chores (家事をしながら)
• During work / class (仕事中･授業中)
• While eating lunch (昼食を食べながら)
• During breaks at work / school (仕事や授業などの休憩中)
• While traveling via public transit (公共交通機関での移動中)
• While eating dinner (夕食を食べながら)
• While taking a bath (入浴中)
• Before going to sleep (就寝前)
• While watching TV (テレビ番組を見ながら)
• While watching YouTube etc. (YouTubeなどの動画配信を見ながら)
• While in the bathroom (トイレに入りながら)
• Other times when not doing anything in particular (他に何もしていないとき)
• Other (50 character limit) (その他(50字以内))

Please state the reason why you started Fate/Grand Order (Fate/Grand Orderを始めた理由を教えてください)

• I already liked the Fate series (元々Fateシリーズが好きだったので)
• I saw the official site (including pre-registration) (公式サイトを見て（事前登録含む）)
• I saw a TV commercial (テレビCMを見て)
• I watched Fate Project New Year's Eve TV Special First & Next Order (Fate Project 大晦日TVスペシャル～First & Next Order～を見て)
• I watched Fate Project New Year's Eve TV Special 2017 (Fate Project 大晦日 TVスペシャル 2017を見て)
• I watched Fate Project New Year's Eve TV Special 2018 (Fate Project 大晦日 TVスペシャル 2018を見て)
• I watched Fate Project New Year's Eve TV Special 2019 (Fate Project 大晦日 TVスペシャル 2019を見て)
• I watched Fate Project New Year's Eve TV Special 2020 (Fate Project 大晦日 TVスペシャル 2020を見て)
• I watched Fate/Grand Order THE STAGE -Camelot- (Fate/Grand Order THE STAGE -神聖円卓領域キャメロット-を観劇して)
• I watched Fate/Grand Order THE STAGE -Babylonia- (Fate/Grand Order THE STAGE -絶対魔獣戦線バビロニア-を観劇して)
• I watched Fate/Grand Order THE STAGE -Solomon- (Fate/Grand Order THE STAGE -冠位時間神殿ソロモン-を観劇して)
• I watched TV Anime Fate/Grand Order -Babylonia- (TVアニメFate/Grand Order -絶対魔獣戦線バビロニア-を見て)
• I watched Theatrical Release Fate/Grand Order -Camelot- Wandering; Agateram (劇場版Fate/Grand Order -神聖円卓領域キャメロット- Wandering; Agateramを見て)
• I played Fate/Grand Order VR feat. Mash Kyrielight (Fate/Grand Order VR feat.マシュ・キリエライトを遊んで)
• I played Fate/Grand Order Gutentag Omen (Fate/Grand Order Gutentag Omenを遊んで)
• I played Fate/Grand Order Gutentag Omen Adios (Fate/Grand Order Gutentag Omen Adiosを遊んで)
• I played Fate/Grand Order Quest (Fate/Grand Order Questを遊んで)
• I played Fate/Grand Order MyCraft Lostbelt (Fate/Grand Order MyCraft Lostbeltを遊んで)
• I played Fate/Grand Order Arcade (Fate/Grand Order Arcadeを遊んで)
• I played Capsule Servant (カプセルさーばんとを遊んで)
• I played Fate/Grand Order Waltz in the MOONLIGHT/LOSTROOM (Fate/Grand Order Waltz in the MOONLIGHT/LOSTROOMを遊んで)
• I read Manga de Wakaru! (マンガで分かる！Fate/Grand Orderを読んで)
• I watched Douga de Wakaru! (動画で分かる！Fate/Grand Orderを見て)
• I saw Fate/Grand Order channel on SmartNews (SmartNewsの「Fate/Grand Order」チャンネルを見て)
• A friend was playing it (友達が遊んでいたので)
• I saw it on app rankings (アプリのランキングで見かけて)
• I saw it was being talked about on social media (Twitter etc) (SNS（Twitterなど）で話題になっているのを見て)
• I saw a magazine article about it (雑誌の記事を見て)
• I participated in an IRL event (リアルイベントに参加して)
• I saw an official live stream of it on Nicovideo or Youtube etc (ニコニコ生放送やYouTube ライブなどの公式生放送番組を見て)
• I saw it introduced on web media (Webメディアで紹介されているのを見て)
• Other (50 character limit) (その他(50字以内))

When did you start playing Fate/Grand Order? (Fate/Grand Orderを始めたのはいつからですか)

• From service start (サービス開始から(2015年7月～))
• At or after the 2016 New Year event (January 2016~) (2016年お正月イベント以降から(2016年1月～))
• At or after the 1st anniversary event (July 2016~) (1周年記念イベント以降から(2016年7月～))
• At or after the conclusion of Solomon (January 2017~) (第1部完結後(終局特異点 冠位時間神殿 ソロモン終了後)から(2017年1月～))
• At or after the 2nd anniversary event (July 2017~) (2周年記念イベント以降から(2017年7月～))
• At or after the prologue of Part 2 (January 2018~) (第2部プロローグ開始後から(2018年1月～))
• At or after the 3rd anniversary event (July 2018~) (3周年記念イベント以降から(2018年7月～))
• At or after the 2019 New Year event (January 2019~) (2019年お正月イベント以降から(2019年1月～))
• At or after the 4th anniversary event (August 2019~) (4周年記念イベント以降から(2019年8月～))
• At or after the release of Lostbelt No.5 Atlantis (December 2019~) (第2部 第5章「Lostbelt No.5 神代巨神海洋 アトランティス 神を撃ち落とす日」 開始以降から(2019年12月～))
• At or after the release of Lostbelt No.5 Olympus (April 2020~) (第2部 第5章「Lostbelt No.5 星間都市山脈 オリュンポス 神を撃ち落とす日」 開始以降から(2020年4月～))
• At or after the 5th anniversary event (August 2020~) (5周年記念イベント以降から(2020年8月～))
• At or after the release of Lostbelt No.5.5 Heiankyou (December 2020~) (第2部 第5.5章「地獄界曼荼羅 平安京 轟雷一閃」開始以降から(2020年12月～))

How do you normally get information about Fate/Grand Order? Please choose all that apply. (Fate/Grand Orderの情報を普段どのようなメディアで入手しますか。あてはまるものをすべて選んでください)

• Official Twitter Account (公式Twitterアカウント))
• Notice from the developers (official website or in-game) (運営からのおしらせ（公式サイト・ゲーム内いずれも）)
• Official Radio Show Fate/Grand Order Chaldea Radio Station Plus (公式ラジオ番組「Fate/Grand Order カルデア・ラジオ局 Plus」)
• Manga de Wakaru! Fate/Grand Order (マンガで分かる！Fate/Grand Order)
• Douga de Wakaru! Fate/Grand Order (動画で分かる！Fate/Grand Order)
• Fate/Grand Order channel on SmartNews (SmartNewsの「Fate/Grand Order」チャンネル)
• Official LINE account (公式LINEアカウント)
• Non-official Twitter account (公式アカウント以外のTwitterアカウント)
• Facebook
• YouTube
• Nicovideo (ニコニコ動画)
• Non-official live stream (公式生放送以外の生放送)
• Bulletin board site (掲示板（5ちゃんねるなど）)
• Game information specialty magazine (ゲーム情報専門の雑誌)
• Magazine aside from game information specialty magazine (ゲーム情報専門以外の雑誌)
• Game information specialty news site (ゲーム情報専門のニュースサイト)
• Summary blog, self-run game information website (まとめブログなど、個人のゲーム情報サイト)
• Strategy guide wiki, strategy guide website (攻略Wiki・攻略サイト)
• A website aside from those mentioned above (上記以外のWebサイト)
• I don't really seek information (特に情報収集はしない)
• Other (50 character limit) (その他(50字以内))

Within the Fate series, please state your favorite works (up to 3) (Fateシリーズの中で好きな作品を教えてください(3個まで))
Game (ゲーム)

• Fate/stay night
• Fate/stay night [Realta Nua](PC、PS2、Vita、スマートフォン版)
• Fate/unlimited codes(アーケード、PS2、PSP版)
• Fate/hollow ataraxia(PC、Vita版)
• Fate/EXTRA
• Fate/EXTRA CCC
• Fate/EXTELLA(PC、Vita、PS4、Switch、スマートフォン版)
• Fate/EXTELLA LINK(PC、Vita、PS4、Switch、スマートフォン版)
• Fate/Grand Order
• Fate/Grand Order VR feat.マシュ･キリエライト
• Fate/Grand Order Arcade
• Fate/Grand Order Gutentag Omen
• Fate/Grand Order Gutentag Omen Adios
• Fate/Grand Order Quest
• Fate/Grand Order MyCraft Lostbelt
• Capsule Servant カプセルさーばんと
• Fate/Grand Order Waltz in the MOONLIGHT/LOSTROOM

Anime (アニメ)

• Fate/stay night
• Theatrical Release Fate/stay night - UNLIMITED BLADE WORKS (劇場版 Fate/stay night - UNLIMITED BLADE WORKS)
• Fate/Zero
• Fate/stay night [Unlimited Blade Works]
• Fate/Prototype
• Theatrical Release Fate/stay night [Heaven's Feel] (劇場版 Fate/stay night [Heaven's Feel])
• Fate/Apocrypha
• Fate/Grand Order -First Order-
• Fate/Grand Order -MOONLIGHT/LOSTROOM-
• Fate/EXTRA Last Encore
• Today's Menu for the Emiya Family (衛宮さんちの今日のごはん)
• Fate/kaleid liner Prisma Illya (Fate/kaleid liner プリズマ☆イリヤ)
• Theatrical Release Fate/kaleid liner Prisma Illya Oath Under Snow (劇場版 Fate/kaleid liner プリズマ☆イリヤ 雪下の誓い)
• Fate/kaleid liner Prisma Illya Prisma Phantasm (Fate/kaleid liner Prisma☆Illya プリズマ☆ファンタズム)
• Lord El-Melloi II's Case Files {Rail Zeppelin} Grace note (ロード・エルメロイⅡ世の事件簿 -魔眼蒐集列車 Grace note-)
• Fate/Grand Order Absolute Demonic Front: Babylonia (Fate/Grand Order -絶対魔獣戦線バビロニア-)
• Theatrical Release Fate/Grand Order -Camelot- Wandering; Agateram (劇場版Fate/Grand Order -神聖円卓領域キャメロット- Wandering; Agateram)

Book (書籍)

• Fate/Zero
• Fate/Apocrypha
• Fate/strange Fake
• Fate/Prototype Fragments of Sky Silver (Fate/Prototype 蒼銀のフラグメンツ)
• Fate/Prototype-Animation material-
• Fate/Labyrinth
• Fate/Requiem
• Lord El-Melloi II's Case Files (ロード・エルメロイⅡ世の事件簿)
• Lord El-Melloi II's Adventure (ロード･エルメロイⅡ世の冒険)
• FGO Mystery Murder at the KOGETSUKAN (FGOミステリー 翻る虚月館の告解 虚月館殺人事件)
• FGO Mystery Murder at the MEISOU-HOU (FGOミステリー 惑う鳴鳳荘の考察 鳴鳳荘殺人事件)
• Fate/kaleid liner Prisma Illya (Fate/kaleid liner プリズマ☆イリヤ)
• Fate/EXTRA CCC VOID LOG:BLOOM ECHO
• Fate/EXTRA MOON LOG:TYPEWRITER

Comic (コミック)

• Fate/stay night
• Fate/stay night [Heaven's Feel]
• Fate/hollow ataraxia
• Fate/Zero
• Fate/Apocrypha
• Fate/Extra (フェイト/エクストラ)
• Fate/Extra CCC (フェイト/エクストラ CCC)
• Fate/Extra CCC FoxTail (フェイト/エクストラ CCC FoxTail)
• Fate/Grand Order -turas realta-
• Fate/Grand Order -mortalis:stella-
• Fate/Grand Order -Epic of Remnant- Shinjuku (Fate/Grand Order -Epic of Remnant- 亜種特異点Ⅰ 悪性隔絶魔境 新宿 新宿幻霊事件)
• Fate/Grand Order -Epic of Remnant- Agartha (Fate/Grand Order -Epic of Remnant- 亜種特異点Ⅱ 伝承地底世界 アガルタ アガルタの女)
• Fate/Grand Order -Epic of Remnant- Shimousa (Fate/Grand Order -Epic of Remnant- 亜種特異点Ⅲ/亜種並行世界 屍山血河舞台 下総国 英霊剣豪七番勝負)
• Fate/Grand Order -Epic of Remnant- Salem (Fate/Grand Order -Epic of Remnant- 亜種特異点Ⅳ 禁忌降臨庭園 セイレム 異端なるセイレム)
• Fate/Grand Order -Epic of Remnant- SE.RA.PH (Fate/Grand Order -Epic of Remnant- 亜種特異点EX 深海電脳楽土 SE.RA.PH)
• Manga de Wakaru! Fate/Grand Order (マンガで分かる！Fate/Grand Order)
• Koha-Ace (コハエース)
• Koha-Ace GO Strange Tales of the Imperial Holy Grail (コハエースGO 帝都聖杯奇譚)
• Himuro no Tenchi Fate/school life (氷室の天地 Fate/school life)
• Today's Menu for the Emiya Family (衛宮さんちの今日のごはん)
• Fate/strange Fake
• Lord El-Melloi II's Case Files (ロード・エルメロイⅡ世の事件簿)
• Fate/kaleid liner Prisma Illya (Fate/kaleid liner プリズマ☆イリヤ)
• Fate/Grand Order Duel YA特異点 密室遊戯魔境 渋谷 渋谷決闘事件
• ALL AROUND TYPE-MOON～アーネンエルベの日常～
• Teach me FGO! The Grand Order of Great Men and Legends (教えてFGO! 偉人と神話のぐらんどおーだー)
• Fate/mahjong night 聖牌戦争
• Fate/Grand Order (something about cooking) (Fate/Grand Order 英霊食聞録)
• Fate/Grand Order From Lostbelt (Fate/Grand Order フロム ロストベルト)
• Fate/Grand Order Fujimaru Ritsuka Doesn't Get It (Fate/Grand Order 藤丸立香はわからない)
• Strange Tales of the Imperial Holy Grail Fate/type Redline (帝都聖杯奇譚 Fate/type Redline)

Board Game (ボードゲーム)

• Fate/Grand Order Duel -collection figure-
• Dominate Grail War -Fate/stay night on Board Game-

Other (50 character limit) (その他(50字以内))
Please state how satisfied you were with Theatrical Release Fate/Grand Order -Camelot- Wandering; Agateram (「劇場版Fate/Grand Order -神聖円卓領域キャメロット- Wandering; Agateram」の満足度を教えてください)

• Very satisfied (大いに満足している)
• Satisfied (満足している)
• It's all right (普通)
• Unsatisfied (不満)
• Very unsatisfied (大いに不満)
• I haven't watched it (映画を見ていない)

Please explain your answer to the above question (optional) (上記でお答えいただいた回答の理由を教えてください(任意))

• (50 character limit) (50字以内)

How often do you play Fate/Grand Order? (Fate/Grand Orderをどのくらいの頻度でプレイしますか)

• Basically every day (ほぼ毎日)
• 4 to 5 days a week (週に4～5日程度)
• 2 to 3 days a week (週に2～3日程度)
• 1 day a week (週に1日程度)
• 2 to 3 days a month (月に2～3日程度)
• 1 day a month (月に1日程度)
• Less than 1 day a month (それ以下の頻度)

Please state how long you play Fate/Grand Order in a day (Fate/Grand Orderの1日のプレイ時間を教えてください)

• I just login (ログインのみ)
• Less than 10 minutes (10分未満)
• 10 to 30 minutes (10分～30分程度)
• 30 minutes to 1 hour (30分～1時間程度)
• 1 to 2 hours (1時間～2時間程度)
• 2 to 3 hours (2時間～3時間程度)
• over 3 hours (3時間以上)

Within the main story of Fate/Grand Order, please state which story chapter is your favorite. (Fate/Grand Orderのメインクエストの中で一番好きな章を教えてください)

• Fuyuki (特異点F 炎上汚染都市 冬木)
• Orleans (第一特異点 邪竜百年戦争 オルレアン)
• Septem (第二特異点 永続狂気帝国 セプテム)
• Okeanos (第三特異点 封鎖終局四海 オケアノス)
• London (第四特異点 死界魔霧都市 ロンドン)
• E Pluribus Unum (第五特異点 北米神話大戦 イ・プルーリバス・ウナム)
• Camelot (第六特異点 神聖円卓領域 キャメロット)
• Babylonia (第七特異点 絶対魔獣戦線 バビロニア)
• Solomon (終局特異点 冠位時間神殿 ソロモン)
• Shinjuku (亜種特異点Ⅰ 悪性隔絶魔境 新宿 新宿幻霊事件)
• Agartha (亜種特異点Ⅱ 伝承地底世界 アガルタ アガルタの女)
• Shimousa (亜種特異点Ⅲ 屍山血河舞台 下総国 英霊剣豪七番勝負)
• Salem (亜種特異点Ⅳ 禁忌降臨庭園 セイレム 異端なるセイレム)
• Part 2 Prologue (第2部プロローグ「序」)
• Anastasia (Lostbelt No.1 永久凍土帝国 アナスタシア 獣国の皇女)
• Gotterdammerung (Lostbelt No.2 無間氷焔世紀 ゲッテルデメルング 消えぬ炎の快男児)
• SIN (Lostbelt No.3 人智統合真国 シン 紅の月下美人)
• Yuga Kshetra (Lostbelt No.4 創世滅亡輪廻 ユガ･クシェートラ 黒き最後の神)
• Atlantis (Lostbelt No.5 神代巨神海洋 アトランティス 神を撃ち落とす日)
• Olympus (Lostbelt No.5 星間都市山脈 オリュンポス 神を撃ち落とす日)
• Heiankyou (地獄界曼荼羅 平安京 轟雷一閃)
• None in particular (特になし)

Among the Fate/Grand Order in-game events held in 2020, please state which event was the most fun. (Fate/Grand Orderが2020年中に開催したゲーム内イベントの中で一番楽しかったイベントを教えてください。)

• Rerun: Enmatei (復刻:雀のお宿の活動日誌～閻魔亭繁盛記～ ライト版)
• Amazoness.com (救え！ アマゾネス･ドットコム ～CEOクライシス2020～)
• Valentine 2020 (バレンタイン2020 いみじかりしバレンタイン ～紫式部と５人のパリピギャル軍団～)
• Aeaean Spring Breeze (アイアイエーの春風 ～魔女と愉快な仲間と新しい冒険～)
• Chaldea Boys Collection 2020 (カルデアボーイズコレクション2020)
• Rerun: Apocrypha/Inheritance of Glory -Triumphal- (復刻版:Apocrypha/Inheritance of Glory -Triumphal-)
• Rerun: Guda Guda Final Honnouji 2019 (復刻:オール信長総進撃 ぐだぐだファイナル本能寺2019 ライト版)
• Fate/Requiem (『Fate/Requiem』盤上遊戯黙示録)
• Rerun: Las Vegas Official Bout (復刻:見参！ ラスベガス御前試合～水着剣豪七色勝負！ ライト版)
• Rerun: Ooku (復刻:徳川廻天迷宮 大奥)
• Rerun: All The Statesmen! (復刻:オール･ザ･ステイツメン! ～マンガで分かる合衆国開拓史～)
• Servant Summer Camp (サーヴァント･サマーキャンプ！ ～カルデア･スリラーナイト～)
• Dance Tournament in the Land of Shadows (影の国の舞闘会 ～ネコとバニーと聖杯戦争～)
• Guda Guda Yamataikoku 2020 (超古代新選組列伝 ぐだぐだ邪馬台国2020)
• Rerun Christmas 2019 (復刻:クリスマス2019 ナイチンゲールのクリスマス･キャロル ライト版)
• Imaginary Scramble (虚数大海戦イマジナリ･スクランブル ～ノーチラス浮上せよ～)
• Glorious Santa Road (栄光のサンタクロース･ロード ～封じられたクリスマスプレゼント～)
• None in particular (特になし)

What do you think about the story of Fate/Grand Order? Please select all that apply. (Fate/Grand Orderのシナリオについて、どのように感じますか。以下からあてはまるものをすべて選んでください。)

• The story is more interesting than expected (シナリオが期待以上に面白い)
• The story is about as interesting as expected (シナリオが期待通りの面白さである)
• The story is less interesting than expected (シナリオが期待していたよりもつまらない)
• The story has a lot of content (シナリオの量が多い)
• The story has the right amount of content (シナリオの量がちょうどよい)
• The story doesn't have a lot of content (シナリオの量が少ない)
• Please add more to the story (シナリオをもっと追加してほしい)
• The amount of additions to the story is just right (シナリオの追加量がちょうどよい)
• The story additions are plentiful (シナリオの追加が豊富)
• Other (50 character limit) その他(50字以内)

What do you think about the battles of Fate/Grand Order? Please select all that apply. (Fate/Grand Orderのバトルについて、どのように感じますか。以下からあてはまるものをすべて選んでください。)

• The battle difficulty is hard (バトルの難易度が難しい)
• The battle difficulty is just right (バトルの難易度がちょうどよい)
• The battle difficulty is easy (バトルの難易度が簡単)
• Battles take a long time (バトルにかかる時間が長い)
• Battle length is just right (バトルにかかる時間がちょうどよい)
• Battles are short (バトルにかかる時間が短い)
• The battle animations are sluggish (バトルの動作が重い)
• The battle animations are good (バトルの動作が快適)
• Other (50 character limit) (その他(50字以内))

What do you think about the number of servants in the game? Please select the answer that fits best. (Fate/Grand Orderで実装されるサーヴァントの数についてどのように感じますか。もっともあてはまるものを選んでください。)

• Not a lot (少ない)
• Kind of few (やや少ない)
• Just right (ちょうどよい)
• Kind of a lot (やや多い)
• A lot (多い)

What do you look for most in a servant? Please select all that apply. (Fate/Grand Orderで実装されるサーヴァントに求めるものは何でしょうか。以下からあてはまるものをすべて選んでください。)

• The servant participates in the main story (サーヴァントがメインストーリーで活躍すること)
• The servant participates in an event story (サーヴァントがイベントストーリーで活躍すること)
• The servant has interludes (サーヴァントの幕間の物語が充実すること)
• The servant is powerful in game (ゲーム内での性能が良いこと)
• NP animation is stylish (宝具演出が豪華であること)
• The source material is popular (原典となる存在の知名度が高いこと)
• Who the voice actor is (サーヴァントのCVを務める声優が誰であるか)
• Who the illustrator is (サーヴァントのイラストレーターが誰であるか)
• Other (50 character limit) (その他(50字以内))

What do you think about the frequency of in-game events held in Fate/Grand Order? Please choose the answer that fits bests. (Fate/Grand Orderで開催されるゲーム内イベントの開催頻度について、どのように感じますか。もっともあてはまるものを選んでください)

• Infrequent (少ない)
• Somewhat infrequent (やや少ない)
• Just right (ちょうどよい)
• Somewhat frequent (やや多い)
• Frequent (多い)

What do you think about the participation requirements of in-game events held in Fate/Grand Order? Please choose the answer that fits bests. (Fate/Grand Orderで開催されるゲーム内イベントの参加条件について、どのように感じますか。もっともあてはまるものを選んでください)

• Strict (厳しい)
• Somewhat strict (やや厳しい)
• Just right (ちょうどよい)
• Somewhat lax (やや緩い)
• Lax (緩い)

What do you think about the duration of in-game events held in Fate/Grand Order? Please choose the answer that fits bests. (Fate/Grand Orderで開催されるゲーム内イベントの開催期間について、どのように感じますか。もっともあてはまるものを選んでください)

• Long (長い)
• Somewhat long (やや長い)
• Just right (ちょうどよい)
• Somewhat short (やや短い)
• Short (短い)

What do you think about the amount of story for in-game events held in Fate/Grand Order? Please choose the answer that fits bests. (Fate/Grand Orderで開催されるゲーム内イベントのシナリオの量について、どのように感じますか。もっともあてはまるものを選んでください)

• A lot (多い)
• Somewhat much (やや多い)
• Just right (ちょうどよい)
• Somewhat little (やや少ない)
• Little (少ない)

From the following, please select all that apply for what you look for in Fate/Grand Order in-game events. (Fate/Grand Orderで開催されるゲーム内イベントに求めるものとして、あてはまるものをすべて選んでください)

• I want to enjoy a story with an atmosphere that is not present in the main story (メインストーリーにはない雰囲気のストーリーを楽しみたい)
• I want to enjoy a story with a seasonal feeling (季節感のあるストーリーを楽しみたい)
• I want to enjoy a more light-hearted story (もっと明るいストーリーを楽しみたい)
• I want to enjoy a more serious story (もっとシリアスなストーリーを楽しみたい)
• I want to enjoy a story that gives servants more character development (もっとキャラクターを掘り下げたストーリーを楽しみたい)
• I want to enjoy a story that explains in detail the world setting (もっと世界設定などを詳しく説明するストーリーを楽しみたい)
• I want to enjoy event only game mechanics (イベントならではのゲームシステムを楽しみたい)
• I want to enjoy collabs with other works (他作品とのコラボを楽しみたい)
• I want to get new servants (キャラクターを入手したい)
• I want to get new craft essences (概念礼装を入手したい)
• I want to get strengthening materials (強化素材を入手したい)
• I want to get costumes (霊衣開放権を入手したい)
• I want to kill time (暇をつぶしたい)
• Nothing in particular (特になし)
• Other (50 character limit) (その他(50字以内))

If any out of game Fate/Grand Order events are held in 2021, would you want to attend in person? Please select all that apply. (2021年にFate/Grand Orderのゲーム外イベントが開催される場合、会場で参加したいと考えますか 。以下からあてはまるものをすべて選んでください。)

• I want to attend in person (会場で参加したい)
• I want to attend in person as long as robust anti-infection precautions are in place (感染対策がしっかりしていれば会場で参加したい)
• I want to attend if COVID19 has gone away (新型コロナウイルスが落ち着いていたら会場で参加したい)
• I want to attend if it's an online event (オンラインイベントであれば参加したい)
• I don't want to attend an in person or an online event (リアル/オンラインとも参加したくない)

What developments do you want in Fate/Grand Order? Please pick 3. (今後、Fate/Grand Orderにどんな展開をしてほしいですか。3つお答えください)

• TV Anime (TVアニメ)
• Anime Movie (劇場アニメ)
• Drama CD (ドラマCD)
• Stage Play (舞台)
• Comic (コミカライズ)
• Novel (ノベライズ)
• Console Game (家庭用ゲーム版)
• Fighting Game (格闘ゲーム)
• Orchestra Concert (オーケストラ・コンサート)
• Collaboration Cafe (コラボカフェ)
• Real Event (リアルイベント)
• Nothing in particular (特になし)
• Other (50 character limit) その他(50字以内)

The questions within the blue box are for those who have not played Fate/Grand Order in over a month. For everyone else, please choose the last option. (Fate/Grand Orderを1ヵ月以上遊ばなくなったことがある方へ質問です。)
Please state why you stopped playing. *For those who have not stopped playing for over a month, please select "I have not stopped playing for over a month" (遊ばなくなった理由で、あてはまるものをすべて選んでください ※1ヵ月以上遊ばなくなったことがない方は「1ヵ月以上遊ばなくなったことはない」を選んでください。)

• Because the story is boring (ストーリーがつまらないから)
• Because the game has no sense of excitement (ゲームに爽快感がないから)
• Because the characters are not interesting (キャラクターが魅力的ではないから)
• Because the events have become monotonous (イベントが単調になってきたから)
• Because the pace of new events being added to the game is slow (イベントの実施ペースが少ないと感じていたから)
• Because I was waiting for new Main Story updates (メインストーリーの更新を待っていたから)
• Because people around me stopped playing the game (周囲で遊ぶ人が少なくなったから)
• Because I couldn't figure out how to play the game well (どう遊んでいいのかよく分からなかったから)
• Because the setting is too hard to get into and I couldn't keep up with it (世界観が難しくてついていけなかったから)
• Because school, work, or such have been busy so I don't have time to play (学業、仕事などが忙しく遊ぶ時間がなかったから)
• Becaue I was playing other games (他のゲームをプレイしていたから)
• I have not stopped playing for over a month (1ヵ月以上遊ばなくなったことはない)
• Other (50 character limit) (その他(50字以内)

Please state why you started playing again. *For those who have not stopped playing for over a month, please select "I have not stopped playing for over a month" (再び遊ぶようになった理由で、あてはまるものをすべて選んでください。 ※1ヵ月以上遊ばなくなったことがない方は「1ヵ月以上遊ばなくなったことはない」を選んでください。)

• Because the story seemed interesting (ストーリーが面白そうに見えたから)
• Because it seemed like the game became easier to play (ゲームがより遊びやすそうになったと感じたから)
• Because interesting characters appeared (魅力的なキャラクターが登場したから)
• Because a collab event got implemented (コラボイベントが実施されたから)
• Because a new non-collab event seemed interesting (コラボ以外の新しいイベントが面白そうだったから)
• Because the frequency of event or story updates went up (イベントや、ストーリー更新の頻度が高くなってきたから)
• Because more people around me started playing the game (周囲で遊ぶ人が増えてきたから)
• Because I watched Douga de Wakaru! Fate/Grand Order and I got a better understanding of the game (動画で分かる！Fate/Grand Orderを見てゲームへの理解が深まったから)
• Because I experienced another work in the Fate series and I was able to understand the setting (他のFateシリーズに触れて世界観を理解したから)
• Because I found time to play (プレイする時間ができたから)
• I have not stopped playing for over a month (1ヵ月以上遊ばなくなったことはない)
• Other (50 character limit) (その他(50字以内))

Please state what aspects of Fate/Grand Order you like and what you are looking forward to (Fate/Grand Orderの好きな部分、期待していることを教えてください)

• Story, Setting (シナリオ、世界観)
• Game volume (ゲームボリューム)
• Characters (キャラクター)
• Graphics (グラフィック)
• Voices, Voice Actors (ボイス、声優)
• Illustrators (イラストレーター)
• Feeling of excitement (爽快感)
• Replay value (やりこみ要素)
• Lightheartedness (気軽さ)
• Topicality (話題性)
• Music, BGM (楽曲、BGM)
• Battle, Strategy (バトル、戦略性)
• Summon (召喚)
• Craft Essence (概念礼装)
• Servant Strengthening, Ascension (サーヴァントの強化、霊基再臨)
• Events, Campaigns (イベント、キャンペーン)
• Fate/Grand Order Chaldea Live Stream Program (Fate/Grand Order カルデア放送局)
• Fate/Grand Order Chaldea Radio Program (Fate/Grand Order カルデア･ラジオ局 Plus)
• Masu Masu Manga de Wakaru! Fate/Grand Order (ますますマンガで分かる！Fate/Grand Order)
• Douga de Wakaru! Fate/Grand Order (動画で分かる！Fate/Grand Order)
• Nothing in particular (特になし)
• Other (50 character limit) (その他(50字以内))

Please state what aspects of Fate/Grand Order you want to be improved (Fate/Grand Orderの改善してほしいところを教えてください)

• Story, Setting (シナリオ、世界観)
• Game volume (ゲームボリューム)
• Characters (キャラクター)
• Graphics (グラフィック)
• Voices, Voice Actors (ボイス、声優)
• Illustrators (イラストレーター)
• Feeling of excitement (爽快感)
• Replay value (やりこみ要素)
• Lightheartedness (気軽さ)
• Topicality (話題性)
• Music, BGM (楽曲、BGM)
• Battle, Strategy (バトル、戦略性)
• Summon (召喚)
• Craft Essence (概念礼装)
• Servant Strengthening, Ascension (サーヴァントの強化、霊基再臨)
• Events, Campaigns (イベント、キャンペーン)
• Fate/Grand Order Chaldea Live Stream Program (Fate/Grand Order カルデア放送局)
• Fate/Grand Order Chaldea Radio Program (Fate/Grand Order カルデア･ラジオ局 Plus)
• Masu Masu Manga de Wakaru! Fate/Grand Order (ますますマンガで分かる！Fate/Grand Order)
• Douga de Wakaru! Fate/Grand Order (動画で分かる！Fate/Grand Order)
• Nothing in particular (特になし)
• Other (50 character limit) (その他(50字以内))

Are there any works you want a collab with? (Optional) (50 character limit) (今後コラボしてほしい作品はありますか(任意) (50字以内))
Regarding Fate/Grand Order, if there is anything else you're looking forward to, or opinions, or requests, please state below. (Optional) (400 character limit) (その他、Fate/Grand Orderに期待することや、ご意見･ご要望がございましたらご記入ください(任意) (400字以内))