Team has been involved in a substantial number of the digital media, sports, entertainment, leisure and gaming industries’ most significant merger and acquisition transactions, holding key positions at, and transacting with Scientific Games Corp, Inspired Gaming Group, FOX Bets, Ocean Casino Resort, Resorts International Holdings, PokerStars, DraftKings, Mohegan Sun, Caesars Entertainment Corporation, Harrah’s Entertainment, Tropicana Entertainment, Inc., TSG/Sky Betting & Gaming, Facebook, Inc, Wynn Resorts, Dubai World/MGM Resorts
Here's all the Bios. These guys are stellar! TEKK closed at $10.30 today. Still cheap!
If you don't like to read... you don't like to make money!!!!
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Matthew Davey — Chief Executive Officer and Director
Mr. Davey has over 25 years of experience within the digital media, sports, entertainment, leisure and gaming ecosystems, as well as experience in the public sector. He is an experienced public company executive officer and board member. He has served in executive management positions across the gaming technology arena. Over the course of Mr. Davey’s career, he oversaw more than ten mergers and acquisitions and over $1.2 billion in debt and equity capital raised to support the companies he has led.
Most recently, Mr. Davey was Chief Executive Officer of SG Digital, the Digital Division of Scientific Games Corp. (“Scientific Games”) (Nasdaq: SGMS). SG Digital was established following the purchase by Scientific Games of NYX Gaming Group Limited (“NYX”) (formerly TSXV: NYX), where Mr. Davey served as Chief Executive Officer and Director. The NYX acquisition provided Scientific Games with a vehicle to significantly accelerate the scale and breadth of its existing digital gaming business, including the strategic expansion into sports betting. In his capacity as Chief Executive Officer of NYX, Mr. Davey developed and implemented a corporate strategy that generated strong revenue growth. Mr. Davey shaped company strategy to focus on digital gaming supplier platforms and content that provided various gaming operators with the underlying gaming and sports betting systems for their online gaming business. In 2014, Mr. Davey oversaw the initial public offering of NYX, and his experience in the digital media, sports, entertainment, leisure and gaming industries helped NYX recognize momentum as a public company. After the public offering, from 2014 to 2018, Mr. Davey oversaw seven acquisitions which helped establish NYX as one of the fastest growing global B2B real-money digital gaming and sports betting platforms. These acquisitions included:
• OpenBet: In 2016, NYX completed the $385 million acquisition of OpenBet. This was one of the more complex and transformative acquisitions that Mr. Davey oversaw at NYX. Through securing co-investments from William Hill (LSE: WMH), Sky Betting & Gaming and The Stars Group (formerly Nasdaq: TSG, TSX: TSGI), Mr. Davey was able to get the acquisition from Vitruvian Partners completed successfully, winning the deal against much larger and well capitalized competitors. By combining two established and proven B2B betting and gaming suppliers, NYX was well positioned to provide customers with exciting player-driven solutions across all major product verticals and distribution channels. This allowed NYX to become the leading B2B omni-channel sportsbook platform in the market and the supplier to over 300 gaming operators globally with an extensive library of desktop and mobile game titles, including more than 700 on NYX platforms and more than 2,000 on the OpenBet platform.
• Cryptologic/Chartwell: In 2015, NYX completed the $119 million acquisition of Cryptologic and Chartwell. The acquisition provided NYX with more than 400 titles of additional leading gaming content, a broader customer base, and direct exposure to PokerStars and Intercasino, part of the Gamesys Group (LSE: GYS) — two of the world’s largest online casino offerings.
• OnGame: In 2014, NYX completed the distressed acquisition of OnGame, a premier poker content, platform and service provider. This acquisition provided NYX with one of the best poker products in the industry, access to several regulated jurisdictions, and a valuable talent pool that was instrumental in the growth of NYX. The addition of OnGame further established a path for NYX to continue its growth in both European and U.S. markets.
These acquisitions, together with meaningful organic growth, increased NYX’s revenue from $24 million in 2014 to $184 million annualized in 2017. During that time, Mr. Davey helped build NYX to have over 200 customers in the global gaming industry and a team of 1,000 employees. Mr. Davey’s success at NYX ultimately led to its sale to Scientific Games for $631 million in 2018.
Mr. Davey joined Next Gen Gaming, the predecessor to NYX, in 2000 as the Vice President of Technology, was appointed as Executive Director in 2003 and named Chief Executive Officer in 2005. Prior to that, he was the Senior Consultant for Access Systems, a company that specializes in the provision of back-end software for licensed online casinos. Prior to joining Access, Mr. Davey worked for the Northern Territory Government specializing in matters pertaining to the internet and e-commerce along with roles in the Department of Racing and Gaming. Mr. Davey received a Bachelor of Electrical & Electronic Engineering from Northern Territory University, Australia (also known as Charles Darwin University).
Robin Chhabra — President
Mr. Chhabra has been at the forefront of corporate acquisition activity within the digital gaming landscape for over a decade. His prior experience includes leading corporate strategy, M&A, and business development at two of the global leaders in the digital gaming industry, The Stars Group (“TSG”) and William Hill, and a leading supplier, Inspired Gaming Group (Nasdaq: INSE). Mr. Chhabra served on the Group Executive Committees of each of these companies. From 2017 to May 2020, Mr. Chhabra served as Chief Corporate Development Officer at TSG and, from 2019 to August 2020, he also served as the Chief Executive Officer of Fox Bet, a leading U.S. online gaming business which is the product of a landmark partnership between TSG and FOX Sports, a transaction which he led. During that period, Mr. Chhabra led several transactions which transformed TSG into the largest publicly listed online gambling operator in the world by both revenue and market capitalization and one of the most diversified from a product and geographic perspective with revenues of over $2.5 billion. Mr. Chhabra’s M&A experience is extensive and covers multiple global geographies across the digital gaming value chain and includes the following:
• TSG/Flutter Entertainment Merger: In 2019, Mr. Chhabra led the TSG M&A team that was responsible for TSG’s $12.2 billion merger with Flutter Entertainment (LSE: FLTR). The merger between TSG and Flutter Entertainment is the largest transaction in the digital gaming industry to date. The combination created the largest publicly listed online gaming company with approximately 13 million active customers and leading product offerings, which include sports betting, online casino, fantasy sports and poker. The combined entity includes some of the world’s most iconic digital gaming brands such as Fanduel, Fox Bet, Sky Bet, PaddyPower, Betfair, PokerStars and SportsBet. TSG/Flutter Entertainment is one of the most geographically diverse digital gaming and media companies with leading positions in the United States, United Kingdom, Australia, Ireland, Italy, Spain, Germany and Georgia.
• TSG/Sky Betting and Gaming (“SBG”): In 2018, Mr. Chhabra led the acquisition of SBG from CVC Capital Partners and Sky plc, Europe’s largest media company, in a transaction valued at $4.7 billion. At the time of the acquisition SBG was the largest mobile gambling operator in the United Kingdom and one of the fastest growing of the major operators having doubled its online market share in three years. The acquisition of SBG provided TSG with (a) greater revenue diversification, significantly enhanced expertise and exposure to sports betting just ahead of the judicial overturn of The Professional and Amateur Sports Protection Act of 1992 (PASPA) by the U.S. Supreme Court, (b) a leading position within the United Kingdom, the world’s largest regulated online gaming market, (c) improved products and technology as a result of the addition of SBG’s innovative casino and sports book offerings and a portfolio of popular mobile apps, and (d) expertise in deeply integrating sports betting with leading sports media companies, positioning TSG to create more engaging content, deliver faster growth and decrease customer acquisition costs.
• William Hill (LSE: WMH): At William Hill, from 2010 to 2017, Mr. Chhabra served as Group Director of Strategy and Corporate Development where he led several transactions which contributed to William Hill’s transformation from a land-based gambling operator in the United Kingdom to a leading online-led international business. Mr. Chhabra led William Hill’s entry into the U.S. sports betting and online lottery markets with the acquisition of four businesses, including the simultaneous acquisitions of three U.S. sportsbooks, Cal Neva, American Wagering and Brandywine Bookmaking, in 2011 for an aggregate purchase price of $55 million. These businesses ultimately led William Hill to achieve a leading position in the U.S. sports betting market with a market share of 24% in 2019. Additionally, Mr. Chhabra played a key role in structuring William Hill’s successful joint venture with PlayTech Plc (LSE: PTEC) in 2008. The combined entity created one of the largest online gambling businesses in Europe at the time of its formation and led to William Hill’s buyout of Playtech’s interest for $637 million in 2013. Prior to the transaction, William Hill had struggled in its attempt to establish a strong online gaming platform and a meaningful presence outside the United Kingdom.
Mr. Chhabra has also successfully completed four transactions worth over $1.2 billion in Australia, the world’s second largest regulated online gambling market, and various partnerships in Asia. Additionally, he completed several technology and media related transactions, including William Hill’s investment in NYX, where he worked with Mr. Davey on NYX’s transformational acquisition of OpenBet.
Prior to working in the gaming sector, Mr. Chhabra was an equities analyst and a management consultant. Mr. Chhabra received a Bachelor of Science in Economics from the London School of Economics and Political Science.
Eric Matejevich — Chief Financial Officer
Mr. Matejevich is a seasoned gaming executive with extensive experience in both the online gaming and traditional casino industries. From February to August 2019, he served as Trustee and Interim-Chief Executive Officer of Ocean Casino Resort (“Ocean”) (formerly Revel Casino, which had a construction cost of $2.4 billion) in Atlantic City, where he successfully led the management team through an ownership change and operational turnaround effort. Over the course of seven months, Mr. Matejevich managed to reduce the property’s weekly cash burn of $1.5 million to an annualized cash flow run rate in excess of $20 million.
Prior to Ocean, from 2016 to 2018, Mr. Matejevich served as the Chief Financial Officer of NYX. At NYX, he focused his efforts on integrating the company’s many acquisitions and multiple debt refinancings to simplify its capital structure and provided liquidity for growth initiatives. Additionally, Mr. Matejevich was instrumental to the executive team that sold NYX to Scientific Games for $631 million.
Prior to NYX, from 2004 to 2014, Mr. Matejevich was the Chief Financial Officer of Resorts International Holdings and later, from 2011, also the Chief Operating Officer of the Atlantic Club Casino, a property under the Resorts International Holdings umbrella — a Colony Capital (NYSE: CLNY) entity. As Chief Financial Officer, he provided managerial oversight for all finance functions for a six-property casino company with annual gaming revenue exceeding $1.3 billion, 10,000 gaming positions, 7,000 hotel rooms and over 11,000 staff members during his tenure. Mr. Matejevich led the transition effort to integrate a four-casino, $1.3 billion acquisition from Harrah’s Entertainment and Caesars Entertainment (Nasdaq: CZR). As Chief Operating Officer of Atlantic Club, he lobbied for and was successful in obtaining the first internet gaming legislation passed in the United States. The Atlantic Club was the sole New Jersey casino proponent of the legislation.
Prior to serving in various gaming positions, Mr. Matejevich was a Vice President of High Yield Research for Merrill Lynch, where he managed the corporate bond research effort for the gaming and leisure sectors and marketed high yield and other debt transactions totaling $4.8 billion. Mr. Matejevich received a Bachelor of Science in Economics from The Wharton School and a Bachelor of Arts in International Relations from The College of Arts and Sciences at the University of Pennsylvania.
Our Board of Directors
Morris Bailey — Chairman
Over the past 10 years, Mr. Bailey has been a leader in turning around Atlantic City, as well as being among the first gaming executives to embrace online gaming and sports betting in the United States. In his efforts, Mr. Bailey partnered with two of the largest digital gaming companies in the world, PokerStars, part of the Stars Group, and DraftKings (Nasdaq: DKNG). In 2010, Mr. Bailey bought Resorts Atlantic City (“Resorts”) and initiated a comprehensive renovation which allowed for the property to be rebranded and repositioned. In 2012, Mr. Bailey signed an agreement with Mohegan Sun to manage the day-to-day operations of the casino. In addition to Mohegan Sun’s operational expertise and ability to reduce costs via economies of scale, Resorts gained access to their robust customer database. Soon thereafter, Mr. Bailey and his team focused on bringing online gaming to the property. In 2015, Resorts established a platform to engage in online gaming by partnering with PokerStars, now part of the $24 billion Flutter Entertainment, PLC (LSE: FLTR), to operate an online poker room in Atlantic City. In 2018, Resorts announced deals with DraftKings and SBTech to open a sportsbook on-property and online. For 2020 year-to-date, Resorts has performed in the top quartile in internet gross gaming revenue in New Jersey. Mr. Bailey’s efforts in New Jersey helped set the framework for expansion of online sports and gaming throughout the United States.
In addition to his gaming interests, Mr. Bailey has over 50 years of experience in all facets of real estate development, asset M&A, capital markets and operations and is the founder, Chief Executive Officer and Principal of JEMB Realty, a leading real estate development, investment and management organization. Mr. Bailey has notable investment experience within the energy, finance and telecommunications sectors through investments in the Astoria Energy Plant, Basis Investment Group and Xentris Wireless.
Tony Rodio — Director Nominee
Mr. Rodio has nearly four decades of experience in the gaming industry. Most recently, Mr. Rodio served as the Chief Executive Officer and director of Caesars Entertainment Corporation (“Caesars”) (Nasdaq: CZR), one of the world’s most diversified casino-entertainment providers and the most geographically diverse U.S. casino-entertainment company, from April 2019 until its acquisition by Eldorado Resorts, Inc. in July 2020. Mr. Rodio led Caesars through its $17.3 billion merger with Eldorado Resorts, one of the largest transactions in the gaming industry to date. Additionally, Mr. Rodio was instrumental to Caesars’ expansion into the digital gaming industry and oversaw the implementation of new digital segments such as its Scientific Games powered retail sportsbook solution that now operates in various states throughout the U.S. From October 2018 to May 2019, Mr. Rodio served as Chief Executive Officer of Affinity Gaming. Prior to Affinity Gaming, he served as President, Chief Executive Officer and a director of Tropicana Entertainment, Inc. (“Tropicana”) for over seven years, where he was responsible for the operation of eight casino properties in seven different jurisdictions. During his time at Tropicana, Mr. Rodio oversaw a period of unprecedented growth at the company, improving overall financial results with net revenue that increased more than 50% driven by both operational improvements and expansion across regional markets. Mr. Rodio led major capital projects, including the complete renovation of Tropicana Atlantic City and Tropicana’s move to land-based operations in Evansville, Indiana. Each of these initiatives, among others, generated substantial value for Tropicana. Ultimately, Mr. Rodio’s efforts at Tropicana led to its sale to Eldorado Resorts in 2018 for $1.85 billion. Prior to Tropicana, Mr. Rodio held a succession of executive positions in Atlantic City for casino brands, including Trump Marina Hotel Casino, Harrah’s Entertainment (predecessor to Caesars), the Atlantic City Hilton Casino Resort and Penn National Gaming. He has also served as a director of several professional and charitable organizations, including Atlantic City Alliance, United Way of Atlantic County, the Casino Associations of New Jersey and Indiana, AtlantiCare Charitable Foundation and the Lloyd D. Levenson Institute of Gaming Hospitality & Tourism. Mr. Rodio brings extensive knowledge of and experience in the gaming industry, operational expertise, and a demonstrated ability to effectively design and implement company strategy. Mr. Rodio received a Bachelor of Science from Rider University and a Master of Business Administration from Monmouth University.
Marlon Goldstein — Director Nominee
Mr. Goldstein is a licensed attorney with nearly 20 years of experience in the gaming space. He joined The Stars Group (Nasdaq: TSG)(TSX: TSGI) in January 2014 as its Executive Vice-President, Chief Legal Officer and Secretary until his retirement from the company in July 2020 following the merger of TSG with Flutter Entertainment, PLC (LSE: FLTR). Mr. Goldstein also previously served as the Executive Vice-President, Corporate Development and General Counsel of TSG. Mr. Goldstein was also the senior TSG executive based in the United States and was one of the primary architects of TSG’s strategic vision for its U.S.-facing business. During his tenure, TSG grew from an approximately $500 million market-cap company to an approximately $7 billion market-cap company through a combination of organic growth and strategic mergers and acquisitions. Mr. Goldstein participated in numerous M&A transactions and capital markets offerings at TSG, including several transformational transactions in the digital gaming industry. Notable transactions in which Mr. Goldstein was involved include:
• TSG/Flutter Merger: In 2019, TSG merged with Flutter for a $12.2 billion transaction value, the largest transaction in the digital gaming industry to date.
• TSG/Fox Bet Partnership: In 2019, TSG entered into a partnership with FOX Sports to create FOX Bet in the U.S., a leading U.S. online gaming business. Wall Street Research estimates an approximate $1.1 billion valuation for Fox Bet post-partnership with The Stars Group.
• TSG/Sky Betting & Gaming: In 2018, TSG acquired Sky Betting & Gaming, the largest mobile gambling operator in the United Kingdom at the time, for $4.7 billion.
• TSG/CrownBet and William Hill: In 2018, TSG simultaneously acquired CrownBet and William Hill, two Australian operators, for a total of $621 million in a multi-part transaction.
• TSG/PokerStars and Full Tilt Poker: In 2014, TSG acquired The Rational Group, which operated PokerStars and Full Tilt and was the world’s largest poker business, for $4.9 billion.
Through his ability to legally structure large and complex transactions, Mr. Goldstein was integral to TSG’s vision of becoming a full-service online gaming company. Additionally, he assisted in structuring TSG’s capital markets activity, which generated liquidity for acquisitions and strengthened its balance sheet.
Prior to joining TSG, Mr. Goldstein was a principal shareholder in the corporate and securities practice at the international law firm of Greenberg Traurig P.A., where he practiced for almost 13 years. Mr. Goldstein’s practice focused on corporate and securities matters, including mergers and acquisitions, securities offerings, and financing transactions. Additionally, Mr. Goldstein was the founder and co-chair of the firm’s Gaming Practice, a multi-disciplinary team of attorneys representing owners, operators and developers of gaming facilities, manufacturers and suppliers of gaming devices, investment banks and lenders in financing transactions, and Indian tribes in the development and financing of gaming facilities.
Mr. Goldstein brings experience and insight that we believe will be valuable to a potential initial business combination target business. Mr. Goldstein received a Bachelor of Business Administration with a concentration in accounting from Emory University and a Juris Doctorate with highest honors from the University of Florida, College of Law.
Sean Ryan — Director Nominee
Mr. Ryan is a digital media and technology operator with extensive global experience in online payments, e-commerce, marketplaces, mobile ad networks, digital games, enterprise collaboration platforms, blockchain, real money gaming and online music. Since 2014, Mr. Ryan has been serving as Vice President of Business Platform Partnerships at Facebook, Inc. (“Facebook”) (Nasdaq: FB), where he leads a more than 500 person global organization that manages the Payments, Commerce, Novi/Blockhain, Workplace and Audience Network businesses. Prior to his current role, Mr. Ryan was hired in 2011 as the Director of Games Partnerships to lead and grow the global Games business at Facebook. While the Director of Games Partnerships, Mr. Ryan focused on re-shaping Facebook’s games and monetization strategies to derive more value for Facebook, its users and its partners, including the addition of a Real Money Gaming offering in regulated markets. Mr. Ryan’s team helped accelerate a major trend in engagement through cross-platform games and therefore the opportunity to increase users through establishing games on multiple platforms. Prior to joining Facebook, Mr. Ryan created the new social and mobile games division at News Corp, an American multinational mass media corporation controlled by Rupert Murdoch. While at News Corp, Mr. Ryan led the acquisition of Making Fun, a San Francisco social-game start-up, that created News Corp’s games publishing division.
Before joining News Corp., Mr. Ryan founded multiple digital businesses such as Twofish, Meez, Open Wager and SingShot Media. Mr. Ryan co-founded Twofish in 2009, a virtual goods and services platform that provided developers with data analytics and insights for individual application’s digital economies. Twofish was later sold to online payments provider Live Gamer, where Mr. Ryan served on the board of directors. From 2005 to 2008, Mr. Ryan founded and led Meez.com, a social entertainment service combining avatars, web games and virtual worlds. The white label social casino gaming company Open Wager was spun out of Meez and was later sold to VGW Holdings, Mr. Ryan also co-founded SingShot Media, an online karaoke community, which was sold to Electronic Arts (Nasdaq: EA) and merged into its Sims division.
We believe Mr. Ryan’s experience will be valuable to a potential initial business combination target and would provide an expanded perspective on the digital gaming landscape. Mr. Ryan received a Bachelor of Arts from Columbia University and a Master of Business Administration from the University of California, Los Angeles.
Tom Roche — Director Nominee
Mr. Roche has more than 40 years of experience in the gaming industry as a regulator, advisor and independent auditor. Mr. Roche joined Ernst & Young (“EY”) as a partner in 2003 and opened its Las Vegas office. He was subsequently appointed as the Office Managing Partner and Global Gaming Industry Market Leader. In 2016, Mr. Roche relocated to the EY Hong Kong office to supervise the expansion of the EY Global Gaming Industry practice in the Asia Pacific region. Mr. Roche has been integral to numerous transactions that have shaped the current gaming landscape, including:
• Wynn Resorts (Nasdaq: WYNN) initial public offering: Mr. Roche was the lead partner on Wynn Resort’s initial public offering, which raised $450 million in 2002.
• Harrah’s Entertainment/Apollo Management Group & Texas Pacific Group: Mr. Roche headed the regulatory advisory services on the buyout of Harrah’s Entertainment, the world’s largest casino company at the time, for $17.1 billion.
• Dubai World/MGM Resorts: Mr. Roche headed the regulatory and due diligence advisory services to Dubai World in its approximately $5.1 billion investment in MGM. Dubai World bought 28.4 million MGM shares, or 9.5 percent of the casino operator, for $2.4 billion. It then invested $2.7 billion to acquire a 50% stake in MGM’s CityCenter Project, a $7.4 billion 76-acre Las Vegas development of hotels, condos and retail outlets.
• MGM Growth Properties (NYSE: MGP) initial public offering: Mr. Roche provided tax and structural transaction services to MGM Resorts in the creation of MGM Growth Properties, a publicly traded REIT engaged in the acquisition, ownership and leasing of large-scale destination entertainment and leisure resorts. MGM Growth Properties raised $1.05 billion in its 2016 initial public offering.
Mr. Roche also directed EY advisory services to boards and management teams for profit improvement and technology related initiatives. In addition, Mr. Roche provided advisory support to the American Gaming Association on several research projects, including those specifically related to sports betting, the revocation of The Professional and Amateur Sports Protection Act of 1992 (PASPA) and anti-money laundering best practices in the gaming industry. Equally, he has assisted government agencies in numerous international locations with enhancing their regulatory approach to governing the industry especially in the online gambling sector.
Prior to joining Ernst & Young, Mr. Roche served as Deloitte’s National Gaming Industry Leader and as the co-head of Andersen’s Gaming Industry Practice in Las Vegas. In 1989, Mr. Roche was appointed by then Governor of the State of Nevada, Robert Miller, to serve as one of three members of the Nevada State Gaming Control Board for a four-year term, where he was directly responsible for the Audit and New Games Lab Divisions. As a board member, he spent a substantial amount of time assisting global jurisdiction regulators enact gaming legislation in the design of their regulatory structure. During his career, Roche has been involved in numerous public and private offerings of equity and debt securities. His background includes providing casino regulatory consulting services to casino licensees and to federal and state agencies including the National Indian Gaming Commission and the Nevada State Gaming Control Board, and industry associations such as the Nevada Resort Association and the American Gaming Association.
We believe Mr. Roche’s highly regarded reputation as a gaming auditor and advisor in the gaming industry will be valuable for us and a potential business combination target. Mr. Roche is a member of the American Institute of Certified Public Accountants and is licensed by the Nevada State Board of Accountancy and Mississippi State Board of Public Accountancy. He received his Bachelor of Science degree in Accounting from the University of Southern California.

WEEKEND TOP 5
1st - The Lion King (Disney) -> £10,660,287 ($13.1 million) from 721 cinemas, down 36.2%
2nd - Toy Story 4 (Disney) -> £2,525,048 ($3.11 million) from 675 cinemas, down 7.13%
3rd - Spider-Man: Far From Home (Sony) -> £1,714,153 ($2.11 million) from 586 cinemas, down 26.4%
4th - Andre Rieu 2019 Maastricht Concert - Shall We Dance? (Piece of Magic) -> £1,492,154 ($1.84 million) from 587 cinemas, event
5th - Yesterday (Universal) -> £613,000 ($754 thousand) from 512 cinemas, down 21%
NEW RELEASES
6th - Horrible Histories: The Movie - Rotten Romans (Altitude) -> £584,269 ($719 thousand) from 516 cinemas
8th - The Current War (EFD) -> £454,677 ($559 thousand) from 487 cinemas
**14th - Chal Mera Putt (Fountain) -> £99,293 ($122 thousand) from 23 cinemas
THIS WEEKEND -> £19,691,946 ($24.2 million) from all movies, down 21.1% from last weekend and down 24.6% from the same weekend last year. Compared to the previous 52 weekends, this weekend ranks 9th and is up 24.3% against the average.
THE BIG EVENT
Andre Rieu 2019 Maastricht Concert - Shall We Dance?
NA/DOM equivalent = $14.9 million
Andre Rieu is a regular (at least biannual) fixture on cinema schedules and once again he manages to pull in a decent crowd, as the takings for his summer concert in his home town Maastricht are exactly the same as last year's £1.49 million - and only down slightly from the £1.94 million that his Sydney NYE concert made.
THE NEW RELEASES
Horrible Histories: The Movie - Rotten Romans
£609,490 ($750 thousand) including previews
NA/DOM OW equivalent = $5.84 million
Despite missing out on the top 5, this is not a bad start for a small family film competing against much bigger tentpoles. Based on the popular franchise, the movie deviates from the 'fact book' style nature of the books and and the Monty Python style sketches of the TV show to instead focuses on a linear plot line - A young Roman solider is sent to Britain and becomes friends with a local Celtic warrior who he eventually has to face in battle. Featuring big names such as Derek Jacobi and Lee Mack, the movie has received good reviews from critics and will hope to hold well across the rest of the summer. Yet it just seems that they have taken a random historical comedy and slapped the 'Horrible Histories' branding on to get bums on seats, as the 'Horrible Histories' books and series have zero plot or character developments. Regardless, 'Rotten Romans' is intended to be the first entry of a planned film franchise, and if this and future films are successful, maybe one day we can see all of our favourite characters travel to the present day to fight a rip off Thanos that threatens the world.
The Current War
NA/DOM OW equivalent = $4.55 million
Despite being filmed at the end of 2016 / start of 2017, and originally scheduled for a Christmas 2017 release, only now are we seeing this film being dumped in the middle of the summer, due to the collapse of the Weinstein Company, who provided most of the film's funding. As the film's target audience is skewing towards older people, it could produce some legs over the summer weekdays, where elderly people are most likely to attend. Even though Benedict Cumberbatch and Tom Holland, who have both appeared in multiple MCU blockbusters since The Current War's production, star in the movie, this is another example of how and why movies just can't rely on MCU stars to make money. (See Stuber for another example)
Chal Mera Putt
NA/DOM OW equivalent = $993 thousand
There's another new Pollywood (Punjabi cinema) release this week in Chal Mera Putt, a comedy which focuses on a group of Punjabi immigrants who arrive in the strange foreign city of Birmingham and the struggles they face while trying to make a living and trying to just fit in.
TOP PERFORMING REPEATS
The Lion King
£36,889,089 ($45.4 million) after 2 weeks
NA/DOM total equivalent = $369 million
As the summer holidays continue, so does the 'reign' (get it? ha ha!) of The Lion King as it makes another £10 million in its second weekend - The first non-Avengers film to do so since Last Jedi. This allows it to pass Aladdin and enter 4th place for 2019, i.e. another smash hit for Disney. With the top 5 of 2019 all Disney movies, they really are smashing it this year - It's almost like they need content for a new streaming service of some kind.
Toy Story 4
£51,662,538 ($63.5 million) after 6 weeks
NA/DOM total equivalent = $517 million
The summer holidays are certainly helping Toy Story 4 as the hit four-quel drops only 7%, becoming the second movie this year to pass £50 million. If these kinds of holds continue, with strong weekday performances the £56.2 million total of Incredibles 2 is looking likely to be beaten, allowing 4 to become the second biggest animation, behind only 3. (Though the debatable live-action/animated Lion King is presumed at this time to pass 4 unless it collapses)
Spider-Man: Far From Home
£30,564,827 ($37.6 million) after 4 weeks
NA/DOM total equivalent = $306 million
Far From Home will have by now passed the lifetime total of Homecoming (£30.7 million) and will soon probably also beat Spider-Man 3's £33.6 million to become the highest grossing Spider-Man movie of all time. Right now it is also currently the highest grossing non-Disney-distributed movie of 2019, even though the movie itself was made by a Disney studio and features prominent Disney-owned characters.
Yesterday
£11,066,534 ($13.6 million) after 5 weeks
NA/DOM total equivalent = $111 million
Another solid drop for Yesterday as it continues its leggy run, playing as counter-programming on both sides of the Atlantic.
NOTABLE FILMS STILL ON THE GO
£36,012,063 ($44.3 million) -> Aladdin (Disney) after 10 weeks
£23,127,198 ($28.4 million) -> Rocketman (Paramount) after 10 weeks
£4,973,900 ($6.12 million) -> Annabelle Comes Home (Warner Bros) after 3 weeks
£4,058,602 ($4.99 million) -> Casino Royale 2006 (Secret Cinema 2019) after 8 weeks
£2,360,060 ($2.91 million) -> Midsommar (EFD) after 4 weeks
£1,589,763 ($1.96 million) -> The Queen's Corgi (Lionsgate) after 4 weeks
WEEKDAY RANKINGS
Monday
1 - Lion King
2 - Toy Story 4
3 - Spider-Man Far From Home
4 - Rotten Romans
5 - Yesterday
Tuesday
(Same as Monday)
Wednesday
1 - Lion King
2 - Toy Story 4
3 - Spider-Man Far From Home
4 - Measure For Measure - RSC Live 2019
5 - Rotten Romans
THIS WEEK AT THE BOX OFFICE

• Fast and Furious: Hobbs and Shaw
  
• Angry Birds 2
  

Hobbs and Shaw will be speeding onto premium screens this weekend, playing in both IMAX 2D and 4DX. Some Angry Birds 2 showings may also be in regular 3D. As always, depending on location.
SOURCES

• BFI (For precise box office numbers)
  
• Comscore (For weekday rankings)
  

Hi /EnoughTrumpSpam, let's make a list of incorrect/outrageous things Trump has said and done that made you not support him or added to your animus. I'll format all your responses with a table with the quote/action and a good source. Thanks.
Edit: Thanks for the gold heterosis

Quote/Action	Source
"You take this little beautiful baby and you pump ... " he said, referring to mandatory childhood vaccines. "We had so many instances, people that work for me, just the other day, 2 years old, a beautiful child, went to have the vaccine and came back and a week later got a tremendous fever, got very, very sick, now is autistic."	Washington Post
"The Obama administration was actively supporting Al Qaeda in Iraq, the terrorist group that became the Islamic State."	Trump's Facebook Account
"If we didn't remove incredibly powerful fire retardant asbestos & replace it with junk that doesn't work, the World Trade Center would have never burned down."	Twitter
“The concept of global warming was created by and for the Chinese in order to make U.S. manufacturing non-competitive.”	Twitter
Ted Cruz’s father "was with Lee Harvey Oswald" before the assassination of President John F. Kennedy.	Politifact
[Of Kim Jong Un] "And you've got to give him credit. How many young guys — he was like 26 or 25 when his father died — take over these tough generals…. It's incredible. He wiped out the uncle. He wiped out this one, that one. I mean, this guy doesn't play games.”	Business Insider
“I know more about ISIS than the generals do. Believe me.”	Washington Post
“We don't even really know who the leader [of ISIS] is.”	Fox News interview with Bret Baier
"An 'extremely credible source' has called my office and told me that @BarackObama's birth certificate is a fraud."	Twitter
“Don’t tell me it doesn’t work — torture works… Waterboarding is fine, but it’s not nearly tough enough, ok?”	YouTube
“He’s [John McCain] not a war hero,” said Trump. “He was a war hero because he was captured. I like people who weren’t captured.”	POLITICO
Donald Trump spent 10's of thousands of dollars on an ad campaign in 1989, urging New Yorkers to bring back the death penalty and execute five minority youths who were suspects in a brutal rape case. Decades later, the youths were completely exonerated when DNA evidence proved they had nothing to do with it. Upon hearing about the settlement, Trump wrote a lengthy editorial in the New York Daily News calling it a "disgrace" and "the heist of the century". In this screed, he complained that the youths were still certainly guilty and that the city was "stupid".	The New Yorker
Said that Judge Curiel should not preside over his case because of his "Mexican heritage"	Mediaite
Blamed the Tiananmen Square massacre on the protesters for a "riot" while being impressed at China's brutal "show of strength"	The Guardian
He withdrew medical support that he promised for his brother's grandson with cerebral palsy because he was angry at the boy's parents	New York Times
Trump University targeted students who 'hurt' and 'had problems'	TIME
“Look, he [Barack Obama] was born Barry Soetero, somewhere along the line he changed his name.”	Fox News
Students at Trump University were coerced to give positive reviews	New York Times
Censorship on the Internet: "We're losing a lot of people because of the internet," Trump said. "We have to see Bill Gates and a lot of different people that really understand what's happening. We have to talk to them about, maybe in certain areas, closing that internet up in some ways. Somebody will say, 'Oh freedom of speech, freedom of speech.' These are foolish people."	ABC
A former Trump University sales manager testified that he was reprimanded for not pushing a financially struggling couple hard enough to sign up for a $35,000 real estate class he knew they couldn’t afford.	New York Times
Mr. Nicholas, a sales executive, recalled a deception used to lure students — that Donald J. Trump would be “actively involved” in their education. “This was not true,” he testified, saying Mr. Trump was hardly involved at all.	New York Times
Ms. Sommer, an event manager, recounted how colleagues encouraged students to open up as many credit cards as possible to pay for classes that many of them could not afford. “It’s O.K., just max out your credit card,” she recalled their saying.	New York Times
[Of Trump's tax plan] The plan would reduce federal revenues by $9.5 trillion over its first decade before accounting for added interest costs or considering macroeconomic feedback effects.	Tax Policy Center
[Of Trump's tax plan] Unless it is accompanied by very large spending cuts, it could increase the national debt by nearly 80 percent of gross domestic product by 2036.	Tax Policy Center
Tax cuts largely focused on the top 1% like Mr. Trump, both in dollars and as a percentage of income. The tax plan costs $11.2 trillion, more than any other candidate, and $4 trillion of that comes from tax breaks to the top 1%	Tax Policy Center
Wants to bomb Iraq's oil fields	CNN
When giving testimony before the Congressional Subcommittee on Native American Affairs, Trump spoke angrily about the Pequot Indians, whose new casino had just surpassed his Atlantic City casino as the most popular in America. ‘They don’t look like Indians to me and they don’t look like Indians to Indians,’ he complained.	Mediaite
[About foreign policy] “I’m speaking with myself, number one, because I have a very good brain and I’ve said a lot of things...my primary consultant is myself”	POLITICO
[About a protestor] 'I'd like to punch him in the face"	CNN
"If you see somebody getting ready to throw a tomato, knock the crap out of them," Trump said. "Just knock the hell — I promise you, I'll pay the legal fees."	Business Insider
“When Mexico sends its people, they’re not sending their best. They’re not sending you. They’re not sending you. They’re sending people that have lots of problems, and they’re bringing those problems with us. They’re bringing drugs. They’re bringing crime. They’re rapists.”	Washington Post
“Donald J. Trump is calling for a total and complete shutdown of Muslims entering the United States until our country's representatives can figure out what is going on.”	Campaign Website
Donald Trump's "trade wars" would lose around 4 million jobs, and another 3 million jobs would not be created that otherwise would have been, had the country not fallen into a trade-induced downturn	Washington Post
Wanted his 1-year-old daughter to grow nice breasts	NY Daily News
Doesn't think Muslim judges can do their jobs	POLITICO
Called Geneva Conventions 'the problem'	POLITICO
Gets his military advice from watching television	Politics USA
Seemingly doesn't know what the term 'nuclear triad' means	Rolling Stone
Flipped Flopped on Abortion (5 times in 3 days)	Washington Post
Said that Bill Clinton had intimate knowledge of Vince Foster's suicide	Washington Post
Anderson Cooper: Saudi Arabia, nuclear weapons? Trump: "Saudi Arabia, absolutely."	CNN
Has never held public office	Britannica
Has attacked/insulted people countless times on Twitter	New York Times
Flip Flopped on the War in Afghanistan	CNN
Has declared bankruptcy four times	Politifact
Has refused release his tax returns, even though it is a tradition. When asked why not, he said "It's none of your business" after being pointed out that being audited doesn't prevent you from releasing them.	New York Times
Has flip flopped on tax returns	Washington Post Video
When he released his tax returns in the 80s, it showed he didn't pay anything in taxes	Washington Post
“We don't really need NATO in its current form. NATO is obsolete… if we have to walk, we walk.”	MSNBC
Flip Flopped on Japan nukes	CNN
Wants to abolish the EPA and cut Education spending	Mother Jones
Said he would eliminate the "Department of Environmental," which doesn't exist."	IBT
“You know, it really doesn’t matter what the media write as long as you’ve got a young, and beautiful, piece of ass.”	1991 interview with Esquire
"Our great African American President hasn't exactly had a positive impact on the thugs who are so happily and openly destroying Baltimore!"	Twitter
"If Ivanka weren’t my daughter, perhaps I'd be dating her"	YouTube
Flip Flopped on Muslim ban	POLITICO
“We have to be very strong with our military, with our security,” Trump said. “We have to be extremely strong, we have to be very strong in terms of looking at the mosques, which a lot of people say ‘oh, we don’t want to do that.’ We’re beyond that.”	Mediaite
"I am being proven right about massive vaccinations—the doctors lied. Save our children & their future."	Twitter
Flip Flopped on Torture	IBT
“If Hillary Clinton can’t satisfy her husband what makes her think she can satisfy America.”	DailyMail
“A person who is flat-chested is very hard to be a 10."	New York Times
The unemployment rate may be as high as "42 percent."	FactCheck
Flip Flopped on Hillary Clinton	The Hill
"The Mexican government ... they send the bad ones over."	Politifact
Flip Flopped on the Israeli-Palestinian conflict	NBC
Trump's “plan” to deport 11 million undocumented immigrants would shrink the economy by about 2 percent. The sudden subtraction of 7 million workers would cause an immediate shock to thousands of businesses, triggering a GDP collapse ranging from $400 billion to $600 billion in production	The Atlantic
[To Californians] "There is no drought."	ABC
Mocked a disabled reporter	CNN
Flip Flopped on the Iraq War	Fortune
[Of Megyn Kelly] "You could see there was blood coming out of her eyes," Trump told CNN's Don Lemon on Friday night. "Blood coming out of her wherever."	CNN
[About Carly Fiorina] "Look at that face!"	USA Today
Was endorsed/praised by North Korean State Media	POLITICO
[Of Vladimir Putin] "I will tell you, in terms of leadership, he's getting an 'A,'	Washington Post
Flip Flopped on Banning Assault Weapons	Politifact
[About his penis] "I guarantee you there's no problem. I guarantee."	CNN
Says the families of terrorists should be killed	The Hill
Is seemingly okay with Vladimir Putin killing journalists	Business Insider
Flip Flopped on Libya	POLITICO
Has banned The Washington Post, The Huffington Post, Politico, BuzzFeed, the Daily Beast, the Des Moines Register, the New Hampshire Union Leader, Univision and others from campaign events	NPR
Has exaggerated his net worth by at least 100%	Forbes
Tried to bulldoze an old woman's house so he could build a limousine parking lot	The Guardian
“She’s a brilliant judge,” he said during the Houston debate last month. Cruz has been “criticizing my sister for signing a certain bill. You know who else signed that bill? Justice Samuel Alito, a very conservative member of the Supreme Court, with my sister, signed that bill. So I think that maybe we should get a little bit of an apology from Ted. What do you think?”	Washington Post
Debt strategy is: Print more money	CNN
Partially helped put Atlantic City into turmoil while benefiting himself	New York Times
Tried to connect President Obama in the recent Orlando carnage	Washington Post
Lawyer: Donald Trump called me 'disgusting' for request to pump breast milk	CNN
Said there should be "beyond databases" for Muslims.	Politifact
Said women should be punished for abortions	YouTube
Wants to 'open up libel laws'	POLITICO
Has been endorsed by far right politicians including a war criminal (Vojislav Šešelj) who comitted genocide against Muslims in the 90s	Rolling Stone
Several of his business products have failed	TIME
While frequently criticizing illegal immigrants and saying they should be deported, he hired them to make way for Trump Tower then denied the accusation	New York Times
"Obama’s attack on the internet is another top down power grab. Net neutrality is the Fairness Doctrine. Will target conservative media."	Twitter
Trade relations with Canada would be severed	The Guardian
His anti-Muslim rhetoric is being using as ISIS propaganda	Politifact
Had to be shamed into donating to veterans after promising to do so in January but was caught not giving anything	Think Progress
"I watched in Jersey City, N.J., where thousands and thousands of people were cheering" as the World Trade Center collapsed.	Politifact
Claimed the movement to remove asbestos—a known carcinogen—was actually the handiwork of the mafia.	Mother Jones
He bulldozed pristine and ecologically sensitive Scottish beachfront for a golf course then later went on to complain to a committee of the government of Scotland that the wind turbines off its shores ruin the view for his course	The Guardian
"When I come home and dinner's not ready, I go through the roof"	Vox

No good movie is too long and no bad movie is short enough.
-Roger Ebert
The length of TLJ was the most common criticism by far, with 50% of RT Top Critic's citing it as a problem. Thus, this is the longest entry of this series, and possibly the last, unless I do a smaller part on niche issues. Previous parts cover Humor and Canto Bight.

The movie is overstuffed with plot, and by the time the visually intoxicating and eye-popping last showdown happens, it feels like a set piece that should have been saved for the next film. At a whopping two hours and 32 minutes, “The Last Jedi” overstays its welcome just a tad.

Katie Walsh, Tribune News Service - Fresh

Writer-director Rian Johnson steps into the franchise fray and does a creditable, if uninspired, job. At about 2-1/2 hours, it’s a long sit.

Peter Rainer,Christian Science Monitor - Fresh

Rian Johnson delivers a film that’s a bit too long at 2½ hours

Calvin Wilson, St. Louis Post-Dispatch - Fresh

Does the movie, like its predecessor, rely on familiar tropes a bit more than it should? Yes, I think it does. Is it, at a solid two-and-a-half hours, considerably longer than it needed to be? Yes, that too.

Christopher Orr, The Atlantic - Fresh

It’s simply too long at two hours and 36 minutes – and sometimes too damn much. The screen is so crowded with character and incident that you might need a scorecard to keep up.

Peter Travers, Rolling Stone - Fresh

The problem is that the narrative threads connecting them are lazily knitted and sometimes tangled or broken. The overall plot is underwhelming and there’s far too much padding, especially during the first hour. There’s a sense that Johnson is giving busy-work to certain characters while others are catching up. The Last Jedi is a great 105-minute movie stretched too thin.

James Berardinelli, ReelViews - Fresh

The midsection sags and, other than the heroes’ desperate attempts to survive, there’s no central story line to pull the various satellites of action in its wake. Some of the characters, like Captain Phasma, get frustratingly little screen time.You feel the 2½-hour length at points.

Ty Burr, Boston Globe - Fresh

The movie, though - at 152 minutes, easily the lengthiest in the series - drags in the middle, particularly when Rose and Finn go off on a complicated mission to disable an enemy tracking device. The subplot not only goes nowhere, it takes forever to do so, and makes me wonder if this new trilogy is going to have the same problem as the prequels - material for two terrific films stretched out over three.

Stephen Whitty, Newark Star-Ledger - Fresh

The film’s paunchy middle section includes a trip to a casino that might better have ended up on the cutting-room floor. The unnecessary padding accounts for the 152-minute running time, a franchise record, which will test the patience (and bladders) of even the most devoted followers.

Peter Howell, Toronto Star - Fresh

Nor is its frankly excessive 152-minute running time. There is no excuse for a long, inessential stampede of runaway space horses that has zero value beyond the sheer "Ben-Hur" spectacle of the thing.

Colin Covert, Minneapolis Star Tribune - Fresh

Johnson's many additions become too much of a good thing and The Last Jedi grows crowded, busy and long. Johnson's dialogue is flat and sounds stilted in the mouths of his younger actors, while their comic delivery can be so offhand that it dismisses the jokes.

Kate Taylor, Globe and Mail - Rotten

The film simply drags too much in the middle. Somewhere in the film’s 152-minute running time is an amazing 90-minute movie.

Chris Nashawaty, Entertainment Weekly - Fresh

Johnson at times overreaches trying to balance these separate storylines and myriad of characters into one cohesive unit. Lupita Nyong’o has nothing to do in her glorified cameo appearance, while the Del Toro section fails to reach its potential. The result is a bloated running time of about 2 ½ hours — that includes about seven different points in which I was sure the movie was going to end only to see it continue to plow ahead. You always want your Star Wars films to move at light speed, not drag in the middle.

Mara Reinstein, Us Weekly - Fresh

At other points in the 152-minute film, time should have been compressed, and wasn’t. The storytelling bogs down in a middle section having to do with finding a code-cracker who can gain access to an enemy destroyer. (A dubious character played by Benicio Del Toro isn’t sufficiently amusing.) Kylo’s inner conflicts, while central to the plot, leave him looking awfully mopey for long periods of time as he struggles to resolve them.

Joe Morgenstern, Wall Street Journal - Fresh

With a running time of two and a half hours, “The Last Jedi” drags a bit in the second act. Ridley and Hamill are great together, but the Reluctant Jedi act plays on for at least one scene too many.

Richard Roeper, Chicago Sun-Times - Fresh

Johnson’s effort is ultimately a disappointment. If anything, it demonstrates just how effective supervising producer Kathleen Kennedy and the forces that oversee this now Disney-owned property are at molding their individual directors’ visions into supporting a unified corporate aesthetic — a process that chewed up and spat out helmers such as Colin Trevorrow, Gareth Edwards, Phil Lord and Christopher Miller. But Johnson was either strong enough or weak enough to adapt to such pressures, and the result is the longest and least essential chapter in the series.

Peter Debruge, Variety - Fresh

Unfortunately, The Last Jedi has almost as much Attack of the Clones as it does The Empire Strikes Back in that it’s overlong, under-edited and has at least one particularly long-winded CGI flurry of a sequence that harkens back to the darkest days of the franchise. There’s no whining about sand getting everywhere and the acting is really strong across the board (Hamill is particularly great back in Jedi robes, ham and all) but The Last Jedi could definitely have used a second editorial pass.

Matt Oakes, Silver Screen Riot - Fresh

At 2 1/2 hours, Star Wars: The Last Jedi could have been tightened-up in the editing room, cutting out that bloated middle section and removing things like Maz Kanata’s cameo and the cute slave kids which feel like they dropped in from a totally different movie. When it works, it really works but when it doesn’t, it feels like bad fan-fiction with a million dollar budget.

Niall Browne, Movies in Focus - Fresh

I can only wonder what The Last Jedi might have been with Finn and Poe taking a backseat (like how the latter was absent for three-quarters of The Force Awakens) so thirty minutes could be cut and the “important” stuff made tighter. Because there is a great film within what’s ultimately a good one.

Jared Mobarak, BuffaloVibe - Fresh

Whereas the first half is a sort of a convoluted mess just for the sake to pad out the runtime especially with an inconsistent tone, "The Last Jedi" becomes a dark and exciting sequel that becomes the film you've been looking for by the 75-minute mark.

Rendy Jones, Rendy Reviews, Fresh

the film is probably 10-15 minutes too long. Yes, Snoke (Andy Serkis) was not given near enough explanation and Phasma (Gwendoline Christie) was wasted.

Robert Daniels, 812filmreviews - Fresh

It's a two-and-a-half hour movie. It needs to be good in its own right, not just setting up for the next episode.

Tony Baker, Tony Baker Comedy - Rotten

Johnson ends up biting off more than he can chew. He's juggling too many storylines, and takes too long to move the narrative forward. Fatigue sets in about three-quarters of the way in. He doesn't heed the lesson of the chapter “Jedi” often resembles, “The Empire Strikes Back.” That film, still the best “Star Wars.,” ended with a whopper of a cliffhanger. Johnson resists the urge to leave most of his strands unresolved, and as a result his film begins to feel unwieldy when it should be picking up momentum. At two and a half hours, it could have used a trim of at least 15 minutes.

Ruben Rosario, MiamiArtZine - Fresh

but there are problems with the first half of "The Last Jedi." After an exciting initial space battle, to say that the mid-section of the movie drags would be an understatement. First, both prominent new characters Rose and DJ seemed shoe-horned in, and Rose especially doesn't seem to have a real place in this film nor does she add anything to be hopeful about in the future. And while both Rey and Poe fans will probably be pleased with where their characters go, Finn sort of takes a step back, as he is sent off on a side adventure that seems like second-tier Star Wars. It's a diversion that takes up a good portion of the film and really serves no purpose to the overall story...worse yet, it seems to contain some heavy-handed political messages not commonly found, at least not this blatantly, in the Star Wars universe. These are more than just quibbles too: Most fans will not be used to the slow, lumbering pace or the general unevenness of this film...especially coming on the heels of the action-packed pacing that JJ Abrams brought in Episode VII.

Tom Santilli, AXS.com - Fresh

Star Wars: The Last Jedi is also, at two hours and thirty-two minutes, the longest of the nine movies thus far, and deep into the second hour it can feel a little draining. There’s some stuff that feels extraneous (the whole Canto Bight sequence, which seems to exist to set up a new Lando-like character played by Benicio del Toro), and the cycle of attack and retreat — mostly retreat — gets a bit monotonous.

Rob Gonsalves, eFilmCritic.com - Fresh

At times it burns a tad too slow: two-thirds through its jam-packed 152 minutes, I felt the need for a 7th-inning stretch.

Michael Sragow, Film Comment Magazine - Fresh

Aunque este clímax habría funcionado bien como final, “The Last Jedi” no termina (desafortunadamente) después de esto. Es seguido por otros 40 minutos, con baches, en los que los héroes se reúnen y tienen que pelear una batalla final. Sin embargo, la película pierde un poco de su trazabilidad aquí, cuando los personajes, las fuerzas y las explosiones siempre aparecen exactamente donde se necesitan para la trama.

Ruben Peralta Rigaud, Cocalecas - Fresh

The movie’s main failing is that it tries to stuff too much plot into its over-long 2 hour and 30 minute run time. The result is an ending that feels endless and anti-climactic while several elements that could have been gob-smacking feel rushed and underdeveloped. It particularly does a disservice to Kylo Ren, as we’re never quite sure what his motivation is.

Megan Basham, WORLD - Fresh

I both loved it and strongly disliked it at the same time. I feel like there's a really great movie in there, all the pieces are there, everything is brilliant, but then there's a lot of extra fat that needed to be trimmed off or rearranged or omitted completely.

Steph Cozza, Aggressive Comix - Fresh

At two-and-a-half hours, with about nine separate cliffhanger endings, it’s a bit long

Bill O'Driscoll, Pittsburgh City Paper - Fresh

If you can accept the excess, the weird humour, the entirely inessential subplot, and the fact that it could stand to end a scene earlier, then the series will continue to thrive in a galaxy far, far away.

Alex Doenau, Trespass - Fresh

The script is flabby; every scene has purpose, but certain aspects feel overlong and jarring. Just like Lord of the Rings: Return of the King, it also suffers several endings too many.

Owen Richards, The Arts Desk - Fresh

At two and a half hours, this is the longest Star Wars picture to date, and I wondered if they’d tried to pack too much in.

Molly Laich, Missoula Independent - Fresh

I’m saying some of this movie seems a little half baked, and also overstuffed. If there’s any kind of movie I want to be over two and a half hours long, it’s a Star Wars movie. But, at that length, it needs to be a really good Star Wars movie, not a so-so one. The Last Jedi is so-so.

Bob Grimm, Reno News and Review - Fresh

The Last Jedi has a few good ideas but these are utterly lost amidst an over-long and utterly unsatisfying overall plot. Replete with poor dialogue, irritating tonal shifts and superfluous scenes, The Last Jedi adds very little to the saga except an overwhelming sense of disappointment not felt since the release of The Phantom Menace.

Richard Dove, International Business Times - Rotten

It is more than 150 minutes long. It has too many plot twists and too much fighting and too many characters.

Mark R. Leeper, Mark Leeper's Reviews - Fresh

Many have complained or commented on the length of The Last Jedi. It did start to feel long towards the end, yet I don’t think it was due to the actual time stamp of the film. Instead, I believe it is because of the drawn out plots within the film itself. Many parts of the story are over showcased destroying the strength and believably in the plot.

Stephanie Archer, Film Inquiry - Fresh

This film did not need to be 152 minutes and should have been closer to the 120 minute standard established by the earlier films. I hope one day we’ll see a fan cut that is actually closer to two hours.

Chris Gore, Film Threat - Fresh

The Last Jedi is still overstuffed, slightly too long, reliant on some vaguely-defined powers, and mostly consists of an endless chase towards a shifting MacGuffin.

Vincent Mancini, FilmDrunk - Fresh

The Last Jedi is 50 fucking minutes too long, and the most excruciatingly boring movie that has ever been released in this franchise. And this is a franchise that once opened up a movie by talking about controversial tax legislation.

Tim Brayton, Alternate Ending - Rotten

The Last Jedi has some issues. Pacing is the biggest one. This is the longest Star Wars film so far, and it feels like it. Johnson does his best to hustle from one location to the next, but the narrative has a tendency from time to time to drag.

Chris Evangelista, Slashfilm - Fresh

While Luke leads the Force thread, the battle between good and evil, the rest feels a bit standard issue action film lurching through one, or two, too many cycles of near peril. This is in part down to writer-director Rian Johnson and also down to patchy leads.

Aine O'Connor, Sunday Independent (Ireland) - Fresh

Writedirector Rian Johnson’s movie is underwhelming. Where it falters is a story that borrows heavily from others in the franchise like The Empire Strikes Back. That I can live with, but I can’t live with unnecessary length. This is an overdone 2 1/2 hour movie that would have been a terrific 90-minute extravaganza.
The first hour drags. The predictable second hour is just as tedious in more spots than not before Johnson finally moves you to the even more predictable slam bang action of the last half-hour.

Gary Wolcott, Tri-City Herald - Fresh

At 152 minutes, The Last Jedi is the longest of the nine Star Wars films to date — it’s also the only one where the length is felt. While all the scenes involving younglings should have been deep-sixed, the rest of the fatty tissue can be forgiven, since it simply meant Johnson wanted to make sure fans were saturated and satisfied. Yet there aren’t many vignettes that couldn’t have benefited from a judicious trim here or there.

Matt Brunson, Creative Loafing(Charlotte) - Fresh

At 2 hours and 32 minutes, the longest ever in the series, there are lots of highlights and probably a few too many endings

Pete Hammond, Deadline Hollywood Daily - Fresh

Despite the Rey-Luke drama, the first half of The Last Jedi is its most lumbering and uneven, never really clicking as it rambles through its multiple plotlines in a manner that feels simultaneously rushed and overlong.

James Kendrick, Q Network Film Desk - Fresh

However, there are moments towards the end of the film that feel as though they are just a tad unnecessary, that the race to the finale is going on just a little too long.

Irene Falvey, Film Ireland Magazine - Fresh

So what's necessary to know about the 40th anniversary "Star Wars" is that, at two and a half hours, it's at least a half-hour too long (maybe 45 minutes) and it's overfull of the usual digital battle sequences which so many of us have come to consider a wee bit old hat in the decades since "Star Wars" introduced us to a new thing back in 1977.

Jeff Simon, Buffalo News - Fresh

Johnson has sorted all of this material into an elaborate roundelay that feels endless (the movie is way too long at two and a half hours). Surely sections of the film could have been trimmed—maybe the Laura Dern scenes, which cry out for compression, or the training sequences with Luke and Rey (in which he says things like "Reach out with your feelings").

Kurt Loder, Reason Online - Fresh

The film is long, however, and begins to feel more than a little labored by the time the various epic showdowns finally take place.

Piers Marchant, Arkansas Democrat-Gazette - Rotten

A lot of “The Last Jedi” is engrossing and emotional—but there’s also the long runtime, uneven pacing, and slightly underdeveloped characters to deal with. “The Last Jedi” is often exceptional, but its desire to do too many things, tell too many stories, and continue expanding its own cast and narrative makes the film fundamentally imbalanced.

Roxana Hadadi, Chesapeake Family Magazine - Fresh

There is a great deal going on in The Last Jedi and the way it splits off the main characters into separate but intertwined stories makes for a long, over-plotted film that even starts to drag a little in the middle.

Allan Hunter, Daily Express (UK) - Fresh

A few of the goofier comic moments fail to land and true to the legacy of Lucas there’s a fair amount of eye-wincing dialogue. More importantly, the second act bows under the weight of too many narrative strands; Finn’s away mission comes off as a bit superfluous, as does Laura Dern’s Vice Admiral Holdo, and both Rose and the beloved Chewbacca (Joonas Suotamo) are sadly underwritten. In a trade-off that brings scope and complexity, Johnson has sacrificed narrative efficiency.

Christopher Machell, CineVue - Fresh

If “The Last Jedi” has a main flaw it’s that it’s too long at just over two-and-a-half hours. When the film is cross-cutting between the escape of the Resistance and the showdown with Snoke, one might assume this was the climax of the film. In fact, there’s much more to come.

Daniel M. Kimmel, New England Movies Weekly - Fresh

At 152 minutes, "Star Wars: The Last Jedi" is too long, and could have been trimmed by at least 10-15 minutes.

David Kaplan, Kaplan vs. Kaplan - Fresh

Despite being overlong and drenched in déjà vu (replete with conversations about one’s parents, whether or not one will ‘turn’, whether one is the last hope or the new hope, etcetera etcetera) I appreciated a lot of The Last Jedi, in the same way I appreciate re-reading a decent book – respecting the structure and craft of it, and feeling no sense of surprise.

Luke Buckmaster, The Daily Review/Crikey - Rotten

At 152 minutes, “The Last Jedi” is probably 20 minutes too long yet never fails to entertain.

Maria Sciullo, Pittsburgh Post-Gazette - Fresh

If some of these detours drag on a bit, hampering momentum and bulking up The Last Jedi’s not-entirely-necessary two-hour-and 32-minute runtime, well, at least the various locales are fun to look at.

Rebecca Pahle, Film Journal International - Fresh

a running time of 152 or so minutes that easily could have been tightened down quite a bit

Jim Judy, Screen It! - Fresh

While many complained – justifiably – that the previous entry, The Force Awakens, was nothing but a remake of 1977’s A New Hope, the same sort of narrative déjà vu is at play here, to a certain degree. Equally troublesome is Jedi’s bloated running time. Clocking in at 2 ½ hours, the movie seems longer than it actually is due to the fact we’re going over well-covered narrative territory.

Charles Koplinski, Illinois Times - Rotten

It’s too long by a good 30 minutes, feels like two films mashed together, has about five endings and it seems to be taking cues from the George R. R. Martin school of right-angled plot twists.

Patrick Kolan, Shotgun Cinema - Fresh

Overly long and consistently clunky, The Last Jedi ultimately proves a bit of a mixed bag. Too often the dialogue is exposition heavy and played for easy laughs.

Tom Glasson, Concrete Playground - Fresh

The Last Jedi is overlong, heavy-handed and fun if mostly uninspired.

James Verniere, Boston Herald - Fresh

At 151 minutes, the film is overlong and repetition sets in, not just for this film but for the series in general

Laura Clifford, Reeling Reviews - Fresh

The Last Jedi is the party that never wants to end. It keeps going and going – and going – until there is no corner of the house left to decorate. It pushes all the buttons. It is constantly in competition with itself (it comes with two huge ending sequences). It is also baggy in places, and that’s not something I’d expected.

Chris Wasser, The Herald (Ireland) - Fresh

At the same time, it does take a while for “Last Jedi” to get up to speed. Some of the humor feels a little distracting and the lengthy final product suggests a tighter execution might have felt more resonant.

Josh Terry, Deseret News (Salt Lake City) - Fresh

Or maybe it's just a case of "The Last Jedi" itself overstaying its welcome with a running time topping two and a half hours.

Greg Maki, Star-Democrat (Easton, MD) - Fresh

This is the longest Star Wars movie yet, clocking in at 150 minutes, and it has at least one ending too many, and a middle that sags a bit.

Rain Jokinen, MullingMovies.com - Fresh

We’ve seen this story before. Sure, “stuff” happens over the film’s 157-minutes but our main characters remain pretty much in the same place. You’d swear time stands still.

Dana Barbuto, The Patriot Ledger - Fresh

“The Last Jedi” is the longest of the “Star Wars” efforts (152 minutes) and feels it

Brian Orndorf, Blu-ray.com - Fresh

At 152 minutes, it’s also way too damn long. And Rian Johnson should not have been allowed to write and direct. The script is a problem — it has only two really great “moments” which isn’t enough for 152 minutes. But it also doesn’t feel quite right — the language, the iconography, the weirdly campy humor at the beginning — it doesn’t feel a part of the Star Wars universe.

Ray Greene, CineGods.com - Rotten

But the character moments and the explorations of moral ambiguity aren’t quite compelling enough to compensate for the slow pacing in the middle (one thing a Star Wars movie should never be is dull), and it takes too long to get to the most rousing action sequences.

Josh Bell, Las Vegas Weekly - Fresh

I don’t want to be too generous. I would cut 15 minutes out. There are editing choices that leave the film feeling choppy when it should feel smooth.

David Poland, Movie City News - Fresh

In truth, it takes a very long time to get from the film’s exhilarating start to that moving sign-off. Stars Wars: The Last Jedi lasts fully two-and-a-half hours, and there were moments towards the end when I felt like one of those poor Cubans listening to Fidel Castro at the height of his oratorical vigour: just as you’re planning your route to the exit, it lurches into yet another new lease of life.

Brian Viner, Daily Mail (UK) - Fresh

Editor Bob Ducsay moves the individual sequences along with dispatch; it isn’t his fault that at two-and-a-half hours the movie overstays its welcome. That’s the fault of Johnson’s decision to pile climax upon climax as if they were on sale at Screenplays-R-Us, apparently unwilling to jettison any of the ideas he’s had for propelling the story forward.

Frank Swietek, One Guy's Opinion - Fresh

Which leads into another problem I mentioned briefly earlier -- the pacing. Watching the first hour, I had the uncomfortable sense that maybe it needed trimming by about ten minutes or so, and that Rey's and Luke's story kept stalling and going in circles for a while. Then, the pacing in the last hour is so spot-on, it confirms all of those earlier feelings. Adding to the problem is the choice of starting point for the film. I realize kicking off with a more action-driven sequence has benefits, but it felt disorienting since we remember how the last film ended and probably want to pick up that thread first. It was an easy call, I feel, and the film's choice merely confirms my own sense that there was a better option.

Mark Hughes, Forbes - Fresh

The 2 hr and 30-minute runtime really hurt the film. I feel like there are just certain spots throughout the film where it just drags. It hard to pinpoint exactly when and where they occur on just one viewing but I was definitely bored at times.

Scott Menzel, We Live Entertainment - Fresh

“The Last Jedi” suffers from “The Lord of the Rings” syndrome — it seems like it might never end. It also poaches scenes, ideas and moments from “Harry Potter,” “The Hunger Games” and “Guardians of the Galaxy.”

David Frese, Kansas City Star - Fresh

At 152 minutes, “The Last Jedi” runs long, with a bit too much time spent on Ahch-To. And Hamill — who shares the weathered, lion-like look of modern-day Robert Plant — turns in a true love-it-or-hate-it portrayal of an aged Skywalker.

Ross Raihala, St. Paul Pioneer Press - Fresh

At over two-and-a-half hours, the film had me reconsidering if I really needed a Finn v. Phasma fight, or a five-act structure. So consider the urgency. A wordsmith in his own right, Johnson seems to be dumbing himself down here for the sake of the brand. He manages to pose some of the most complex ideas on morality and war this franchise has ever attempted, but is forced to breeze through and cap them off with trite buzzwords.

Conor O'Donnell, The Film Stage - Fresh

The film is overlong at two and a half hours, and you may well catch yourself thinking “this could probably have been cut.”

Jonathan Hatfull, SciFiNow - Fresh

Yes, it’s probably half an hour too long. There is a whole section that feels out of kilter and harks back to the CGI naffness of the prequels — and is also virtually pointless to the plot.

Jamie East, The Sun (UK) - Fresh

The middle section loses its shape and is subject to longueurs.

Ian Freer, Empire Magazine - Fresh

The Last Jedi is the longest Star wars movie, and it does feel like it. The third act is a beating drum of moments that each seem like they could be a satisfying climax.

Susana Polo, Polygon - Fresh

Where the film falters is in its pacing. Even jumping between three storylines, there’s a lack of momentum at times as no one is really going anywhere. The Resistance fleet is crawling away from the First Order; Rey is in a stalemate with Luke on Ahch-To; and obviously things aren’t a breeze on Canto Bight. And yet the dramatic tension of the first two storylines hold up intact. The fleet storyline plays like the excellent Battlestar Galactica episode “33” and everything is Ahch-To is great because Johnson is doing some fascinating things with the character dynamics between Rey, Luke, and Kylo Ren. But the Canto Bight stuff is a bit of a drag, and then you feel it in final act of the film where, despite some amazing moments, you can’t shake the feeling that The Last Jedi is probably a bit too long even if it’s difficult to know what to cut.

Matt Goldberg, Collider - Fresh

There's a lot going on - too much. The film could have used a hard edit to lose about 20 minutes or more. Resistance ships explode and the fleet's fuel running low, but it doesn't keep us on the edges of our seats. Poe, Rey and Finn- the new heroes we're supposed to fall in love with - are uncharismatic and bland.

Julie Washington, Cleveland Plain Dealer - Fresh

Star Wars: The Last Jedi is a long work of art that doesn't know when to quit

Scott Mendelson, Forbes - Fresh

If there's a problem, it's only that it's a little too long at two and a half hours (a first for the franchise), which might prove challenging for younger viewers. It turns out you can have too much of a good thing after all.

Matthew Turner, Hero Collector - Fresh

Tran is a rock-solid addition, but here, and elsewhere, one is reminded of the deftness of editing on both (yes, both) previous trilogies. Intercut sequences that moved swiftly in earlier films feel clumsy. Where once the passing of time was cannily implied yet compact on screen in, say, “Empire,” in “Last Jedi,” well ... you can fit a lot of movie into 152 minutes.

Joe Gross, Austin American-Statesman - Fresh

But The Last Jedi’s two-and-half-hour sprawl still includes an awful lot of clunky, derivative, and largely unnecessary incidents to wade through in order to get to its maverick last act. This is especially true when it comes to the plausibility-straining mission of stormtrooper turned Rebel Alliance fighter Finn and puckish series newcomer Rose Tico.

Sam C. Mac, Slant Magazine - Rotten

Some tighter editing would have relieved most of my mid-movie tension — as well as my bladder concerns as “The Last Jedi” stretches to an unnecessarily long 151 minutes. If not for that spectacular final act, it would be tempting to refer to it as “The Lasts and Lasts and Lasts Jedi.”

Christopher Lawrence, Las Vegas Review-Journal - Fresh

The Last Jedi is a whopping two-and-a-half hours, and it would have been much improved if an editor had taken a lightsaber to its less crucial sections.
To cut a long story short (and I wish Johnson had cut his own long story short): if you’re getting bored halfway through The Last Jedi, hang on in there. Just when you think it’s about to end, it really gets going.

Nicholas Barber, BBC.com - Fresh

For the first half of a punishingly long film, we repeatedly cut back to Star Wars Island where Rey is begging Luke to train her as a Jedi.

Donald Clarke Irish Times Rotten

There are times, however, when the wow factor and compelling character beats give way to the feeling that Johnson lost the run of himself with the film's duration, and that the longest adventure in Star Wars history really didn't need that distinction.

Harry Guerin, RTÉ (Ireland) - Fresh

Several characters remain underdeveloped, and appear as well dressed plot devices which contribute to an unevenness hard to justify in the 151 minutes running time.

Jon Lyus, HeyUGuys - Fresh

Even Johnson’s sense of fun and mischief can’t sustain the film for two-and-a-half hours; the warring gets boring. One scene is replayed three times with different interpretations but it’s hardly Rashomon and a movie this long can’t afford to dawdle. No one could mistake The Last Jedi for an outstanding contribution to cinema, or even to escapism, but it has its attractions.

Ryan Gilbey, New Statesman - Fresh
Indeed it does, Ryan. And that concludes part III. TL;DR:TLJ is TL.